RIP Anthony Bourdain

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RIP Anthony Bourdain, 1956-2018

Anthony Bourdain, who died today of an apparent suicide, embodied a visceral curiosity far too absent in much of American culture. Bourdain took his readers and viewers into strange places and showed them that those places weren’t really that strange because, after all, the people there turned out to be human too. This strand of humanism sometimes evinced with bitter notes in Bourdain’s presentation, but ultimately there was a deep love for the human potential throbbing underneath everything the man did. His resolutely-cool persona never seemed like a put-on or an act. Even though he performed that persona with a ready naturalism in his shows, there was always a wonderful nervous edge there too, as if Bourdain was winkingly aware of the artificiality of show bizness but was confident that if he was just himself enough he could transcend that artificiality and make something real.

When I graduated college in 2001 I thought I would be a travel writer. I moved to Japan and did the English teacher thing and then I did the backpack around Thailand thing. Then I ran out of money. At some point in there, I read Kitchen Confidential, Bourdain’s 2000 behind-the-scenes look at the New York restaurant scene; I’d later listen to the audiobook a few times, read by Bourdain himself. Bourdain’s first show A Cook’s Tour became a favorite—particularly the episodes in Japan and Vietnam—and I watched his second show No Reservations when I could. By the time the oughties were over and Bourdain was doing The Layover and Parts Unknown, I’d settled into a nice domestic professorial life fitted out with occasional (comfortable) trips. Bourdain, meanwhile, lived the life that I had imagined for myself when I was 17, 18, 19, before I even knew who he was. I’m envious of him for that, but moreover I’m ultimately thankful that he shared what he did with all of us, and that he shared it in such a bullshit-free way. His spirit of visceral curiosity will live on.

Robert Coover/Barry Hannah/Antoine Volodine (Books acquired, 7 June 2018)

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I had ordered Antoine Volodine’s Minor Angels through my favorite bookstore, and it came in yesterday. It’s slim but expensive (ah! university presses!) and ate up all of my store credit, but still I picked up used copies of Robert Coover’s second novel The Universal Baseball Association, Inc., J. Henry Waugh, Prop. and Barry Hannah’s Boomerang b/w Never Die (some of the only Hannah I’ve yet to read). I was tempted also by the title and cover of Daniel Hoffman’s 1971 Poe Poe Poe Poe Poe Poe Poe—but I was not tempted enough to acquire it.

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Long-Sleeved Kimono Double Suicide — Ikenaga Yasunari

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Long-Sleeved Kimono Double Suicide, 2013 by Ikenaga Yasunari (b. 1965)

Birthday — John Currin

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Birthday, 1999 by John Currin (b. 1962)

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Woman II — Natalie Frank

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Woman II, 2016 by Natalie Frank (b. 1980)

Illustration for “The Hare and the Giants” — Barry Moser

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Barry Moser’s illustration for Lynne Reid Banks’s “The Hare and the Giants.” From The Magic Hare, Avon, 1994.

Donning the Ceremonial Death Shirt — Samual Weinberg

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Donning the Ceremonial Death Shirt, 2016 by Samual Weinberg

June Night — Henry Koerner

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June Night, 1949 by Henry Koerner (1915-1991)

Blondie Bubba and the Red Porch — Jamie Adams

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Blondie Bubba and the Red Porch, 2016 by Jamie Adams (b. 1961)

Chase — Dragan Bibin 

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Chase by Dragan Bibin (b. 1984)

Even your ugly furniture (From Eliot’s Middlemarch)

An eminent philosopher among my friends, who can dignify even your ugly furniture by lifting it into the serene light of science, has shown me this pregnant little fact. Your pier-glass or extensive surface of polished steel made to be rubbed by a housemaid, will be minutely and multitudinously scratched in all directions; but place now against it a lighted candle as a centre of illumination, and lo! the scratches will seem to arrange themselves in a fine series of concentric circles round that little sun. It is demonstrable that the scratches are going everywhere impartially and it is only your candle which produces the flattering illusion of a concentric arrangement, its light falling with an exclusive optical selection. These things are a parable. The scratches are events, and the candle is the egoism of any person now absent…

From George Eliot’s novel Middlemarch.

Untitled (Hiveman) — Gervasio Gallardo

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Untitled (Hiveman) by Gervasio Gallardo (b. 1934)

Soldier’s Granddaughter — Gely Korzhev

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Soldier’s Granddaughter, 2004 by Gely Korzhev (1925-2012)

The Vagabond — Gustave Courbet

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The Vagabond, 1845 by Gustave Courbet (1819-1877)

Mario Benedetti’s The Truce (Book acquired, 2 June 2018)

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I’m excited about this one! I’ll admit I haven’t heard of Mario Benedetti before. The Truce: The Diary of Martín Santomé (first published in Uruguay 1960) is in English translation from Penguin by Harry Morales. More to come, but for now, Penguin’s blurb–

Forty-nine, with a kind face, no serious ailments (apart from varicose veins on his ankles), a good salary and three moody children, widowed accountant Martín Santomé is about to retire. He assumes he’ll take up gardening, or the guitar, or whatever retired people do. What he least expects is to fall passionately in love with his shy young employee Laura Avellaneda. As they embark upon an affair, happy and irresponsible, Martín begins to feel the weight of his quiet existence lift – until, out of nowhere, their joy is cut short.

The intimate, heartbreaking diary of an ordinary man who is reborn when he falls in love one final time, this beloved Latin American novel has been translated into twenty languages and sold millions of copies worldwide, and is now published in Penguin Classics for the first time.

Hercules and the Cattle of Geryon (Detail) — The Workshop of Lucas Cranach the Elder

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Hercules and the Cattle of Geryon, c. 1537 by the Workshop of Lucas Cranach the Elder

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Schloss Kammer on Lake Attersee I — Gustav Klimt

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Schloss Kammer on Lake Attersee I, 1908 by Gustav Klimt (1862-1918)