Andrei Tarkovsky’s Advice to Young Directors

“Literary Indecencies” — H.L. Mencken

The low, graceless humor of names! On my shelf of poetry, arranged by the alphabet, Coleridge and J. Gordon Cooglar are next-door neighbors! Mrs. Hemans is beside Laurence Hope! Walt Whitman rubs elbows with Ella Wheeler Wilcox; Robert Browning with Richard Burton; Rossetti with Cale Young Rice; Shelly with Clinton Scollard; Wordsworth with George E. Woodberry; John Keats with Herbert Kaufman!

Ibsen, on the shelf of dramatists, is between Victor Hugo and Jerome K. Jerome. Sudermann follows Harriet Beecher Stowe. Maeterlinck shoulders Percy Mackaye. Shakespeare is between Sardou and Shaw. Euripides and Clyde Fitch! Upton Sinclair and Sophocles! Aeschylus and F. Anstey! D’Annunzio and Richard Harding Davis! Augustus Thomas and Tolstoi!

More alphabetical humor. Gerhart Hauptmann and Robert Hichens; Voltaire and Henry Van Dyke; Flaubert and John Fox, Jr.; Balzac and John Kendrick Bangs; Ostrovsky and E. Phillips Oppenheim; Elinor Glyn and Théophile Gautier; Joseph Conrad and Robert W. Chambers; Zola and Zangwill!…

Midway on my scant shelf of novels, between George Moore and Frank Norris, there is just room enough for the two volumes of “Derringforth,” by Frank A. Munsey.

“Literary Indecencies,” a chapter from H.L. Mencken’s collection Damn!

 

William S. Burroughs Shoots at William S. Burroughs T-Shirts

Portrait of a One-Eyed Man — Vincent van Gogh

“Jenny Ondioline” — Stereolab

“Desiree’s Baby” — Kate Chopin

“Desiree’s Baby” by Kate Chopin

As the day was pleasant, Madame Valmonde drove over to L’Abri to see Desiree and the baby.

It made her laugh to think of Desiree with a baby. Why, it seemed but yesterday that Desiree was little more than a baby herself; when Monsieur in riding through the gateway of Valmonde had found her lying asleep in the shadow of the big stone pillar.

The little one awoke in his arms and began to cry for “Dada.” That was as much as she could do or say. Some people thought she might have strayed there of her own accord, for she was of the toddling age. The prevailing belief was that she had been purposely left by a party of Texans, whose canvas-covered wagon, late in the day, had crossed the ferry that Coton Mais kept, just below the plantation. In time Madame Valmonde abandoned every speculation but the one that Desiree had been sent to her by a beneficent Providence to be the child of her affection, seeing that she was without child of the flesh. For the girl grew to be beautiful and gentle, affectionate and sincere – the idol of Valmonde.

It was no wonder, when she stood one day against the stone pillar in whose shadow she had lain asleep, eighteen years before, that Armand Aubigny riding by and seeing her there, had fallen in love with her. That was the way all the Aubignys fell in love, as if struck by a pistol shot. The wonder was that he had not loved her before; for he had known her since his father brought him home from Paris, a boy of eight, after his mother died there. The passion that awoke in him that day, when he saw her at the gate, swept along like an avalanche, or like a prairie fire, or like anything that drives headlong over all obstacles.

Monsieur Valmonde grew practical and wanted things well considered: that is, the girl’s obscure origin. Armand looked into her eyes and did not care. He was reminded that she was nameless. What did it matter about a name when he could give her one of the oldest and proudest in Louisiana? He ordered the corbeille from Paris, and contained himself with what patience he could until it arrived; then they were married. Continue reading ““Desiree’s Baby” — Kate Chopin”

Reading Man in Park — August Macke

“Pity would be no more / If we did not make somebody Poor”

The Evening Star — Camille Corot

Krapp’s Last Tape — Samuel Beckett (Full Performance)

1985 Robert Fripp Documentary

“To George Sand (A Desire)” — Elizabeth Barrett Browning

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Map of the Moon — Johannes Hevelius

Trepanning Instruments of the American Civil War

(More/via).

“The Model Millionaire” — Oscar Wilde

“The Model Millionaire” by Oscar Wilde

Unless one is wealthy there is no use in being a charming fellow. Romance is the privilege of the rich, not the profession of the unemployed. The poor should be practical and prosaic. It is better to have a permanent income than to be fascinating. These are the great truths of modern life which Hughie Erskine never realised. Poor Hughie! Intellectually, we must admit, he was not of much importance. He never said a brilliant or even an ill-natured thing in his life. But then he was wonderfully good-looking, with his crisp brown hair, his clear-cut profile, and his grey eyes. He was as popular with men as he was with women, and he had every accomplishment except that of making money. His father had bequeathed him his cavalry sword, and a History of the Peninsular War in fifteen volumes. Hughie hung the first over his looking-glass, put the second on a shelf between Ruff’s Guide and Bailey’sMagazine, and lived on two hundred a year that an old aunt allowed him. He had tried everything. He had gone on the Stock Exchange for six months; but what was a butterfly to do among bulls and bears? He had been a tea-merchant for a little longer, but had soon tired of pekoe and souchong. Then he had tried selling dry sherry. That did not answer; the sherry was a little too dry. Ultimately he became nothing, a delightful, ineffectual young man with a perfect profile and no profession. Continue reading ““The Model Millionaire” — Oscar Wilde”

Three Girls Reading — Edmund Charles Tarbell

Star Map — Albrecht Dürer