“The Red Room,” a short story by H.G. Wells

“The Red Room”

by

H.G. Wells


“I can assure you,” said I, “that it will take a very tangible ghost to frighten me.” And I stood up before the fire with my glass in my hand.

“It is your own choosing,” said the man with the withered arm, and glanced at me askance.

“Eight-and-twenty years,” said I, “I have lived, and never a ghost have I seen as yet.”

The old woman sat staring hard into the fire, her pale eyes wide open. “Ay,” she broke in; “and eight-and-twenty years you have lived and never seen the likes of this house, I reckon. There’s a many things to see, when one’s still but eight-and-twenty.” She swayed her head slowly from side to side. “A many things to see and sorrow for.”

I half suspected the old people were trying to enhance the spiritual terrors of their house by their droning insistence. I put down my empty glass on the table and looked about the room, and caught a glimpse of myself, abbreviated and broadened to an impossible sturdiness, in the queer old mirror at the end of the room. “Well,” I said, “if I see anything to-night, I shall be so much the wiser. For I come to the business with an open mind.”

“It’s your own choosing,” said the man with the withered arm once more.

I heard the faint sound of a stick and a shambling step on the flags in the passage outside. The door creaked on its hinges as a second old man entered, more bent, more wrinkled, more aged even than the first. He supported himself by the help of a crutch, his eyes were covered by a shade, and his lower lip, half averted, hung pale and pink from his decaying yellow teeth. He made straight for an armchair on the opposite side of the table, sat down clumsily, and began to cough. The man with the withered hand gave the newcomer a short glance of positive dislike; the old woman took no notice of his arrival, but remained with her eyes fixed steadily on the fire.

“I said—it’s your own choosing,” said the man with the withered hand, when the coughing had ceased for a while.

“It’s my own choosing,” I answered.

The man with the shade became aware of my presence for the first time, and threw his head back for a moment, and sidewise, to see me. I caught a momentary glimpse of his eyes, small and bright and inflamed. Then he began to cough and splutter again.

“Why don’t you drink?” said the man with the withered arm, pushing the beer toward him. The man with the shade poured out a glassful with a shaking hand, that splashed half as much again on the deal table. A monstrous shadow of him crouched upon the wall, and mocked his action as he poured and drank. I must confess I had scarcely expected these grotesque custodians. There is, to my mind, something inhuman in senility, something crouching and atavistic; the human qualities seem to drop from old people insensibly day by day. The three of them made me feel uncomfortable with their gaunt silences, their bent carriage, their evident unfriendliness to me and to one another. And that night, perhaps, I was in the mood for uncomfortable impressions. I resolved to get away from their vague fore-shadowings of the evil things upstairs.

“If,” said I, “you will show me to this haunted room of yours, I will make myself comfortable there.”

The old man with the cough jerked his head back so suddenly that it startled me, and shot another glance of his red eyes at me from out of the darkness under the shade, but no one answered me. I waited a minute, glancing from one to the other. The old woman stared like a dead body, glaring into the fire with lack-lustre eyes.

“If,” I said, a little louder, “if you will show me to this haunted room of yours, I will relieve you from the task of entertaining me.”

“There’s a candle on the slab outside the door,” said the man with the withered hand, looking at my feet as he addressed me. “But if you go to the Red Room to-night—”

“This night of all nights!” said the old woman, softly.

“—You go alone.”

“Very well,” I answered, shortly, “and which way do I go?”

“You go along the passage for a bit,” said he, nodding his head on his shoulder at the door, “until you come to a spiral staircase; and on the second landing is a door covered with green baize. Go through that, and down the long corridor to the end, and the Red Room is on your left up the steps.”

“Have I got that right?” I said, and repeated his directions.

He corrected me in one particular.

“And you are really going?” said the man with the shade, looking at me again for the third time with that queer, unnatural tilting of the face.

“This night of all nights!” whispered the old woman.

“It is what I came for,” I said, and moved toward the door. As I did so, the old man with the shade rose and staggered round the table, so as to be closer to the others and to the fire. At the door I turned and looked at them, and saw they were all close together, dark against the firelight, staring at me over their shoulders, with an intent expression on their ancient faces.

“Good-night,” I said, setting the door open. “It’s your own choosing,” said the man with the withered arm.

I left the door wide open until the candle was well alight, and then I shut them in, and walked down the chilly, echoing passage.

I must confess that the oddness of these three old pensioners in whose charge her ladyship had left the castle, and the deep-toned, old-fashioned furniture of the housekeeper’s room, in which they foregathered, had affected me curiously in spite of my effort to keep myself at a matter-of-fact phase. They seemed to belong to another age, an older age, an age when things spiritual were indeed to be feared, when common sense was uncommon, an age when omens and witches were credible, and ghosts beyond denying. Their very existence, thought I, is spectral; the cut of their clothing, fashions born in dead brains; the ornaments and conveniences in the room about them even are ghostly—the thoughts of vanished men, which still haunt rather than participate in the world of to-day. And the passage I was in, long and shadowy, with a film of moisture glistening on the wall, was as gaunt and cold as a thing that is dead and rigid. But with an effort I sent such thoughts to the right-about. The long, drafty subterranean passage was chilly and dusty, and my candle flared and made the shadows cower and quiver. The echoes rang up and down the spiral staircase, and a shadow came sweeping up after me, and another fled before me into the darkness overhead. I came to the wide landing and stopped there for a moment listening to a rustling that I fancied I heard creeping behind me, and then, satisfied of the absolute silence, pushed open the unwilling baize-covered door and stood in the silent corridor.

The effect was scarcely what I expected, for the moonlight, coming in by the great window on the grand staircase, picked out everything in vivid black shadow or reticulated silvery illumination. Everything seemed in its proper position; the house might have been deserted on the yesterday instead of twelve months ago. There were candles in the sockets of the sconces, and whatever dust had gathered on the carpets or upon the polished flooring was distributed so evenly as to be invisible in my candlelight. A waiting stillness was over everything. I was about to advance, and stopped abruptly. A bronze group stood upon the landing hidden from me by a corner of the wall; but its shadow fell with marvelous distinctness upon the white paneling, and gave me the impression of some one crouching to waylay me. The thing jumped upon my attention suddenly. I stood rigid for half a moment, perhaps. Then, with my hand in the pocket that held the revolver, I advanced, only to discover a Ganymede and Eagle, glistening in the moonlight. That incident for a time restored my nerve, and a dim porcelain Chinaman on a buhl table, whose head rocked as I passed, scarcely startled me.

The door of the Red Room and the steps up to it were in a shadowy corner. I moved my candle from side to side in order to see clearly the nature of the recess in which I stood, before opening the door. Here it was, thought I, that my predecessor was found, and the memory of that story gave me a sudden twinge of apprehension. I glanced over my shoulder at the black Ganymede in the moonlight, and opened the door of the Red Room rather hastily, with my face half turned to the pallid silence of the corridor.

I entered, closed the door behind me at once, turned the key I found in the lock within, and stood with the candle held aloft surveying the scene of my vigil, the great Red Room of Lorraine Castle, in which the young Duke had died; or rather in which he had begun his dying, for he had opened the door and fallen headlong down the steps I had just ascended. That had been the end of his vigil, of his gallant attempt to conquer the ghostly tradition of the place, and never, I thought, had apoplexy better served the ends of superstition. There were other and older stories that clung to the room, back to the half-incredible beginning of it all, the tale of a timid wife and the tragic end that came to her husband’s jest of frightening her. And looking round that huge shadowy room with its black window bays, its recesses and alcoves, its dusty brown-red hangings and dark gigantic furniture, one could well understand the legends that had sprouted in its black corners, its germinating darknesses. My candle was a little tongue of light in the vastness of the chamber; its rays failed to pierce to the opposite end of the room, and left an ocean of dull red mystery and suggestion, sentinel shadows and watching darknesses beyond its island of light. And the stillness of desolation brooded over it all.

I must confess some impalpable quality of that ancient room disturbed me. I tried to fight the feeling down. I resolved to make a systematic examination of the place, and so, by leaving nothing to the imagination, dispel the fanciful suggestions of the obscurity before they obtained a hold upon me. After satisfying myself of the fastening of the door, I began to walk round the room, peering round each article of furniture, tucking up the valances of the bed and opening its curtains wide. In one place there was a distinct echo to my footsteps, the noises I made seemed so little that they enhanced rather than broke the silence of the place. I pulled up the blinds and examined the fastenings of the several windows. Attracted by the fall of a particle of dust, I leaned forward and looked up the blackness of the wide chimney. Then, trying to preserve my scientific attitude of mind, I walked round and began tapping the oak paneling for any secret opening, but I desisted before reaching the alcove. I saw my face in a mirror—white.

There were two big mirrors in the room, each with a pair of sconces bearing candles, and on the mantelshelf, too, were candles in china candle-sticks. All these I lit one after the other. The fire was laid—an unexpected consideration from the old housekeeper—and I lit it, to keep down any disposition to shiver, and when it was burning well I stood round with my back to it and regarded the room again. I had pulled up a chintz-covered armchair and a table to form a kind of barricade before me. On this lay my revolver, ready to hand. My precise examination had done me a little good, but I still found the remoter darkness of the place and its perfect stillness too stimulating for the imagination. The echoing of the stir and crackling of the fire was no sort of comfort to me. The shadow in the alcove at the end of the room began to display that undefinable quality of a presence, that odd suggestion of a lurking living thing that comes so easily in silence and solitude. And to reassure myself, I walked with a candle into it and satisfied myself that there was nothing tangible there. I stood that candle upon the floor of the alcove and left it in that position.

By this time I was in a state of considerable nervous tension, although to my reason there was no adequate cause for my condition. My mind, however, was perfectly clear. I postulated quite unreservedly that nothing supernatural could happen, and to pass the time I began stringing some rhymes together, Ingoldsby fashion, concerning the original legend of the place. A few I spoke aloud, but the echoes were not pleasant* For the same reason I also abandoned, after a time, a conversation with myself upon the impossibility of ghosts and haunting. My mind reverted to the three old and distorted people downstairs, and I tried to keep it upon that topic.

The sombre reds and grays of the room troubled me; even with its seven candles the place was merely dim. The light in the alcove flaring in a draft, and the fire flickering, kept the shadows and penumbra perpetually shifting and stirring in a noiseless flighty dance. Casting about for a remedy, I recalled the wax candles I had seen in the corridor, and, with a slight effort, carrying a candle and leaving the door open, I walked out into the moonlight, and presently returned with as many as ten. These I put in the various knick-knacks of china with which the room was sparsely adorned, and lit and placed them where the shadows had lain deepest, some on the floor, some in the window recesses, arranging and rearranging them until at last my seventeen candles were so placed that not an inch of the room but had the direct light of at least one of them. It occurred to me that when the ghost came I could warn him not to trip over them. The room was now quite brightly illuminated. There was something very cheering and reassuring in these little silent streaming flames, and to notice their steady diminution of length offered me an occupation and gave me a reassuring sense of the passage of time.

Even with that, however, the brooding expectation of the vigil weighed heavily enough upon me. I stood watching the minute hand of my watch creep towards midnight.

Then something happened in the alcove. I did not see the candle go out, I simply turned and saw that the darkness was there, as one might start and see the unexpected presence of a stranger. The black shadow had sprung back to its place. “By Jove,” said I aloud, recovering from my surprise, “that draft’s a strong one;” and taking the matchbox from the table, I walked across the room in a leisurely manner to relight the corner again. My first match would not strike, and as I succeeded with the second, something seemed to blink on the wall before me. I turned my head involuntarily and saw that the two candles on the little table by the fireplace were extinguished. I rose at once to my feet.

“Odd,” I said. “Did I do that myself in a flash of absent-mindedness?”

I walked back, relit one, and as I did so I saw the candle in the right sconce of one of the mirrors wink and go right out, and almost immediately its companion followed it. The flames vanished as if the wick had been suddenly nipped between a finger and thumb, leaving the wick neither glowing nor smoking, but black. While I stood gaping the candle at the foot of the bed went out, and the shadows seemed to take another step toward me.

“This won’t do!” said I, and first one and then another candle on the mantelshelf followed.

“What’s up?” I cried, with a queer high note getting into my voice somehow. At that the candle on the corner of the wardrobe went out, and the one I had relit in the alcove followed.

“Steady on!” I said, “those candles are wanted,” speaking with a half-hysterical facetiousness, and scratching away at a match the while, “for the mantel candlesticks.” My hands trembled so much that twice I missed the rough paper of the matchbox. As the mantel emerged from darkness again, two candles in the remoter end of the room were eclipsed. But with the same match I also relit the larger mirror candles, and those on the floor near the doorway, so that for the moment I seemed to gain on the extinctions. But then in a noiseless volley there vanished four lights at once in different corners of the room, and I struck another match in quivering haste, and stood hesitating whither to take it.

As I stood undecided, an invisible hand seemed to sweep out the two candles on the table. With a cry of terror I dashed at the alcove, then into the corner and then into the window, relighting three as two more vanished by the fireplace, and then, perceiving a better way, I dropped matches on the iron-bound deedbox in the corner, and caught up the bedroom candlestick. With this I avoided the delay of striking matches, but for all that the steady process of extinction went on, and the shadows I feared and fought against returned, and crept in upon me, first a step gained on this side of me, then on that. I was now almost frantic with the horror of the coming darkness, and my self-possession deserted me. I leaped panting from candle to candle in a vain struggle against that remorseless advance.

I bruised myself in the thigh against the table, I sent a chair headlong, I stumbled and fell and whisked the cloth from the table in my fall. My candle rolled away from me and I snatched another as I rose. Abruptly this was blown out as I swung it off the table by the wind of my sudden movement, and immediately the two remaining candles followed. But there was light still in the room, a red light, that streamed across the ceiling and staved off the shadows from me. The fire! Of course I could still thrust my candle between the bars and relight it.

I turned to where the flames were still dancing between the glowing coals and splashing red reflections upon the furniture; made two steps toward the grate, and incontinently the flames dwindled and vanished, the glow vanished, the reflections rushed together and disappeared, and as I thrust the candle between the bars darkness closed upon me like the shutting of an eye, wrapped about me in a stifling embrace, sealed my vision, and crushed the last vestiges of self-possession from my brain. And it was not only palpable darkness, but intolerable terror. The candle fell from my hands. I flung out my arms in a vain effort to thrust that ponderous blackness away from me, and lifting up my voice, screamed with all my might, once, twice, thrice. Then I think I must have staggered to my feet. I know I thought suddenly of the moonlit corridor, and with my head bowed and my arms over my face, made a stumbling run for the door.

But I had forgotten the exact position of the door, and I struck myself heavily against the corner of the bed. I staggered back, turned, and was either struck or struck myself against some other bulky furnishing. I have a vague memory of battering myself thus to and fro in the darkness, of a heavy blow at last upon my forehead, of a horrible sensation of falling that lasted an age, of my last frantic effort to keep my footing, and then I remember no more.

I opened my eyes in daylight. My head was roughly bandaged, and the man with the withered hand was watching my face. I looked about me trying to remember what had happened, and for a space I could not recollect. I rolled my eyes into the corner and saw the old woman, no longer abstracted, no longer terrible, pouring out some drops of medicine from a little blue phial into a glass. “Where am I?” I said. “I seem to remember you, and yet I can not remember who you are.”

They told me then, and I heard of the haunted Red Room as one who hears a tale. “We found you at dawn,” said he, “and there was blood on your forehead and lips.”

I wondered that I had ever disliked him. The three of them in the daylight seemed commonplace old folk enough. The man with the green shade had his head bent as one who sleeps.

It was very slowly I recovered the memory of my experience. “You believe now,” said the old man with the withered hand, “that the room is haunted?” He spoke no longer as one who greets an intruder, but as one who condoles with a friend.

“Yes,” said I, “the room is haunted.”

“And you have seen it. And we who have been here all our lives have never set eyes upon it. Because we have never dared. Tell us, is it truly the old earl who—”

“No,” said I, “it is not.”

“I told you so,” said the old lady, with the glass in her hand. “It is his poor young countess who was frightened—”

“It is not,” I said. “There is neither ghost of earl nor ghost of countess in that room; there is no ghost there at all, but worse, far worse, something impalpable—”

“Well?” they said.

“The worst of all the things that haunt poor mortal men,” said I; “and that is, in all its nakedness—‘Fear!’ Fear that will not have light nor sound, that will not bear with reason, that deafens and darkens and overwhelms. It followed me through the corridor, it fought against me in the room—”

I stopped abruptly. There was an interval of silence. My hand went up to my bandages. “The candles went out one after another, and I fled—”

Then the man with the shade lifted his face sideways to see me and spoke.

“That is it,” said he. “I knew that was it. A Power of Darkness. To put such a curse upon a home! It lurks there always. You can feel it even in the daytime, even of a bright summer’s day, in the hangings, in the curtains, keeping behind you however you face about. In the dusk it creeps in the corridor and follows you, so that you dare not turn. It is even as you say. Fear itself is in that room. Black Fear…. And there it will be… so long as this house of sin endures.”

“The Story of the Inexperienced Ghost” — H.G. Wells

“The Story of the Inexperienced Ghost”

by

H.G. Wells


The scene amidst which Clayton told his last story comes back very vividly to my mind. There he sat, for the greater part of the time, in the corner of the authentic settle by the spacious open fire, and Sanderson sat beside him smoking the Broseley clay that bore his name. There was Evans, and that marvel among actors, Wish, who is also a modest man. We had all come down to the Mermaid Club that Saturday morning, except Clayton, who had slept there overnight—which indeed gave him the opening of his story. We had golfed until golfing was invisible; we had dined, and we were in that mood of tranquil kindliness when men will suffer a story. When Clayton began to tell one, we naturally supposed he was lying. It may be that indeed he was lying—of that the reader will speedily be able to judge as well as I. He began, it is true, with an air of matter-of-fact anecdote, but that we thought was only the incurable artifice of the man.

“I say!” he remarked, after a long consideration of the upward rain of sparks from the log that Sanderson had thumped, “you know I was alone here last night?”

“Except for the domestics,” said Wish.

“Who sleep in the other wing,” said Clayton. “Yes. Well—” He pulled at his cigar for some little time as though he still hesitated about his confidence. Then he said, quite quietly, “I caught a ghost!”

“Caught a ghost, did you?” said Sanderson. “Where is it?”

And Evans, who admires Clayton immensely and has been four weeks in America, shouted, “CAUGHT a ghost, did you, Clayton? I’m glad of it! Tell us all about it right now.”

Clayton said he would in a minute, and asked him to shut the door.

He looked apologetically at me. “There’s no eavesdropping of course, but we don’t want to upset our very excellent service with any rumours of ghosts in the place. There’s too much shadow and oak panelling to trifle with that. And this, you know, wasn’t a regular ghost. I don’t think it will come again—ever.”

“You mean to say you didn’t keep it?” said Sanderson.

“I hadn’t the heart to,” said Clayton.

And Sanderson said he was surprised.

We laughed, and Clayton looked aggrieved. “I know,” he said, with the flicker of a smile, “but the fact is it really WAS a ghost, and I’m as sure of it as I am that I am talking to you now. I’m not joking. I mean what I say.”

Sanderson drew deeply at his pipe, with one reddish eye on Clayton, and then emitted a thin jet of smoke more eloquent than many words.

Clayton ignored the comment. “It is the strangest thing that has ever happened in my life. You know, I never believed in ghosts or anything of the sort, before, ever; and then, you know, I bag one in a corner; and the whole business is in my hands.”

He meditated still more profoundly, and produced and began to pierce a second cigar with a curious little stabber he affected.

“You talked to it?” asked Wish.

“For the space, probably, of an hour.”

“Chatty?” I said, joining the party of the sceptics.

“The poor devil was in trouble,” said Clayton, bowed over his cigar-end and with the very faintest note of reproof.

“Sobbing?” some one asked.

Clayton heaved a realistic sigh at the memory. “Good Lord!” he said; “yes.” And then, “Poor fellow! yes.”

“Where did you strike it?” asked Evans, in his best American accent.

“I never realised,” said Clayton, ignoring him, “the poor sort of thing a ghost might be,” and he hung us up again for a time, while he sought for matches in his pocket and lit and warmed to his cigar.

“I took an advantage,” he reflected at last.

We were none of us in a hurry. “A character,” he said, “remains just the same character for all that it’s been disembodied. That’s a thing we too often forget. People with a certain strength or fixity of purpose may have ghosts of a certain strength and fixity of purpose—most haunting ghosts, you know, must be as one-idea’d as monomaniacs and as obstinate as mules to come back again and again. This poor creature wasn’t.” He suddenly looked up rather queerly, and his eye went round the room. “I say it,” he said, “in all kindliness, but that is the plain truth of the case. Even at the first glance he struck me as weak.”

He punctuated with the help of his cigar. Continue reading ““The Story of the Inexperienced Ghost” — H.G. Wells”

“The Cone” — H.G. Wells

Plaza Italia (Great Game), Giorgio de Chirico

“The Cone”

by

H.G. Wells


The night was hot and overcast, the sky red, rimmed with the lingering sunset of mid-summer. They sat at the open window, trying to fancy the air was fresher there. The trees and shrubs of the garden stood stiff and dark; beyond in the roadway a gas-lamp burnt, bright orange against the hazy blue of the evening. Farther were the three lights of the railway signal against the lowering sky. The man and woman spoke to one another in low tones.

“He does not suspect?” said the man, a little nervously.

“Not he,” she said peevishly, as though that too irritated her. “He thinks of nothing but the works and the prices of fuel. He has no imagination, no poetry.”

“None of these men of iron have,” he said sententiously.
“They have no hearts.”

He has not,” she said. She turned her discontented face towards the window. The distant sound of a roaring and rushing drew nearer and grew in volume; the house quivered; one heard the metallic rattle of the tender. As the train passed, there was a glare of light above the cutting and a driving tumult of smoke; one, two, three, four, five, six, seven, eight black oblongs—eight trucks—passed across the dim grey of the embankment, and were suddenly extinguished one by one in the throat of the tunnel, which, with the last, seemed to swallow down train, smoke, and sound in one abrupt gulp. Continue reading ““The Cone” — H.G. Wells”

“The Flowering of the Strange Orchid” — H.G. Wells

t_morino_monster_10
Illustration for “The Flowering of the Strange Orchid,” Tatsuya Morino

“The Flowering of the Strange Orchid”

by

H.G. Wells

The buying of orchids always has in it a certain speculative flavour. You have before you the brown shrivelled lump of tissue, and for the rest you must trust your judgment, or the auctioneer, or your good-luck, as your taste may incline. The plant may be moribund or dead, or it may be just a respectable purchase, fair value for your money, or perhaps – for the thing has happened again and again – there slowly unfolds before the delighted eyes of the happy purchaser, day after day, some new variety, some novel richness, a strange twist of the labellum, or some subtler coloration or unexpected mimicry.

Pride, beauty, and profit blossom together on one delicate green spike, and it may be, even immortality. For the new miracle of Nature may stand in need of a new specific name, and what so convenient as that of its discoverer? “Johnsmithia!” There have been worse names.

It was perhaps the hope of some such happy discovery that made Winter-Wedderburn such a frequent attendant at these sales – that hope, and also, maybe, the fact that he had nothing else of the slightest interest to do in the world. He was a shy, lonely, rather ineffectual man, provided with just enough income to keep off the spur of necessity, and not enough nervous energy to make him seek any exacting employments. He might have collected stamps or coins, or translated Horace, or bound books, or invented new species of diatoms. But, as it happened, he grew orchids, and had one ambitious little hothouse. Continue reading ““The Flowering of the Strange Orchid” — H.G. Wells”

“The Stolen Body,” a weird short story by H.G. Wells

“The Stolen Body”

by

H.G. Wells


Mr. Bessel was the senior partner in the firm of Bessel, Hart, and Brown, of St. Paul’s Churchyard, and for many years he was well known among those interested in psychical research as a liberal-minded and conscientious investigator. He was an unmarried man, and instead of living in the suburbs, after the fashion of his class, he occupied rooms in the Albany, near Piccadilly. He was particularly interested in the questions of thought transference and of apparitions of the living, and in November, 1896, he commenced a series of experiments in conjunction with Mr. Vincey, of Staple Inn, in order to test the alleged possibility of projecting an apparition of one’s self by force of will through space.

Their experiments were conducted in the following manner: At a prearranged hour Mr. Bessel shut himself in one of his rooms in the Albany and Mr. Vincey in his sitting-room in Staple Inn, and each then fixed his mind as resolutely as possible on the other. Mr. Bessel had acquired the art of self-hypnotism, and, so far as he could, he attempted first to hypnotise himself and then to project himself as a “phantom of the living” across the intervening space of nearly two miles into Mr. Vincey’s apartment. On several evenings this was tried without any satisfactory result, but on the fifth or sixth occasion Mr. Vincey did actually see or imagine he saw an apparition of Mr. Bessel standing in his room. He states that the appearance, although brief, was very vivid and real. He noticed that Mr. Bessel’s face was white and his expression anxious, and, moreover, that his hair was disordered. For a moment Mr. Vincey, in spite of his state of expectation, was too surprised to speak or move, and in that moment it seemed to him as though the figure glanced over its shoulder and incontinently vanished.

It had been arranged that an attempt should be made to photograph any phantasm seen, but Mr. Vincey had not the instant presence of mind to snap the camera that lay ready on the table beside him, and when he did so he was too late. Greatly elated, however, even by this partial success, he made a note of the exact time, and at once took a cab to the Albany to inform Mr. Bessel of this result. Continue reading ““The Stolen Body,” a weird short story by H.G. Wells”

“Jimmy Goggles the God” — H.G. Wells

“Jimmy Goggles the God”

by

H.G. Wells

“It isn’t every one who’s been a god,” said the sunburnt man. “But it’s happened to me. Among other things.”

I intimated my sense of his condescension.

“It don’t leave much for ambition, does it?” said the sunburnt man.

“I was one of those men who were saved from the Ocean Pioneer. Gummy! how time flies! It’s twenty years ago. I doubt if you’ll remember anything of the Ocean Pioneer?”

The name was familiar, and I tried to recall when and where I had read it. The Ocean Pioneer? “Something about gold dust,” I said vaguely, “but the precise—”

“That’s it,” he said. “In a beastly little channel she hadn’t no business in—dodging pirates. It was before they’d put the kybosh on that business. And there’d been volcanoes or something and all the rocks was wrong. There’s places about by Soona where you fair have to follow the rocks about to see where they’re going next. Down she went in twenty fathoms before you could have dealt for whist, with fifty thousand pounds worth of gold aboard, it was said, in one form or another.”

“Survivors?”

“Three.”

“I remember the case now,” I said. “There was something about salvage—”

But at the word salvage the sunburnt man exploded into language so extraordinarily horrible that I stopped aghast. He came down to more ordinary swearing, and pulled himself up abruptly. “Excuse me,” he said, “but—salvage!”

He leant over towards me. “I was in that job,” he said. “Tried to make myself a rich man, and got made a god instead. I’ve got my feelings—

“It ain’t all jam being a god,” said the sunburnt man, and for some time conversed by means of such pithy but unprogressive axioms. At last he took up his tale again.

“There was me,” said the sunburnt man, “and a seaman named Jacobs, and Always, the mate of the Ocean Pioneer. And him it was that set the whole thing going. I remember him now, when we was in the jolly-boat, suggesting it all to our minds just by one sentence. He was a wonderful hand at suggesting things. ‘There was forty thousand pounds,’ he said, ‘on that ship, and it’s for me to say just where she went down.’ It didn’t need much brains to tumble to that. And he was the leader from the first to the last. He got hold of the Sanderses and their brig; they were brothers, and the brig was the Pride of Banya, and he it was bought the diving-dress—a second-hand one with a compressed air apparatus instead of pumping. He’d have done the diving too, if it hadn’t made him sick going down. And the salvage people were mucking about with a chart he’d cooked up, as solemn as could be, at Starr Race, a hundred and twenty miles away. Continue reading ““Jimmy Goggles the God” — H.G. Wells”

“The Obliterated Man” — H.G. Wells

“The Obliterated Man” by H.G. Wells

I was—you shall hear immediately why I am not now—Egbert Craddock Cummins. The name remains. I am still (Heaven help me!) Dramatic Critic to the Fiery Cross. What I shall be in a little while I do not know. I write in great trouble and confusion of mind. I will do what I can to make myself clear in the face of terrible difficulties. You must bear with me a little. When a man is rapidly losing his own identity, he naturally finds a difficulty in expressing himself. I will make it perfectly plain in a minute, when once I get my grip upon the story. Let me see—where am I? I wish I knew. Ah, I have it! Dead self! Egbert Craddock Cummins!

In the past I should have disliked writing anything quite so full of “I” as this story must be. It is full of “I’s” before and behind, like the beast in Revelation—the one with a head like a calf, I am afraid. But my tastes have changed since I became a Dramatic Critic and studied the masters—G.A.S., G.B.S., G.R.S., and the others. Everything has changed since then. At least the story is about myself—so that there is some excuse for me. And it is really not egotism, because, as I say, since those days my identity has undergone an entire alteration.

That past!… I was—in those days—rather a nice fellow, rather shy— taste for grey in my clothes, weedy little moustache, face “interesting,” slight stutter which I had caught in my early life from a schoolfellow. Engaged to a very nice girl, named Delia. Fairly new, she was— cigarettes—liked me because I was human and original. Considered I was like Lamb—on the strength of the stutter, I believe. Father, an eminent authority on postage stamps. She read a great deal in the British Museum. (A perfect pairing ground for literary people, that British Museum—you should read George Egerton and Justin Huntly M’Carthy and Gissing and the rest of them.) We loved in our intellectual way, and shared the brightest hopes. (All gone now.) And her father liked me because I seemed honestly eager to hear about stamps. She had no mother. Indeed, I had the happiest prospects a young man could have. I never went to theatres in those days. My Aunt Charlotte before she died had told me not to.

Then Barnaby, the editor of the Fiery Cross, made me—in spite of my spasmodic efforts to escape—Dramatic Critic. He is a fine, healthy man, Barnaby, with an enormous head of frizzy black hair and a convincing manner, and he caught me on the staircase going to see Wembly. He had been dining, and was more than usually buoyant. “Hullo, Cummins!” he said. “The very man I want!” He caught me by the shoulder or the collar or something, ran me up the little passage, and flung me over the waste-paper basket into the arm-chair in his office. “Pray be seated,” he said, as he did so. Then he ran across the room and came back with some pink and yellow tickets and pushed them into my hand. “Opera Comique,” he said, “Thursday; Friday, the Surrey; Saturday, the Frivolity. That’s all, I think.” Continue reading ““The Obliterated Man” — H.G. Wells”

The Fabulous World of Jules Verne — Karel Zeman (Full Film)

“…a spectral cavalry, faces disquietingly wanting in detail, eyes little more than blurred sockets…” (Another Riff on Thomas Pynchon’s Against the Day)

  1. Another riff on/citation from Thomas Pynchon’s Against the Day.
  2. In this episode, our heroes, Chums of Chance Chick Counterfly (chief science officer) and Darby Suckling (chief horndog) have found their way to an off-brand time machine, managed and (shoddily) maintained by Dr. Zoot (whose doctorate seems unlikely). Dr. Zoot sends the boys (ostensibly) to the future for a brief glimpse:

They seemed to be in the midst of some great storm in whose low illumination, presently, they could make out, in unremitting sweep across the field of vision, inclined at the same angle as the rain, if rain it was—some material descent, gray and wind-stressed—undoubted human identities, masses of souls, mounted, pillioned, on foot, ranging along together by the millions over the landscape accompanied by a comparably unmeasurable herd of horses. The multitude extended farther than they could see—a spectral cavalry, faces disquietingly wanting in detail, eyes little more than blurred sockets, the draping of garments constantly changing in an invisible flow which perhaps was only wind. Bright arrays of metallic points hung and drifted in three dimensions and perhaps more, like stars blown through by the shock waves of the Creation. Were those voices out there crying in pain? sometimes it almost sounded like singing. Sometimes a word or two, in a language almost recognizable, came through. Thus, galloping in unceasing flow ever ahead, denied any further control over their fate, the disconsolate company were borne terribly over the edge of the visible world. . . .

The chamber shook, as in a hurricane. Ozone permeated its interior like the musk attending some mating dance of automata, and the boys found themselves more and more disoriented. Soon even the cylindrical confines they had entered seemed to have fallen away, leaving them in a space unbounded in all directions. There became audible a continuous roar as of the ocean—but it was not the ocean—and soon cries as of beasts in open country, ferally purring stridencies passing overhead, sometimes too close for the lads to be altogether comfortable with—but they were not beasts. Everywhere rose the smell of excrement and dead tissue.

Each lad was looking intently through the darkness at the other, as if about to inquire when it would be considered proper to start screaming for help.

“If this is our host’s idea of the future—” Chick began, but he was abruptly checked by the emergence, from the ominous sweep of shadow surrounding them, of a long pole with a great metal hook on the end, of the sort commonly used to remove objectionable performers from the variety stage, which, being latched firmly about Chick’s neck, had in the next instant pulled him off into regions indecipherable. Before Darby had time to shout after, the Hook reappeared to perform a similar extraction on him, and quick as that, both youngsters found themselves back in the laboratory of Dr. Zoot. The fiendish “time machine,” still in one piece, quivered in its accustomed place, as if with merriment. (403-04)

  1. I think the most obvious interpretation here is that our Chums witness part of a battle of the Great War, which is where Against the Day seems to be heading.

  1. What I find most fascinating, though, is the way that Pynchon moves from the physical to the metaphysical in the series of images the Chums witness.

We get an image of “undoubted human identities, masses of souls, mounted, pillioned, on foot, ranging along together by the millions over the landscape accompanied by a comparably unmeasurable herd of horses” seems simultaneously concrete and metaphysical, specific but also hyperbolic.

The scene continues to tread this line—we witness “a spectral cavalry, faces disquietingly wanting in detail, eyes little more than blurred sockets, the draping of garments constantly changing in an invisible flow which perhaps was only wind.”

On one hand, our disoriented Chums (to whose perspective Pynchon limits us) perceive ghosts here (almost cartoonish ghosts, I might add, of the holes-cut-out-for-eyes variety); on the other hand, the “blurred sockets” suggest gas masks and the “constantly changing” garments could perhaps be the variety of uniforms (and armor) of the soldiers.

Continuing: “Bright arrays of metallic points hung and drifted in three dimensions and perhaps more” — Bullets? Bayonets? Missiles? The concrete image is then likened to “stars blown through by the shock waves of the Creation.” The physical shifts into the metaphysical again as Pynchon sends “the disconsolate company . . . terribly over the edge of the visible world.”

  1. Here, the Chums seem to experience the Great War as an intensely compressed allegorical sensation.
  • The second paragraph in the above citation moves the boys into “a space unbounded in all directions” where they perceive “a continuous roar as of the ocean—but it was not the ocean—and soon cries as of beasts in open country, ferally purring stridencies passing overhead, sometimes too close for the lads to be altogether comfortable with—but they were not beasts.”

  • The Chums have no language to describe what they hear; Pynchon has to mediate the similes available to them in negation. But we (and Darby and Chick, of course) know that this place is no bueno: “Everywhere rose the smell of excrement and dead tissue.”

    1. Where have they gone? Are they still in the midst of war—are the sounds planes, bombs? World War I? WWII, site of that other giant Pynchon novel? Hiroshima? Vietnam? The WTC on 9/11? Where? When?

    1. I take the second paragraph to be a brief homage to the penultimate chapter of H.G. Wells’s slim novel The Time Machine (frequently and directly invoked throughout this particular episode of AtD, btw). At the end of that novella, the time traveler, dispensing with Eloi and Morlock alike, takes his machine to the brink of time, to witness the end of the earth and our solar system: “A horror of this great darkness came on me. The cold, that smote to my marrow, and the pain I felt in breathing, overcame me. I shivered, and a deadly nausea seized me.” The Chums of Chance seem to witness a similar extinction.
    2. Ah, but this is Pynchon, of course—so and how does the episode end? With a gag. In a vaudevillian twist, our players are removed from the stage via hook as the time machine, their audience, quivers “as if with merriment.”

    Despite the zaniness of this exit, keep in mind that our heroes are hooked around their necks, lassoed by a noose of sorts—Pynchon saves them, but at the same time visually suggests their death, linking back to the image of mass extinction at the core of the passage.

    1. The paintings in this riff are by the late Polish artist Zdzisław Beksiński; like all of his work they are untitled.