The other project was a scheme for entirely abolishing all words whatsoever

We next went to the school of languages, where three professors sat in consultation upon improving that of their own country.

The first project was, to shorten discourse, by cutting polysyllables into one, and leaving out verbs and participles, because, in reality, all things imaginable are but norms.

The other project was, a scheme for entirely abolishing all words whatsoever; and this was urged as a great advantage in point of health, as well as brevity. For it is plain, that every word we speak is, in some degree, a diminution of our lungs by corrosion, and, consequently, contributes to the shortening of our lives. An expedient was therefore offered, “that since words are only names for things, it would be more convenient for all men to carry about them such things as were necessary to express a particular business they are to discourse on.” And this invention would certainly have taken place, to the great ease as well as health of the subject, if the women, in conjunction with the vulgar and illiterate, had not threatened to raise a rebellion unless they might be allowed the liberty to speak with their tongues, after the manner of their forefathers; such constant irreconcilable enemies to science are the common people. However, many of the most learned and wise adhere to the new scheme of expressing themselves by things; which has only this inconvenience attending it, that if a man’s business be very great, and of various kinds, he must be obliged, in proportion, to carry a greater bundle of things upon his back, unless he can afford one or two strong servants to attend him. I have often beheld two of those sages almost sinking under the weight of their packs, like pedlars among us, who, when they met in the street, would lay down their loads, open their sacks, and hold conversation for an hour together; then put up their implements, help each other to resume their burdens, and take their leave.

But for short conversations, a man may carry implements in his pockets, and under his arms, enough to supply him; and in his house, he cannot be at a loss. Therefore the room where company meet who practise this art, is full of all things, ready at hand, requisite to furnish matter for this kind of artificial converse.

Another great advantage proposed by this invention was, that it would serve as a universal language, to be understood in all civilised nations, whose goods and utensils are generally of the same kind, or nearly resembling, so that their uses might easily be comprehended. And thus ambassadors would be qualified to treat with foreign princes, or ministers of state, to whose tongues they were utter strangers.

From Jonathan Swift’s novel Gulliver’s Travels.

Recital XII — Pat Perry 

Recital XII, 2021 by Pat Perry (b. 1991)

View — Susanne Kühn

View, 2015 by Susanne Kühn (b. 1969)

Job, His Wife, and His Friends — William Blake

Job, His Wife, and His Friends, c.1785 by William Blake (1757-1827)

Sketch for Love and the Pilgrim — Edward Burne-Jones

Sketch for Love and the Pilgrim, c. 1896 by Edward Burne-Jones (1833-1898)

“Report” — Helmut Heißenbüttel

Sketch for Bride Stripped Bare by Her Bachelors, Even — Marcel Duchamp

Bride Stripped Bare by Her Bachelors, Even: first sketch of complete perspective layout, 1913 by Marcel Duchamp (1887-1968)

James Grieve’s translation of Proust’s Swann’s Way (Book acquired, 19 March 2023)

This May, NYRB will publish a “new” translation of the first volume of Marcel Proust’s longassed novel In Search of Lost Time.

The translation, by James Grieve, is not actually new. It’s actually like half a century old.

The NYRB jacket copy states that “James Grieve began his career as a translator of Proust in the early 1970s, driven by his dismay at how many readers deemed In Search of Lost Time to be too difficult for them to take on. Grieve’s artful and celebrated version of Swann’s Way—only now available outside his native Australia—shows that this is hardly the case.” 

I was unfamiliar with Grieve’s translation. As I admitted on Twitter, I’m not really a Proust Guy. I read Lydia Davis’s translation of Swann’s Way a decade ago, and thought it was Okay and decided it was also Enough. Many, many people replied to my tweet that C.K. Scott Moncrieff’s translation was the way to go. Author and translator Daniel Mendelsohn told me that I’d “read the wrong translation!”  — but I’m okay with that.

Here is the I-guess famous opening line of Moncrieff’s 1922 translation:

For a long time I used to go to bed early.

Here is the Modern Library’s 1992 translation, crediting Moncrieff and Terence Kilmartin, revised by D.J. Enright:

For a long time I would go to bed early.

Here is Lydia Davis’s translation (2002) of the opening line:

For a long time, I went to bed early.

And here is James Grieve’s translation:

Time was when I always went to bed early.

There were a lot of opinions on Grieve’s rendering of this particular line floating around Twitter.

I have no dog in this race, but the voicing here strikes me as, I dunno, very, uh, colloquial? Almost like Huck Finn or something?

Proust’s original, by the way:

Longtemps, je me suis couché de bonne heure.

I muddled my way through a few years of college French, and have no real strong opinions here, but the phrase bonne heure is the most interesting to me. When I read it in French, I read it as something like, “a good hour,” or “the right time.”

Translation is about feeling and tone and vibe and mood as much it is about (the attempt for) precision, so I suppose each translator brings their own sense of the narrator’s voice to their translation, a voice that may or may not sync with what those other translators, the readers, hear in their mind’s ear.

Untitled (Elsa in Blue) — Dominic Chambers 

Untitled (Elsa in Blue), 2020 by Dominic Chambers (b. 1993)

Hawthorne is a writer | From Kathy Acker’s Blood and Guts in High School

Hawthorne is a writer

Writers create what they do out of their own frightful agony and blood and mushed-up guts and horrible mixed-up insides. The more they are in touch with their insides the better they create. If you like a writer’s books read his books, the books aren’t pure suffering; if you want to publish/help the writer, do it business-like, but don’t get into the writer’s personal life thinking if you like the books you’ll like the writer. A writer’s personal life is horrible and lonely. Writers are queer so keep away from them. I live in pain, but one day, Hawthorne said, I’m going to be happy I’m going to be so happy even if I’m not alive anymore. There’s going to be a world where the imagination is created by joy not suffering, a man and a woman can love each other again they can kiss and fuck again (a woman’s going to come along and make this world for me even though I’m not alive anymore).

From Kathy Acker’s novel Blood and Guts in High School.

Repo — Marcos Carrasquer

Repo, 2020 by Marcos Carrasquer (b. 1959)

Untitled — Nahum Tschacbasov

Untitled, 1947 by Nahum Tschacbasov (1899–1984)

“Clearly Spring Must Be Resisted Or” — Elena Wilkinson

Nerves — Stephanus Rivierius

Nerves, c. 1530-45, attributed to Stephanus Rivierius (c. 16th century)

Father Fairing’s Sewer Rat Parish | Thomas Pynchon

They were entering Fairing’s Parish, named after a priest who’d lived topside years ago. During the Depression of the ’30s, in an hour of apocalyptic well-being, he had decided that the rats were going to take over after New York died. Lasting eighteen hours a day, his beat had covered the breadlines and missions, where he gave comfort, stitched up raggedy souls. He foresaw nothing but a city of starved corpses, covering the sidewalks and the grass of the parks, lying belly-up in the fountains, hanging wrynecked from the streetlamps. The city—maybe America, his horizons didn’t extend that far—would belong to the rats before the year was out. This being the case, Father Fairing thought it best for the rats to be given a head start—which meant conversion to the Roman Church. One night early in Roosevelt’s first term, he climbed downstairs through the nearest manhole, bringing a Baltimore Catechism, his breviary and, for reasons nobody found out, a copy of Knight’s Modern Seamanship. The first thing he did, according to his journals (discovered months after he died) was to put an eternal blessing and a few exorcisms on all the water flowing through the sewers between Lexington and the East River and between Eighty-sixth and Seventy-ninth Streets. This was the area which became Fairing’s Parish. These benisons made sure of an adequate supply of holy water; also eliminated the trouble of individual baptisms when he had finally converted all the rats in the parish. Too, he expected other rats to hear what was going on under the upper East Side, and come likewise to be converted. Before long he would be spiritual leader of the inheritors of the earth. He considered it small enough sacrifice on their part to provide three of their own per day for physical sustenance, in return for the spiritual nourishment he was giving them.

Accordingly, he built himself a small shelter on one bank of the sewer. His cassock for a bed, his breviary for a pillow. Each morning he’d make a small fire from driftwood collected and set out to dry the night before. Nearby was a depression in the concrete which sat beneath a downspout for rainwater. Here he drank and washed. After a breakfast of roast rat (“The livers,” he wrote, “are particularly succulent”) he set about his first task: learning to communicate with the rats. Presumably he succeeded. An entry for 23 November 1934 says:

Ignatius is proving a very difficult student indeed. He quarreled with me today over the nature of indulgences. Bartholomew and Teresa supported him. I read them from with me today over the nature of indulgences. Bartholomew and Teresa supported him. I read them from the catechism: “The Church by means of indulgences remits the temporal punishment due to sin by applying to us from her spiritual treasury part of the infinite satisfaction of Jesus Christ and of the superabundant satisfaction of the Blessed Virgin Mary and of the saints.”

“And what,” inquired Ignatius, “is this superabundant satisfaction?”

Again I read: “That which they gained during their lifetime but did not need, and which the Church applies to their fellow members of the communion of saints.”

“Aha,” crowed Ignatius, “then I cannot see how this differs from Marxist communism, which you told us is Godless. To each according to his needs, from each according to his abilities.” I tried to explain that there were different sorts of communism: that the early Church, indeed, was based on a common charity and sharing of goods. Bartholomew chimed in at this point with the observation that perhaps this doctrine of a spiritual treasury arose from the economic and social conditions of the Church in her infancy. Teresa promptly accused Bartholomew of holding Marxist views himself, and a terrible fight broke out, in which poor Teresa had an eye scratched from the socket. To spare her further pain, I put her to sleep and made a delicious meal from her remains, shortly after sext. I have discovered the tails, if boiled long enough, are quite agreeable.

Evidently he converted at least one batch. There is no further mention in the journals of the skeptic Ignatius: perhaps he died in another fight, perhaps he left the community for the pagan reaches of Downtown. After the first conversion the entries begin to taper off: but all are optimistic, at times euphoric. They give a picture of the Parish as a little enclave of light in a howling Dark Age of ignorance and barbarity.

Rat meat didn’t agree with the Father, in the long run. Perhaps there was infection. Perhaps, too, the Marxist tendencies of his flock reminded him too much of what he had seen and heard above ground, on the breadlines, by sick and maternity beds, even in the confessional; and thus the cheerful heart reflected by his late entries was really only a necessary delusion to protect himself from the bleak truth that his pale and sinuous parishioners might turn out no better than the animals whose estate they were succeeding to. His last entry gives a hint of some such feeling:

When Augustine is mayor of the city (for he is a splendid fellow, and the others are devoted to him) will he, or his council, remember an old priest? Not with any sinecure or fat pension, but with true charity in their hearts? For though devotion to God is rewarded in Heaven and just as surely is not rewarded on this earth, some spiritual satisfaction, I trust, will be found in the New City whose foundations we lay here, in this Iona beneath the old foundations. If it cannot be, I shall nevertheless go to peace, at one with God. Of course that is the best reward. I have been the classical Old Priest—never particularly robust, never affluent—most of my life. Perhaps

The journal ends here. It is still preserved in an inaccessible region of the Vatican library, and in the minds of the few old-timers in the New York Sewer Department who got to see it when it was discovered. It lay on top of a brick, stone and stick cairn large enough to cover a human corpse, assembled in a stretch of 36-inch pipe near a frontier of the Parish. Next to it lay the breviary. There was no trace of the catechism or Knight’s Modern Seamanship.

“Maybe,” said Zeitsuss’s predecessor Manfred Katz after reading the journal, “maybe they are studying the best way to leave a sinking ship.”

The stories, by the time Profane heard them, were pretty much apocryphal and more fantasy than the record itself warranted. At no point in the twenty or so years the legend had been handed on did it occur to anyone to question the old priest’s sanity. It is this way with sewer stories. They just are. Truth or falsity don’t apply.

From Thomas Pynchon’s 1963 novel V.

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Uninvited Guests — Ruby Swinney

Uninvited Guests, 2020 by Ruby Swinney (b. 1992)