Biblioklept

I thought I’d jump in on the Books Acquired feature on the blog, so below is a picture and some words about the books I got this past April. Significantly fewer than average as I’m *trying* to read the books I already have but, you know, it doesn’t really ever stop.

 

It was in this interview on the blog that I heard about Gabriel Josipovici’s philosophical novel. I’ve been on the hunt for more books like this in the past couple of years, and if it’s anyone’s recommendation about novels that wax philosophical, it’d be a philosopher’s. Goldberg: Variations also promises to slake an obsessive thirst for books about composers and their madness (or illness). I also seem unable to shake an attraction for books that tell stories about other stories, with the latter being the “actual story” of the book. From the back: “At the turn of the eighteenth century, a writer–a Jew–enters an English country manor, where he has been invited to read through the night to his host until the gentleman falls asleep. What unfolds then are seemingly unconnected stories covering a vast array of topics–from incest to madness to a poetic competition in the court of George III. And what emerges by the end is a breathtaking tapestry in which past and present, imagination and truth, are intricately woven together into one remarkable whole.”

I saw Kate Zambreno read from this book back in 2011 when it was originally published by Emergency Press. Since then she’s written a “critical memoir” titled Heroines, which explores the writer’s relationship with the “wives and mistresses” of the 20th-Century modernist greats. It’s my understanding that Zambreno has also reworked through Green Girl for this republish. Which I can’t imagine doing. Seems terrifying and harrowing. Only about 20 pages in so far, but it definitely has, for desperate lack of a better term, a European feel to it that’s rare for American writers. The sentences vibrate along the same manic, anxious and panicky frequencies of favorites like Bernhard, Rhys and Woolf. From the back: “Ruth is a young American in London, trying desperately to navigate a world in which she attracts the unwanted gaze of others while grappling with the uncertainty of her own self-regard. Haunted equally by self-doubt and by a morbid fascination with the beautiful, cruel, and empty people around her, Ruth darts quietly through the rainy sidewalks of her present, trying to escape her future.”

I know Steve Mitchelmore, blogger of This Space, is a big Peter Handke fan. I tweeted him a couple of months ago and he recommended that I start with this one. I’m looking forward to reading an Austrian (or Austro-Hungarian and descendants of) that isn’t cantankerous and odorous a la Bernhard. But, as expected, this book seems like it’s going to be really fucked up. The back: “In the summer of 1960, Filip Kobal leaves his home in search of his missing brother, Gregor. Not quite twenty, he is armed only with two of his brother’s books; a copybook and a dictionary in which Gregor has, revealingly, marked certain words. Filip’s investigations of language–of the laws of naming objects, and of the roots of alienation in the discrepancy between objects’ names and our experience of them–becomes, finally, an investigation of himself and the world around him.”