Warhol and Hitchcock

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Andy interviews Alfred.

Merde — Leos Carax (Short Film with English Subtitles)

(Here is my take on Carax’s film Holy Motors, of which Merde is perhaps a preamble).

“Saturday Afternoon” — Erskine Caldwell

“Saturday Afternoon” by Erskine Caldwell

Tom Denny shoved the hunk of meat out of his way and stretched out on the meat block. He wanted to lie on his back and rest. The meat block was the only comfortable place in the butcher shop where a man could stretch out and Tom just had to rest every once in a while. He could prop his foot on the edge of the block, swing the other leg across his knee and be fairly comfortable with a hunk of rump steak under his head. The meat was nice and cool just after it came from the icehouse. Tom did that. He wanted to rest himself a while and he had to be comfortable on the meat block. He kicked off his shoes so he could wiggle his toes. Tom’s butcher shop did not have a very pleasant smell. Strangers who went in to buy Tom’s meat for the first time were always asking him what it was that had died between the walls. The smell got worse and worse year after year.

Tom bit off a chew of tobacco and made himself comfortable on the meat block.

There was a swarm of flies buzzing around the place; those lazy, stinging, fat and greasy flies that lived in Tom’s butcher shop. A screen door at the front kept out some of them that tried to get inside, but if they were used to coming in and filling up on the fresh blood on the meat block they knew how to fly around to the back door where there had never been a screen.

Everybody ate Tom’s meat, and liked it. There was no other butcher shop in town. You walked in and said, “Hello, Tom. How’s everything today?” “Everything’s slick as a whistle with me, but my old woman’s got the chills and fever again.” Then after Tom had finished telling how it felt to have chills and fever, you said, “I want a pound of pork chops, Tom.” And Tom said, “By gosh, I’ll git it for you right away.” While you stood around waiting for the chops Tom turned the hunk of beef over two or three times businesslike and hacked off a pound of pork for you. If you wanted veal it was all the same to Tom. He slammed the hunk of beef around several times making a great to-do, and got the veal for you. He pleased everybody. Ask Tom for any kind of meat you could name, and Tom had it right there on the meat block waiting to be cut off and weighed. Continue reading ““Saturday Afternoon” — Erskine Caldwell” →

Portrait of Stanley Kubrick — Katsuhiro Otomo

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June — Childe Hassam

“Of Projectors” — Daniel Defoe

“Of Projectors” by Daniel Defoe

Man is the worst of all God’s creatures to shift for himself; no other animal is ever starved to death; nature without has provided them both food and clothes, and nature within has placed an instinct that never fails to direct them to proper means for a supply; but man must either work or starve, slave or die. He has indeed reason given him to direct him, and few who follow the dictates of that reason come to such unhappy exigences; but when by the errors of a man’s youth he has reduced himself to such a degree of distress as to be absolutely without three things—money, friends, and health— he dies in a ditch, or in some worse place, a hospital.

Ten thousand ways there are to bring a man to this, and but very few to bring him out again.

Death is the universal deliverer, and therefore some who want courage to bear what they see before them, hang themselves for fear; for certainly self-destruction is the effect of cowardice in the highest extreme.

Others break the bounds of laws to satisfy that general law of nature, and turn open thieves, house-breakers, highwaymen, clippers, coiners, &c., till they run the length of the gallows, and get a deliverance the nearest way at St. Tyburn.

Others, being masters of more cunning than their neighbours, turn their thoughts to private methods of trick and cheat, a modern way of thieving every jot as criminal, and in some degree worse than the other, by which honest men are gulled with fair pretences to part from their money, and then left to take their course with the author, who skulks behind the curtain of a protection, or in the Mint or Friars, and bids defiance as well to honesty as the law.

Others, yet urged by the same necessity, turn their thoughts to honest invention, founded upon the platform of ingenuity and integrity.

These two last sorts are those we call projectors; and as there was always more geese than swans, the number of the latter are very inconsiderable in comparison of the former; and as the greater number denominates the less, the just contempt we have of the former sort bespatters the other, who, like cuckolds, bear the reproach of other people’s crimes.

A mere projector, then, is a contemptible thing, driven by his own desperate fortune to such a strait that he must be delivered by a miracle, or starve; and when he has beat his brains for some such miracle in vain, he finds no remedy but to paint up some bauble or other, as players make puppets talk big, to show like a strange thing, and then cry it up for a new invention, gets a patent for it, divides it into shares, and they must be sold. Ways and means are not wanting to swell the new whim to a vast magnitude; thousands and hundreds of thousands are the least of his discourse, and sometimes millions, till the ambition of some honest coxcomb is wheedled to part with his money for it, and then (nascitur ridiculus mus) the adventurer is left to carry on the project, and the projector laughs at him. The diver shall walk at the bottom of the Thames, the saltpetre maker shall build Tom T-d’s pond into houses, the engineers build models and windmills to draw water, till funds are raised to carry it on by men who have more money than brains, and then good-night patent and invention; the projector has done his business and is gone.

But the honest projector is he who, having by fair and plain principles of sense, honesty, and ingenuity brought any contrivance to a suitable perfection, makes out what he pretends to, picks nobody’s pocket, puts his project in execution, and contents himself with the real produce as the profit of his invention.

A Scholar Seated at a Table with Books — Rembrandt

Bring Me the Head of Alfredo Garcia — Sam Peckinpah

“Inferno, I, 32” — Jorge Luis Borges

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Dante and Virgil — Camille Corot

We shall enjoy it (Sappho)

Capture

Smoking Makes You Look Cool (Part III)

Clarice Lispector
Clarice Lispector
conrad
Joseph Conrad
james baldwin
James Baldwin
Barry Hannah
Barry Hannah
art spiegelman
Art Spiegelman
paul bowles
Paul Bowles
langston hughes
Langston Hughes
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Patricia Highsmith
T.S._Eliot,_1923
T.S.Eliot

(Parts I and II (don’t worry, everyone already yelled at me re: “smoking unhealthy,” etc., and yes, whole post was probably just an excuse to run that pic of Lispector)).

 

“Of Superstition” — Francis Bacon

“Of Superstition” by Francis Bacon

IT WERE better to have no opinion of God at all, than such an opinion, as is unworthy of him. For the one is unbelief, the other is contumely; and certainly superstition is the reproach of the Deity. Plutarch saith well to that purpose: Surely (saith he) I had rather a great deal, men should say, there was no such man at all, as Plutarch, than that they should say, that there was one Plutarch, that would eat his children as soon as they were born; as the poets speak of Saturn. And as the contumely is greater towards God, so the danger is greater towards men. Atheism leaves a man to sense, to philosophy, to natural piety, to laws, to reputation; all which may be guides to an outward moral virtue, though religion were not; but superstition dismounts all these, and erecteth an absolute monarchy, in the minds of men. Therefore theism did never perturb states; for it makes men wary of themselves, as looking no further: and we see the times inclined to atheism (as the time of Augustus Caesar) were civil times. But superstition hath been the confusion of many states, and bringeth in a new primum mobile, that ravisheth all the spheres of government. The master of superstition, is the people; and in all superstition, wise men follow fools; and arguments are fitted to practice, in a reversed order. It was gravely said by some of the prelates in the Council of Trent, where the doctrine of the Schoolmen bare great sway, that the Schoolmen were like astronomers, which did feign eccentrics and epicycles, and such engines of orbs, to save the phenomena; though they knew there were no such things; and in like manner, that the Schoolmen had framed a number of subtle and intricate axioms, and theorems, to save the practice of the church. The causes of superstition are: pleasing and sensual rites and ceremonies; excess of outward and pharisaical holiness; overgreat reverence of traditions, which cannot but load the church; the stratagems of prelates, for their own ambition and lucre; the favoring too much of good intentions, which openeth the gate to conceits and novelties; the taking an aim at divine matters, by human, which cannot but breed mixture of imaginations: and, lastly, barbarous times, especially joined with calamities and disasters. Superstition, without a veil, is a deformed thing; for, as it addeth deformity to an ape, to be so like a man, so the similitude of superstition to religion, makes it the more deformed. And as wholesome meat corrupteth to little worms, so good forms and orders corrupt, into a number of petty observances. There is a superstition in avoiding superstition, when men think to do best, if they go furthest from the superstition, formerly received; therefore care would be had that (as it fareth in ill purgings) the good be not taken away with the bad; which commonly is done, when the people is the reformer.

 

The Misses Vickers — John Singer Sargent

Slacker (Peanuts)

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“Exotic smoking practices around the world, of great anthropological value!” (Pynchon’s Against the Day)

Observers of the Fair had remarked how, as one moved up and down its Midway, the more European, civilized, and . . . well, frankly, white exhibits located closer to the center of the “White City” seemed to be, whereas the farther from that alabaster Metropolis one ventured, the more evident grew the signs of cultural darkness and savagery. To the boys it seemed that they were making their way through a separate, lampless world, out beyond some obscure threshold, with its own economic life, social habits, and codes, aware of itself as having little if anything to do with the official Fair. . . . As if the halflight ruling this perhaps even unmapped periphery were not a simple scarcity of streetlamps but deliberately provided in the interests of mercy, as a necessary veiling for the faces here, which held an urgency somehow too intense for the full light of day and those innocent American visitors with their Kodaks and parasols who might somehow happen across this place. Here in the shadows, the faces moving by smiled, grimaced, or stared directly at Lindsay and Miles as if somehow they knew them, as if in the boys’ long career of adventure in exotic corners of the world there had been accumulating, unknown to them, a reserve of mistranslation, offense taken, debt entered into, here being reexpressed as a strange Limbo they must negotiate their way through, expecting at any moment a “runin” with some enemy from an earlier day, before they might gain the safety of the lights in the distance.

Armed “bouncers,” drawn from the ranks of the Chicago police, patrolled the shadows restlessly. A Zulu theatrical company reenacted the massacre of British troops at Isandhlwana. Pygmies sang Christian hymns in the Pygmy dialect, Jewish klezmer ensembles filled the night with unearthly clarionet solos, Brazilian Indians allowed themselves to be swallowed by giant anacondas, only to climb out again, undigested and apparently with no discomfort to the snake. Indian swamis levitated, Chinese boxers feinted, kicked, and threw one another to and fro.

Temptation, much to Lindsay’s chagrin, lurked at every step. Pavilions here seemed almost to represent not nations of the world but Deadly Sins.   Pitchmen in their efforts at persuasion all but seized the ambulant youths by their lapels.

“Exotic smoking practices around the world, of great anthropological value!”

“Scientific exhibit here boys, latest improvements to the hypodermic syringe and its many uses!”

Here were Waziris from Waziristan exhibiting upon one another various techniques for waylaying travelers, which reckoned in that country as a major source of income. . . . Tarahumara Indians from northern Mexico crouched, apparently in total nakedness, inside lathandplaster replicas of the caves of their native Sierra Madre, pretending to eat visionproducing cacti that sent them into dramatic convulsions scarcely distinguishable from those of the common “geek” long familiar to American carnivalgoers. . . . Tungus reindeer herders stood gesturing up at a gigantic sign reading SPECIAL REINDEER SHOW, and calling out in their native tongue to the tip gathered in front, while a pair of young women in quite revealing costumes—who, being blonde and so forth, did not, actually, appear to share with the Tungus many racial characteristics—gyrated next to a very patient male reindeer, caressing him with scandalous intimacy, and accosting passersby with suggestive phrases in English, such as “Come in and learn dozens ways to have fun in Siberia!” and “See what really goes on during long winter nights!”

“This doesn’t seem,” Lindsay adrift between fascination and disbelief, “quite . . . authentic, somehow.”

An early episode from Thomas Pynchon’s novel Against the Day; here, the Chums of Chance have flown to Chicago to visit the “World’s Columbian Exposition recently opened there;” Lindsay Noseworth and Miles Blundell fearlessly go beyond “the fabled ‘White City,’ its great Ferris wheel, alabaster temples of commerce and industry, sparkling lagoons, and the thousand more such wonders, of both a scientific and an artistic nature.”

Conversation with Smaug — J.R.R. Tolkien

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