Category: Art
Voulangis — Edward J. Steichen

The American — Bo Bartlett
Netherlandish Proverbs (detail) — Pieter Bruegel the Elder
July Night — Childe Hassam

Flag on Orange Field — Jasper Johns

Netherlandish Proverbs (detail) — Pieter Bruegel the Elder
Nude on Checked Cloth — Egon Schiele

Netherlandish Proverbs (detail) — Pieter Bruegel the Elder
July Hay — Thomas Hart Benton

Man Lying with Branch — Anselm Kiefer

Luke Pearson’s Hildafolk series (Books acquired, 6.20.2016)

The kind people at Nobrow sent along three gorgeous Hilda graphic novels by Luke Pearson ten days ago, and we’ve (my family, I mean) read each of them repeatedly since then—we’ve read them independently and to each other (my daughter started her own Hilda comic). I’ll have a proper essay-review thing up down the line, but for now, the short review: These are excellent, gorgeous books—funny, richly-detailed, sweet, and just a little scary (when they need to be).
Netherlandish Proverbs (detail) — Pieter Bruegel the Elder

Netherlandish Proverbs (detail) — Pieter Bruegel the Elder
Portrait of a Woman — Quentin Metsys

I have personally always preferred prepositions (William H. Gass)
Philosophers can often be classified in terms of their favorite parts of speech: there are those who believe that nouns designate the only reliable aspects of being; others, of a contrary view, who see those nouns as simply unkempt nests of qualities; and all are familiar with the Heraclitean people who embrace verbs as if you could make love to water while entirely on land. I have personally always preferred prepositions, particularly of, and especially, among its many meanings, those of possession and being possessed, of belonging and exclusion.
From William H Gass’s essay “The Aesthetic Structure of the Sentence.” Collected in Life Sentences.
Atlantic Coast — Harry Callahan






