From Gordon Lish’s story “How to Write a Poem.”
“Election Day,” William Carlos Williams:
Warm sun, quiet air
an old man sitsin the doorway of
a broken house—boards for windows
plaster fallingfrom between the stones
and strokes the headof a spotted dog
“One need not be a Chamber — to be Haunted –” by Emily Dickinson:
One need not be a Chamber — to be Haunted —
One need not be a House —
The Brain has Corridors — surpassing
Material Place —Far safer, of a Midnight Meeting
External Ghost
Than its interior Confronting —
That Cooler Host.Far safer, through an Abbey gallop,
The Stones a’chase —
Than Unarmed, one’s a’self encounter —
In lonesome Place —Ourself behind ourself, concealed —
Should startle most —
Assassin hid in our Apartment
Be Horror’s least.The Body — borrows a Revolver —
He bolts the Door —
O’erlooking a superior spectre —
Or More —
“I reason, Earth is short–” by Emily Dickinson:
I reason, Earth is short —
And Anguish — absolute —
And many hurt,
But, what of that?I reason, we could die —
The best Vitality
Cannot excel Decay,
But, what of that?I reason, that in Heaven —
Somehow, it will be even —
Some new Equation, given —
But, what of that?
–from William H. Gass’s essay “Finding a Form.”
“Prayer of Columbus” by Walt Whitman
A batter’d, wreck’d old man,
Thrown on this savage shore, far, far from home,
Pent by the sea and dark rebellious brows, twelve dreary months,
Sore, stiff with many toils, sicken’d and nigh to death,
I take my way along the island’s edge,
Venting a heavy heart.
I am too full of woe!
Haply I may not live another day;
I cannot rest O God, I cannot eat or drink or sleep,
Till I put forth myself, my prayer, once more to Thee,
Breathe, bathe myself once more in Thee, commune with Thee,
Report myself once more to Thee.
Thou knowest my years entire, my life,
My long and crowded life of active work, not adoration merely;
Thou knowest the prayers and vigils of my youth,
Thou knowest my manhood’s solemn and visionary meditations,
Thou knowest how before I commenced I devoted all to come to Thee,
Thou knowest I have in age ratified all those vows and strictly kept them,
Thou knowest I have not once lost nor faith nor ecstasy in Thee,
In shackles, prison’d, in disgrace, repining not,
Accepting all from Thee, as duly come from Thee.
All my emprises have been fill’d with Thee,
My speculations, plans, begun and carried on in thoughts of Thee,
Sailing the deep or journeying the land for Thee;
Intentions, purports, aspirations mine, leaving results to Thee.
O I am sure they really came from Thee,
The urge, the ardor, the unconquerable will,
The potent, felt, interior command, stronger than words,
A message from the Heavens whispering to me even in sleep,
These sped me on.
By me and these the work so far accomplish’d,
By me earth’s elder cloy’d and stifled lands uncloy’d, unloos’d,
By me the hemispheres rounded and tied, the unknown to the known.
The end I know not, it is all in Thee,
Or small or great I know not–haply what broad fields, what lands,
Haply the brutish measureless human undergrowth I know,
Transplanted there may rise to stature, knowledge worthy Thee,
Haply the swords I know may there indeed be turn’d to reaping-tools,
Haply the lifeless cross I know, Europe’s dead cross, may bud and
blossom there.
One effort more, my altar this bleak sand;
That Thou O God my life hast lighted,
With ray of light, steady, ineffable, vouchsafed of Thee,
Light rare untellable, lighting the very light,
Beyond all signs, descriptions, languages;
For that O God, be it my latest word, here on my knees,
Old, poor, and paralyzed, I thank Thee.
My terminus near,
The clouds already closing in upon me,
The voyage balk’d, the course disputed, lost,
I yield my ships to Thee.
My hands, my limbs grow nerveless,
My brain feels rack’d, bewilder’d,
Let the old timbers part, I will not part,
I will cling fast to Thee, O God, though the waves buffet me,
Thee, Thee at least I know.
Is it the prophet’s thought I speak, or am I raving?
What do I know of life? what of myself?
I know not even my own work past or present,
Dim ever-shifting guesses of it spread before me,
Of newer better worlds, their mighty parturition,
Mocking, perplexing me.
And these things I see suddenly, what mean they?
As if some miracle, some hand divine unseal’d my eyes,
Shadowy vast shapes smile through the air and sky,
And on the distant waves sail countless ships,
And anthems in new tongues I hear saluting me.
“Lobster” by Anne Sexton:
A shoe with legs,
a stone dropped from heaven,
he does his mournful work alone,
he is the old prospector for golf,
with secret dreams of God-heads and fish heads.
Until suddenly a cradle fastens round him
and his is trapped as the U.S.A. sleeps.
Somewhere far off a woman lights a cigarette;
somewhere far off a car goes over a bridge;
somewhere far off a bank is held up.
This is the world the lobster knows not of.
He is the old hunting dog of the sea
who in the morning will rise from it
and be undrowned
and they will take his perfect green body
and paint it red
(Thanks Jescie).
Goethe probably retards the development of the German language by the force of his writing. Even though prose style has often traveled away from him in the interim, still, in the end, as at present, it returns to him with strengthened yearning and even adopts obsolete idioms found in Goethe but otherwise without any particular connection with him, in order to rejoice in the completeness of its unlimited dependence.
From Kafka’s Diaries.
Ask whomever you will but you’ll never find out where I’m lodging,
High society’s lords, ladies so groomed and refined.
“Tell me, was Werther authentic? Did all of that happen in real life?”
“Lotte, oh where did she live, Werther’s only true love?”
How many times have I cursed those frivolous pages that broadcast
Out among all mankind passions I felt in my youth!
Were he my brother, why then I’d have murdered poor Werther.
Yet his despondent ghost couldn’t have sought worse revenge.
That’s the way “Marlborough,” the ditty, follows the Englishman’s travels
Down to Livorno from France, thence from Livorno to Rome,
All of the way into Naples and then, should he flee on to Madras,
“Marlborough” will surely be there, “Marlborough” sung in the port.
Happily now I’ve escaped, and my mistress knows Werther and Lotte
Not a whit better than who might be this man in her bed:
That he’s a foreigner, footloose and lusty, is all she could tell you,
Who beyond mountains and snow, dwelt in a house made of wood.
From Section I of Goethe’s Erotica Romana.
W.G. Sebald’s poetry collection After Nature. Not really poetry. Or maybe it is poetry. I don’t know what poetry is.
