List with No Name #57

  1. Amerika
  2. Billy Budd, Sailor
  3. The Castle
  4. Confessions of Felix Krull
  5. The Decembrists
  6. The First Man
  7. Fragment of a Novel
  8. The Garden of Eden
  9. The Last Tycoon
  10. The Mysterious Stranger
  11. The Mystery of Edwin Drood
  12. The Original of Laura
  13. The Pale King
  14. The Pink and the Green
  15. Stephen Hero
  16. The Trial
  17. Under the Hill

A Nightpiece — Aubrey Beardsley

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Penelope Unraveling Her Web — Joseph Wright of Derby

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Prairie Chicken (Self-Portrait) — Margot Peet

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Seven Self-Portraits — Armand Henrion

Harry Crews’s A Childhood (Book acquired, 9.20.2016)

A couple of weeks back, I was looking for John Berryman’s biographical study of Stephen Crane. I did not find it, but I did find a signed hardback edition (not sure if it’s a first or second printing) of Harry Crews’s amazing memoir A Childhood.

Here’s the opening paragraph:

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I already have the book (it’s included in Classic Crews—the best starting place for Crews (you should start)), but I couldn’t pass up a signed copy. (It was like 8 bucks I think, and I have store credit out the wazoo).

Still looking for that Crane biography though.

(My thoughts on Crews here).

Samson Blinded — Lovis Corinth

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Metamorphoses II — Graca Morais

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Portrait of Zora Neale Hurston — Carl Van Vechten

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Robot Like You and Me — Hans Georg Rauch

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Persefone Meta-statica — Agostino Arrivabene

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Isabella and the Pot of Basil — William Holman Hunt

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And she forgot the stars, the moon, and sun,
And she forgot the blue above the trees,
And she forgot the dells where waters run,
And she forgot the chilly autumn breeze;
She had no knowledge when the day was done,
And the new morn she saw not: but in peace
Hung over her sweet Basil evermore,
And moisten’d it with tears unto the core.

–John Keats, Isabella, or The Pot of Basil

The most effective method of dealing with the world around us is to assume that it is a complete fiction (J.G. Ballard)

In the past we have always assumed that the external world around us has represented reality, however confusing or uncertain, and that the inner world of our minds, its dreams, hopes, ambitions, represented the realm of fantasy and the imagination. These roles, it seems to me, have been reversed. The most prudent and effective method of dealing with the world around us is to assume that it is a complete fiction – conversely, the one small node of reality left to us is inside our own heads. Freud’s classic distinction between the latent and manifest content of the dream, between the apparent and the real, now needs to be applied to the external world of so-called reality.

From J.G. Ballard’s 1995 introduction to the Vintage reprint of his 1973 novel Crash.

The Loyal Retainers (detail) — Mu Pan

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Woman with a Cat — Fernand Léger

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Figure with Shirt — Neil Welliver

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