A love of great music, great art and great literature does not provide people with any kind of moral or political immunization against violence, atrocity, or subservience to dictatorship

The fact that Germany had produced a Beethoven, Russia a Tolstoy, Italy a Verdi, or Spain a Cervantes, was wholly irrelevant to the fact that all these countries experienced brutal dictatorships in the twentieth century. High cultural achievements across the centuries did not render a descent into political barbarism more inexplicable than their absence would have done; culture and politics simply do not impinge on each other in so simple and direct a manner. If the experience of the Third Reich teaches us anything, it is that a love of great music, great art and great literature does not provide people with any kind of moral or political immunization against violence, atrocity, or subservience to dictatorship.

From: Richard J. Evans’s The Coming of the Third Reich (2003).

Sunday Comics 

“Duchamp Is Our Misfortune,” a comic strip by Art Spiegelman. From MetaMaus (Pantheon, 2011), and originally published in the New Yorker in 2002.

Surrealist Hand — Tamara de Lempicka

Study Sheet with Seven Hands — Vincent van Gogh

Studies of the Hands of Erasmus of Rotterdam — Hans Holbein the Younger

Study of Arms and Hands — Leonardo da Vinci

Study of Hands — Albrecht Durer

Best Part of a Bad Painting 2 — Seth Alverson

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Another Freedom — Ricardo Fernández Ortega

Ambidextrous — Tim Head

Translation — Agnes Lawrence Pelton

“Night of the Nonconsumer” — Tom Clark

nonc

Food, a surreal short film by Jan Švankmajer

Allegory of Desire from the Fourth Freedom — Marc Dennis

marc-dennis-allegory-of-desire-from-the-fourth-freedom_2014_oil-on-linen_44x52inches

That morning, the city was celebrating Consumer Thanksgiving Day (Italo Calvino)

A few paragraphs from Italo Calvino’s 1968 story “The Daughters of the Moon”:

That morning, the city was celebrating Consumer Thanksgiving Day. This feast came around every year, on a day in November, and had been set up to allow shoppers to display their gratitude toward the god Production, who tirelessly satisfied their every desire. The biggest department store in town organized a parade every year: an enormous balloon in the shape of a garishly colored doll was paraded through the main streets, pulled by ribbons that sequin-clad girls held as they marched behind a musical band. That day, the procession was coming down Fifth Avenue: the majorette twirled her baton in the air, the big drums banged, and the balloon giant, representing the Satisfied Customer, flew among the skyscrapers, obediently advancing on leashes held by girls in kepis, tassels, and fringed epaulets, riding spangly motorcycles.

At the same time, another parade was crossing Manhattan. The flaky, moldy moon was also advancing, sailing between the skyscrapers, pulled by the naked girls, and behind it came a line of beat-up cars and skeletons of trucks, amid a silent crowd that was gradually increasing in size. Thousands of people joined the throng that had been following the moon since the early hours of the morning, people of all colors, whole families with children of every age, especially as the procession filed past the crowded black and Puerto Rican areas of Harlem.

The lunar procession zigzagged around uptown, then started down Broadway, and came quickly and silently to converge with the other procession, which was dragging its balloon giant along Fifth Avenue.

At Madison Square, one procession met the other; or, more precisely, the two became a single procession. The Satisfied Customer, perhaps owing to a collision with the moon’s jagged surface, deflated into a rubber rag. On the motorcycles now were the Dianas, pulling the moon with multicolored ribbons; or, rather, since the number of naked women had at least doubled, the female motorcyclists must have thrown away their uniforms and kepis. A similar transformation had overtaken the motorcycles and the cars in the parade. You could no longer tell which were the old cars and which were the new: the twisted wheels, the rusty fenders were mixed together with bodywork as shiny as a mirror and paint that gleamed like enamel.

Read “The Daughters of the Moon” in full at The New Yorker (translation by Martin McLaughlin) (or have novelist Robert Coover read it to you, also via The New Yorker).

Happy Thanksgiving! Here’s a bunch of literary recipes and a painting

Merry Family, Jan Steen, 1688
Merry Family, Jan Steen, 1688

F. Scott Fitzgerald’s Turkey Twelve Ways

Gordon Lish’s Chicken Soup

Zora Neale Hurston’s Mulatto Rice

Roberto Bolaño’s Brussels Sprouts with Lemon

Ian McEwan’s Fish Stew

James Joyce’s Burnt Kidney Breakfast

Herman Melville’s Whale Steaks

Ernest Hemingway’s Absinthe Cocktail, Death in the Afternoon

Vladimir Nabokov’s Eggs à la Nabocoque

Thomas Pynchon’s Banana Breakfast

Cormac McCarthy’s Turtle Soup

Robert Crumb’s Macaroni Casserole

Truman Capote’s Caviar-Smothered Baked Potatoes with 80-Proof Russian Vodka

Emily Dickinson’s Cocoanut Cake

Thomas Jefferson’s Vanilla Ice Cream

Charles Dickens’s Own Punch

Ben Jonson’s Egg Wine

Willam Faulkner’s Hot Toddy

Christmas Bonus:  George Orwell’s Recipes for Plum Cake and Christmas Pudding

Unexpected View — Remedios Varo