“All I have left in the end is my present pathetic existence” (Thomas Bernhard)

But what am I really like? Once more I was caught up in speculations about myself. I don’t know why, but suddenly I recalled that twenty-five years ago, when I was just over twenty, I’d been a member of the Socialist Party. What a joke! I wasn’t a member for long. As with everything else, I resigned my membership after a few months. And to think that I once wanted to become a monk! That I once thought of becoming a Catholic priest! And that I once donated eight hundred thousand schillings for the starving in Africa! To think that that’s all true! At the time it all seemed logical and natural enough. But now I’ve completely changed. To think that I once believed I would marry! And have children! I even thought at one time of going into the army, of becoming a general or a field-marshal like one of my ancestors! Absurd. There’s nothing I wouldn’t once have given everything for, I told myself. But all these speculations added up, if not to nothing, then to ludicrously little. Poverty, wealth, the church, the army, parties, welfare institutions — all ludicrous. All I have left in the end is my present pathetic existence, which no longer has very much to offer. But that’s how it should be. No doctrine holds water any longer; everything that is said and preached is destined to become ludicrous. It doesn’t even call for my scorn any longer. It doesn’t call for anything, anything at all. When we really know the world, we see that it is just a world full of errors. But we are reluctant to part from it, because in spite of everything we’ve remained fairly naive and childlike, I thought. What a good thing that I had my eye-pressure measured. Thirty-eight! We mustn’t pretend to ourselves. We may keel over at any moment.

From Thomas Bernhard’s novel Concrete.

Landscape — Qi Zhijia

“Oscar Wilde” — Dorothy Parker

oscar wilde

Milton When a Boy Instructed by His Mother — Henry Fuseli

Blue Night — Edward Hopper

PLEASE HELP WHAT HORROR IS THIS

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Seriously:

What horror is this?

Via frequent commenter Will C., a nightmare image (he linked it, and rightly so, to some other horror).

Posted in Art

“Asylum Product” — Charles Reznikoff

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“All art constantly aspires towards the condition of music”

“The King of Jazz” — Donald Barthelme

“The King of Jazz”

by

Donald Barthelme

Well, I’m the king of jazz now, thought Hokie Mokie to himself as he oiled the slide on his trombone. Hasn’t been a ‘bone man been king of jazz for many years. But now that Spicy MacLammermoor, the old king, is dead, I guess I’m it. Maybe I better play a few notes out of this window here, to reassure myself.

“Wow!” said somebody standing on the sidewalk. “Did you hear that?”

“I did,” said his companion.

“Can you distinguish our great homemade American jazz performers, each from the other?”

“Used to could.”

“Then who was that playing?”

“Sounds like Hokie Mokie to me. Those few but perfectly selected notes have the real epiphanic glow.”

“The what?”

“The real epiphanic glow, such as is obtained only by artists of the caliber of Hokie Mokie, who’s from Pass Christian, Mississippi. He’s the king of jazz, now that Spicy MacLammermoor is gone.”

Hokie Mokie put his trombone in its case and went to a gig. At the gig everyone fell back before him, bowing.

“Hi Bucky! Hit Zoot! Hi Freddie! Hi George! Hi Thad! Hi Roy! Hi Dexter! Hi Jo! Hi Willie! Hi Greens!”

“What we gonna play, Hokie? You the king of jazz now, you gotta decide.”

“How ’bout ‘Smoke’?”

“Wow!” everybody said. “Did you hear that? Hokie Mokie can just knock a fella out, just the way he pronounces a word. What an intonation on that boy! God Almighty!” Continue reading ““The King of Jazz” — Donald Barthelme” →

St. Augustine Reading — Marco Zoppo

Night Hauling — Andrew Wyeth

“Résumé” — Dorothy Parker

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The London Jungle Book (Book Acquired, 2.28.2014)

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Bhajju Shyam’s The London Jungle Book arrived a few days ago: Beautiful stuff. Full review to come, but blurb for now:

Hailed as a book that reverses the anthropological gaze, ‘The London Jungle Book’ is the personal story of Indian tribal artist Bhajju Shyam’s first encounter with a western city. Revised & fully updated to mark the 10th anniversary of that momentous journey, Bhajju’s rich art and poignant reflections are as relevant today as they ever were.

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Impressive View of the Go River –Ikeno Taiga

Ash Wednesday — Carl Spitzweg

Portrait of Maffeo Barberini — Caravaggio

The Hands — Edvard Munch