“James A. Garfield and All the Shot People,” a poem by David Berman

“James A. Garfield and All the Shot People”

by

David Berman


Insects are a manifestation of negative will.
—Anon.

I thought I saw an angel below the engine
but it was just vibrating air.

People used to see things
in the woods and the air and the closet:
spirits, dragons, and headless things,
lost and angry floats
conspiring to make every stomach pulse
like an almost accident
and every body’s head come unwound.

Our vision is not so fuzzy now.
We stare into eyes and see their parts,
have cameras, sidewalks, pills,
and other futuristic devices.
Some of our race have counted up into the highest numbers,
the high clear numbers.

Now we know the speed of light,
and that we never see anything just when it happens,
but a part of a second afterwards.
People are getting lost in their own houses,
wandering down hallways and through rooms for years.
We stumble downstairs full of water,
and when I wake up it all pours out of me.


From Caliban #8, 1990.

The issue also contains a few illustrations by Berman, including this one:

Robert Bingham/Harry Crews (Books acquired, 9 Jan. 2026)

I finally gave in and picked up Robert Bingham’s books, the novel Lightning on the Sun and the collection Pure Slaughter Value.

Bingham was one of the founders of the literary magazine and press Open City. Open City published David Berman’s collection Actual Air in 1999. Bingham was friends with Berman and the Pavement boys. He was also the wealthy scion of an old Louisville family. He o.d.’d in ’99. Both Malkmus and Berman eulogized him in song — SM in “Church on White,” the Silver Jews in “Death of an Heir of Sorrows”:

I wish I had a rhinestone suit
I wish I had a new pair of boots
But mostly I wish
I wish I was with you

I think what really plugged the Bingham back into my brain was going through a July 1999 issue of SPIN magazine. I was looking for something else, but I found an old Pavement profile in which Bingham shows up early with bobo hockey tix. From the profile:

Pavement are standing outside Madison Square Garden, shouldering their way through tens of thousands of burly hockey fans. There’s a sold-out game about to start—the Rangers vs. the Mighty Ducks—and cops, peanut vendors, and entire families in matching red-white-and-blue Rangers jerseys mill about, blocking the sidewalk. “We’ve never gone to a hockey game together,” says bassist Mark Ibold. He is unceremoniously shoved aside by a squall of kids bearing cotton candy. “Usually we go see baseball games.”

Pavement pal Robert “Bingo” Bingham, a New York fiction writer, grows increasingly nervous as they approach the arena. He bought the band scalped tickets, an offense he’s been nailed for once before. “Should we come up with a fall-back strategy?” he says.

“Don’t sweat it, Bingo,” says bandleader Stephen Malkmus, still wearing the track suit and squash shoes he threw on this morning while awaiting clean laundry. The band is determined to get in, as percussionist Bob Nastanovich has already phoned his bookie to bet on the Rangers. “We don’t much care for the Ducks,” Nastanovich says.

“They’re all Steve Garveys,” adds the clean-cut Malkmus. Nastanovich takes a final drag from his Marlboro, then leads the group through the throngs to the ticket line. They cruise right in, home free—until a security squad catches up with them moments later.

“You aren’t going anywhere with those,” a guard says, motioning at the ticket stubs in Bingo’s hand. “They’re fakes.”

“Oh, please,” Bingo says. He knows they’re scalped, but fakes? A bit stunned, the band takes a look. “Well, yeah,” Ibold says. “I can see that.”

The printing is all faded and off-register.

“Mine looks like it was perforated with a cookie cutter,” says Nastanovich. Upon further inspection, they realize they all have the same seat.

Meanwhile, the Garden crowd is going ballistic. Christopher Reeve has just been wheeled onto the ice for the opening ceremony. Security hems and haws for a while, and finally takes pity on Pavement. A bearded fellow rests a cozy hand on Bingo’s arm. “You tell me who you bought these from,” he says, “and if he’s still out there, we’ll bust the fucker.”

Bingo hangs his head. “I don’t remember,” he mutters, and ambles off. Pavement trudge back to the street, reassuring their friend that the night is still young. They end up viewing the game at a nearby sports bar, and work on getting stinking drunk. Nedved is benched. Gretzky is checked. The once formidable Rangers lose handily, 4–1. Nastanovich looks up from his Bass Ale and shakes his head, laughing. He just lost $100.


I also couldn’t resist a signed copy of Harry Crews’ 1998 novel Celebration.

If you can make out the inscription, let me know. I think it’s to Frank, who was on the ultimate quest for…?

 

Sunday Comix

From The Portable February by David Berman2009, Drag City.

Celebrate David Berman’s birthday by listening to a bootleg recording of the Silver Jews playing the Green Man Festival in Crickhowell, Wales in 2006.

“The Charm of 5:30” — David Berman

“The Charm of 5:30”

by

David Berman


It’s too nice a day to read a novel set in England.

We’re within inches of the perfect distance from the sun,

the sky is blueberries and cream,

and the wind is as warm as air from a tire.

Even the headstones in the graveyard

           seem to stand up and say “Hello! My name is…”

It’s enough to be sitting here on my porch,

thinking about Kermit Roosevelt,

following the course of an ant,

or walking out into the yard with a cordless phone

           to find out she is going to be there tonight.

On a day like today, what looks like bad news in the distance

turns out to be something on my contact, carports and

white courtesy phones are spontaneously reappreciated

           and random “okay”s ring through the backyards.

This morning I discovered the red tints in cola

                     when I held a glass of it up to the light

and found an expensive flashlight in the pocket of a winter coat

                     I was packing away for summer.

It all reminds me of that moment when you take off your

sunglasses after a long drive and realize it’s earlier

and lighter out than you had accounted for.

You know what I’m talking about,

and that’s the kind of fellowship that’s taking place in town, out in

the public spaces. You won’t overhear anyone using the words

“dramaturgy” or “state inspection” today. We’re too busy getting along.

It occurs to me that the laws are in the regions and the regions are

in the laws, and it feels good to say this, something that I’m almost

sure is true, outside under the sun.

Then to say it again, around friends, in the resonant voice of a

nineteenth-century senator, just for a lark.

There’s a shy looking fellow on the courthouse steps, holding up

a placard that says “But, I kinda liked Clinton.” His head turns slowly

as a beautiful girl walks by, holding a refrigerated bottle up against

her flushed cheek.

She smiles at me and I allow myself to imagine her walking into

town to buy lotion at a brick pharmacy.

When she gets home she’ll apply it with great lingering care

before moving into her parlor to play 78 records and drink gin-and-tonics

beside her homemade altar to James Madison.

In a town of this size, it’s certainly possible that I’ll be invited over

one night.

In fact I’ll bet you something.

Somewhere in the future I am remembering today. I’ll bet you

I’m remembering how I walked into the park at five thirty,

my favorite time of day, and how I found two cold pitchers

of just poured beer, sitting there on the bench.

I am remembering how my friend Chip showed up

with a catcher’s mask hanging from his belt and how I said

great to see you, sit down, have a beer, how are you,

and how he turned to me with the sunset reflecting off his

contacts and said, wonderful, how are you.

“The Mechanics of an Audience’s Arousal” — David Berman

“The Mechanics of an Audience’s Arousal”

by

David Berman


A young lady patiently waits to cross the street. She is a philosophy student, and while waiting for the traffic light she considers its evenly changing mind.

The light goes green and she steps off the curb. The driver whose mind is wandering does not see the light, strikes the girl, flipping her onto the roof of the car, he brakes and she rolls off onto the street.

She is cut, unconscious, and not breathing. A man in a brown sweater with a book under his arm kneels beside her and begins performing CPR.

He has never touched a woman this beautiful before. Her lips are full and soft. He sends his breath deep down inside of her. Everyone at the rescue scene becomes vaguely uncomfortable.


(via/more)

“Five Dream Units” — David Berman

Five Dream Units:

1. Knock the frog

2. Kick it out

3. Push it through

4. Cranial amphibian

5. Forget the happening

6. Your head/furnace


From “Riot in the Eye” by David Berman

Grasshopper revision | David Berman

If the fable of “The grasshopper and the ants” was amended so that the world ended before the turn of winter, then the grasshopper would have been wiser and the moral would have vindicated him. In a story, the location of the ending is very deliberate.

From David Berman’s December 1994 essay/poem/riff “Clip-On Tie,” which could be read as a Christmas story, if you like.

“Imagining Defeat” — David Berman

From Actual Air (Open City, 1999)

David Berman’s Nashville Mix

From The Minus Times #29, as republished in The Minus Times Collected. 

I made as much of the mix I could on Spotify. D.C.3’s second record The Good Hex isn’t on there but it is on YouTube. Here is David Berman’s “Nashville Mix” mixtape:

“The Surgeon General’s Report on Waiting” — David Berman

“The Surgeon General’s Report on Waiting”

by

David Berman


The situation in my country is this. Our poor love our rich, and our wives adore our wife-beaters.

It’s sad, yes, but let’s not talk about it. Even the subject of sadness will make us sad.

Here’s something else we do. In my country, when we’re waiting for someone who is very late, we stand at the meeting spot and smoke cigarette after cigarette. Then, when we die, we blame everybody who kept us waiting.


(via/more)

“The Coahoma County Wind Cults” — David Berman

“The Coahoma County Wind Cults”

by

David Berman


My dream walked on four legs
toward the remote source
of a pale yellow letter

only to circle around the cabin
when it got there.

A black and white cave rainbow
arched between two old shoes.

Oxygen bounced off the face of a doll,
looking for the slow dazzling guts
of a life form.

There was a moment of sudden clarity
when the pages of burned in opera glasses,

like a herd crossing zip codes

or an exhausted idea pressing
at the limits of the marquee bulbs,

my dream pushes air.

“Cassette County” — David Berman

“Cassette County”

by

David Berman


This is meant to be in praise of the interval called hangover,
a sadness not co-terminous with hopelessness,
and the North American doubling cascade
that (keep going) “this diamond lake is a photo lab”
and if predicates really do propel the plot
then you might see Jerusalem in a soap bubble
or the appliance failures on Olive Street
across these great instances,
because “the complex Italians versus the basic Italians”
because what does a mirror look like (when it’s not working)
but birds singing a full tone higher in the sunshine.

I’m going to call them Honest Eyes until I know if they are,
in the interval called slam-clicker, Realm of Pacific,
because the second language wouldn’t let me learn it
because I have heard of you for a long time occasionally
because diet cards may be the recovery evergreen
and there is a new benzodiazepene called Distance,

anti-showmanship, anti-showmanship, anti-showmanship.

I suppose a broken window is not symbolic
unless symbolic means broken, which I think it sorta does,
and when the phone jangles
what’s more radical, the snow or the tires,
and what does the Bible say about metal fatigue
and why do mothers carry big scratched-up sunglasses
in their purses.

Hello to the era of going to the store to buy more ice
because we are running out.
Hello to feelings that arrive unintroduced.
Hello to the nonfunctional sprig of parsley
and the game of finding meaning in coincidence.

Because there is a second mind in the margins of the used book
because Judas Priest (source: Firestone Library)
sang a song called Stained Class,
because this world is 66% Then and 33% Now,

and if you wake up thinking “feeling is a skill now”
or “even this glass of water seems complicated now”
and a phrase from a men’s magazine (like single-district cognac)
rings and rings in your neck,
then let the consequent misunderstandings
(let the changer love the changed)
wobble on heartbreakingly nu legs
into this street-legal nonfiction,
into this good world,
this warm place
that I love with all my heart,

anti-showmanship, anti-showmanship, anti-showmanship.

David Berman’s Nashville Mix

From The Minus Times #29, as republished in The Minus Times Collected. 

I made as much of the mix I could—D.C.3’s second record The Good Hex isn’t streaming or even on YouTube. Here is David Berman’s “Nashville Mix” mixtape:

A dream you can’t shake: See above | David Berman

From The Minus Times #29, as republished in The Minus Times Collected. 

Someone who up and left me low

“Classic Water” — David Berman

“Classic Water”

by

David Berman


I remember Kitty saying we shared a deep longing for
the consolation prize, laughing as we rinsed the stagecoach.

I remember the night we camped out
           and I heard her whisper
“think of me as a place” from her sleeping bag
           with the centaur print.

I remember being in her father’s basement workshop
when we picked up an unknown man sobbing
over the shortwave radio

and the night we got so high we convinced ourselves
that the road was a hologram projected by the headlight beams.

I remember how she would always get everyone to vote
on what we should do next and the time she said
“all water is classic water” and shyly turned her face away.

At volleyball games her parents sat in the bleachers
like ambassadors from Indiana in all their midwestern schmaltz.

She was destroyed when they were busted for operating
a private judicial system within U.S. borders.

 

Sometimes I’m awakened in the middle of the night
by the clatter of a room service cart and I think back on Kitty.

Those summer evenings by the government lake,
talking about the paradox of multiple Santas
or how it felt to have your heart broken.

I still get a hollow feeling on Labor Day when the summer ends

and I remember how I would always refer to her boyfriends
as what’s-his-face, which was wrong of me and I’d like
to apologize to those guys right now, wherever they are:

No one deserves to be called what’s-his-face.

Instead of time there will be lateness and let forever be delayed

RIP DCB.

Thanks to this whole sick crew for the sing along.

This one tore me up.