Mad Max: Fury Road film poster by Kilian Eng

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Struggle (Wittgenstein)

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From Culture and Value.

The Laundress, Blue Room — Felix Vallotton

The ocean is to lose its saltness (Nathaniel Hawthorne’s journal entry for August 7, 1851)

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Optical Parable — Manuel Alvarez Bravo

William Burroughs and Andy Warhol eat rabbit, discuss chicken-fried steak; Nico sings a bit

Plant Architecture — Remedios Varo

Nabokov, in answer to the question: What scenes one would like to have filmed

IN ANSWER TO THE QUESTION: WHAT SCENES ONE WOULD LIKE TO HAVE FILMED

Shakespeare in the part of the King’s Ghost.

The beheading of Louis the Sixteenth, the drums drowning his speech on the scaffold.

Herman Melville at breakfast, feeding a sardine to his cat.

Poe’s wedding. Lewis Carroll’s picnics.

The Russians leaving Alaska, delighted with the deal. Shot of a seal applauding.

From a 1966 interview with Alfred Appel Jr., originally published in Wisconsin Studies and reprinted in the collection Strong Opinions (1973).

House with Drying Laundry — Egon Schiele

Ugly/beautiful (Wittgenstein)

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From Culture and Value.

Our Lady of the Dry Tree – Petrus Christus

Nabokov/Hardwick/Lispector (Books acquired, 7.21.2015)

I picked up Vladimir Nabokov’s novel Pale Fire on a weird whim. I mean, I quite literally passed by it in the bookshop I frequent; it was misshelved, or unshelved, really. Someone had left it in sci-fi, near the “Bs” (B-for-Ballard, if you must know). Pale Fire, eh? I thought. Can’t remember this one. Because I had never read it, somehow. An amazing novel, one I dove into after sampling a bit of Clarice Lispector’s Selected Cronicas (still sampling—this is one of those books that’s lovely to dip gently into between selections) and after failing to get through the first essay in Elizabeth Hardwick’s Seduction and Betrayal. Not sure if I can (should?) muster a “review” of Pale Fire, but it’s one of the better prepostmodern-postmodernist novels I’ve ever read—very very funny and a beautiful mindfuck.

Undine Giving the Ring to Massaniello, Fisherman of Naples — William Turner

The Gift — Man Ray

Some violence is done when I rejoice or grieve at a gift (Ralph Waldo Emerson)

He is a good man, who can receive a gift well. We are either glad or sorry at a gift, and both emotions are unbecoming. Some violence, I think, is done, some degradation borne, when I rejoice or grieve at a gift. I am sorry when my independence is invaded, or when a gift comes from such as do not know my spirit, and so the act is not supported; and if the gift pleases me overmuch, then I should be ashamed that the donor should read my heart, and see that I love his commodity, and not him. The gift, to be true, must be the flowing of the giver unto me, correspondent to my flowing unto him. When the waters are at level, then my goods pass to him, and his to me. All his are mine, all mine his. I say to him, How can you give me this pot of oil, or this flagon of wine, when all your oil and wine is mine, which belief of mine this gift seems to deny? Hence the fitness of beautiful, not useful things for gifts. This giving is flat usurpation, and therefore when the beneficiary is ungrateful, as all beneficiaries hate all Timons,not at all considering the value of the gift, but looking back to the greater store it was taken from, I rather sympathize with the beneficiary, than with the anger of my lord, Timon. For, the expectation of gratitude is mean, and is continually punished by the total insensibility of the obliged person. It is a great happiness to get off without injury and heart-burning, from one who has had the ill luck to be served by you. It is a very onerous business,this of being served, and the debtor naturally wishes to give you a slap. A golden text for these gentlemen is that which I admire in the Buddhist, who never thanks, and who says, “Do not flatter your benefactors.”

From Ralph Waldo Emerson’s essay “Manners.”

“Light Hearted William” — William Carlos Williams

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Drawled the librarian (Glen Baxter)

librarian