“everything has crumbled…everything has dissolved…” (Thomas Bernhard)

Before he retired to his room, “not to sleep, but to howl to myself in the silence of horror,” he said: “How everything has crumbled, how everything has dissolved, how all the reference points have shifted, how all fixity has moved, how nothing exists anymore, how nothing exists, you see, how all the religions and all the irreligions and the protracted absurdities of all forms of worship have turned into nothing, nothing at all, you see, how belief and unbelief no longer exist, how science, modern science, how the stumbling blocks, the millennial courts, have all been thrown out and ushered out and blown out into the air, how all of it is now just so much air … Listen, it’s all air, all concepts are air, all points of reference are air, everything is just air …” And he said: “Frozen air, everything just so much frozen air …”

From Thomas Bernhard’s novel Frost.

 

Venus and Cupid — Lorenzo Lotto

Oshidori — Lacfadio Hearn

THERE WAS A FALCONER AND HUNTER, named Sonjô, who lived in the district called Tamura-no-Gô, of the province of Mutsu. One day he went out hunting, and could not find any game. But on his way home, at a place called Akanuma, he perceived a pair of oshidori (mandarin-ducks), swimming together in a river that he was about to cross. To kill oshidori is not good; but Sonjô happened to be very hungry, and he shot at the pair. His arrow pierced the male: the female escaped into the rushes of the farther shore, and disappeared. Sonjô took the dead bird home, and cooked it.

That night he dreamed a dreary dream. It seemed to him that a beautiful woman came into his room, and stood by his pillow, and began to weep. So bitterly did she weep that Sonjô felt as if his heart were being torn out while he listened. And the woman cried to him: “Why–oh! why did you kill him?–of what wrong was he guilty?. . . At Akanuma we were so happy together–and you killed him! What harm did he ever do you? Do you even know what you have done?–oh! do you know what a cruel, what a wicked thing you have done?. . . Me too you have killed–for I will not live without my husband! . . . Only to tell you this I came”. . . . Then again she wept aloud–so bitterly that the voice of her crying pierced into the marrow of the listener’s bones;–and she sobbed out the words of this poem:

Hi kururéba
Sasoëshi mono wo–
Akanuma no
Makomo no kuré no
Hitori-né zo uki!

At the coming of twilight I invited him to return with me–! Now to sleep alone in the shadow of the rushes of Akanuma– ah! what misery unspeakable!

And after having uttered these verses she exclaimed: “Ah, you do not know–you cannot know what you have done! But to-morrow, when you go to Akanuma, you will see–you will see. . . .” So saying, and weeping very piteously, she went away.

When Sonjô awoke in the morning, this dream remained so vivid in his mind that he was greatly troubled. He remembered the words: “But to-morrow, when you go to Akanuma, you will see–you will see.” And he resolved to go there at once, that he might learn whether his dream was anything more than dream.

So he went to Akanuma; and there, when he came to the river bank, he saw the female oshidori swimming alone. In the same moment the bird perceived Sonjô; but, instead of trying to escape, she swam straight toward him, looking at him the while in a strange fixed way. Then, with her beak, she suddenly tore open her own body, and died before the hunter’s eyes. . . .

Sonjô shaved his head, and became a priest.

October — James Tissot

First Novel (Glen Baxter)

first novel

A Pair of Shoes — Vincent van Gogh

Fairy Tale Illustration — Heorhiy Narbut

Read Donald Barthelme’s Story “Me and Miss Mandible”

“Me and Miss Mandible” by Donald Barthelme

13 September

Miss Mandible wants to make love to me but she hesitates because I am officially a child; I am, according to the records, according to the gradebook on her desk, according to the card index in the principal’s office, eleven years old. There is a misconception here, one that I haven’t quite managed to get cleared up yet. I am in fact thirty-five, I’ve been in the Army, I am six feet one, I have hair in the appropriate places, my voice is a baritone, I know very well what to do with Miss Mandible if she ever makes up her mind.

In the meantime we are studying common fractions. I could, of course, answer all the questions, or at least most of them (there are things I don’t remember). But I prefer to sit in this too-small seat with the desktop cramping my thighs and examine the life around me. There are thirty-two in the class, which is launched every morning with the pledge of allegiance to the flag. My own allegiance, at the moment, is divided between Miss Mandible and Sue Ann Brownly, who sits across the aisle from me all day long and is, like Miss Mandible, a fool for love. Of the two I prefer, today, Sue Ann; although between eleven and eleven and a half (she refuses to reveal her exact age) she is clearly a woman, with a woman’s disguised aggression and a woman’s peculiar contradictions. Strangely neither she nor any of the other children seem to see any incongruity in my presence here.

15 September

Happily our geography text, which contains maps of all the principal land-masses of the world, is large enough to conceal my clandestine journal-keeping, accomplished in an ordinary black composition book. Every day I must wait until Geography to put down such thoughts as I may have had during the morning about my situation and my fellows. I have tried writing at other times and it does not work. Either the teacher is walking up and down the aisles (during this period, luckily, she sticks close to the map rack in the front of the room) or Bobby Vanderbilt, who sits behind me, is punching me in the kidneys and wanting to know what I am doing. Vanderbilt, I have found out from certain desultory conversations on the playground, is hung up on sports cars, a veteran consumer of Road & Track. This explains the continual roaring sounds which seem to emanate from his desk; he is reproducing a record album called Sounds of Sebring.

19 September

Only I, at times (only at times), understand that somehow a mistake has been made, that I am in a place where I don’t belong. It may be that Miss Mandible also knows this, at some level, but for reasons not fully understood by me she is going along with the game. When I was first assigned to this room I wanted to protest, the error seemed obvious, the stupidest principal could have seen it; but I have come to believe it was deliberate, that I have been betrayed again.

Now it seems to make little difference. This life-role is as interesting as my former life- role, which was that of a claims adjuster for the Great Northern Insurance Company, a position which compelled me to spend my time amid the debris of our civilization: rumpled fenders, roofless sheds, gutted ware houses, smashed arms and legs. After ten years of this one has a tendency to see the world as a vast junkyard, looking at a man and seeing only his (potentially) mangled parts, entering a house only to trace the path of the inevitable fire. Therefore when I was installed here, although I knew an error had been made, I countenanced it, I was shrewd; I was aware that there might well be some kind of advantage to be gained from what seemed a disaster. The role of The Adjuster teaches one much.  Continue reading “Read Donald Barthelme’s Story “Me and Miss Mandible”” →

Resting in Bed — James McNeill Whistler

Almond Tree in Blossom — Vincent van Gogh

David Bowie’s Top 100 Must Read Books

David Bowie’s Top 100 Must Read Books:

The Age of American Unreason, Susan Jacoby, 2008

The Brief Wondrous Life of Oscar Wao, Junot Díaz, 2007

The Coast of Utopia (trilogy), Tom Stoppard, 2007

Teenage: The Creation of Youth 1875-1945, Jon Savage, 2007

Fingersmith, Sarah Waters, 2002

The Trial of Henry Kissinger, Christopher Hitchens, 2001

Mr. Wilson’s Cabinet of Wonder, Lawrence Weschler, 1997

A People’s Tragedy: The Russian Revolution 1890-1924, Orlando Figes, 1997

The Insult, Rupert Thomson, 1996

Wonder Boys, Michael Chabon, 1995

The Bird Artist, Howard Norman, 1994

Kafka Was The Rage: A Greenwich Village Memoir, Anatole Broyard, 1993

Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective, Arthur C. Danto, 1992

Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson, Camille Paglia, 1990

David Bomberg, Richard Cork, 1988

Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom, Peter Guralnick, 1986

The Songlines, Bruce Chatwin, 1986

Hawksmoor, Peter Ackroyd, 1985

Nowhere To Run: The Story of Soul Music, Gerri Hirshey, 1984

Nights at the Circus, Angela Carter, 1984

Money, Martin Amis, 1984

White Noise, Don DeLillo, 1984

Flaubert’s Parrot, Julian Barnes, 1984

The Life and Times of Little Richard, Charles White, 1984

A People’s History of the United States, Howard Zinn, 1980

A Confederacy of Dunces, John Kennedy Toole, 1980

Interviews with Francis Bacon, David Sylvester, 1980

Darkness at Noon, Arthur Koestler, 1980

Earthly Powers, Anthony Burgess, 1980

Raw (a ‘graphix magazine’) 1980-91

Viz (magazine) 1979 –

The Gnostic Gospels, Elaine Pagels, 1979

Metropolitan Life, Fran Lebowitz, 1978

In Between the Sheets, Ian McEwan, 1978

Writers at Work: The Paris Review Interviews, ed. Malcolm Cowley, 1977

The Origin of Consciousness in the Breakdown of the Bicameral Mind, Julian Jaynes, 1976

Tales of Beatnik Glory, Ed Saunders, 1975

Mystery Train, Greil Marcus, 1975

Selected Poems, Frank O’Hara, 1974

Before the Deluge: A Portrait of Berlin in the 1920s, Otto Friedrich, 1972

In Bluebeard’s Castle: Some Notes Towards the Re-definition of Culture, George Steiner, 1971

Octobriana and the Russian Underground, Peter Sadecky, 1971

The Sound of the City: The Rise of Rock and Roll, Charlie Gillete, 1970

The Quest For Christa T, Christa Wolf, 1968

Awopbopaloobop Alopbamboom: The Golden Age of Rock, Nik Cohn, 1968

The Master and Margarita, Mikhail Bulgakov, 1967

Journey into the Whirlwind, Eugenia Ginzburg, 1967

Last Exit to Brooklyn, Hubert Selby Jr., 1966

In Cold Blood, Truman Capote, 1965

City of Night, John Rechy, 1965

Herzog, Saul Bellow, 1964

Puckoon, Spike Milligan, 1963

The American Way of Death, Jessica Mitford, 1963

The Sailor Who Fell From Grace With The Sea, Yukio Mishima, 1963

The Fire Next Time, James Baldwin, 1963

A Clockwork Orange, Anthony Burgess, 1962

Inside the Whale and Other Essays, George Orwell, 1962

The Prime of Miss Jean Brodie, Muriel Spark, 1961

Private Eye (magazine) 1961 –

On Having No Head: Zen and the Rediscovery of the Obvious, Douglas Harding, 1961

Silence: Lectures and Writing, John Cage, 1961

Strange People, Frank Edwards, 1961

The Divided Self, R. D. Laing, 1960

All The Emperor’s Horses, David Kidd, 1960

Billy Liar, Keith Waterhouse, 1959

The Leopard, Giuseppe Di Lampedusa, 1958

On The Road, Jack Kerouac, 1957

The Hidden Persuaders, Vance Packard, 1957

Room at the Top, John Braine, 1957

A Grave for a Dolphin, Alberto Denti di Pirajno, 1956

The Outsider, Colin Wilson, 1956

Lolita, Vladimir Nabokov, 1955

Nineteen Eighty-Four, George Orwell, 1949

The Street, Ann Petry, 1946

Black Boy, Richard Wright, 1945

(Via).

 

Father and Son — Marin Majić

“October” — Tom Clark

october

October — Karoly Ferenczy

Portrait of a Stout Man — Master of Flémalle

Melancholy and Mystery of a Street — Ulf Puder