“The Huldrefish” by Jonas Lie; Translated from Norwegian by Nisbet Bain (Illustration by Laurence Housman)
It was such an odd trout that Nona hauled in at the end of his fishing-line. Large and fat, red spotted and shiny, it sprawled and squirmed, with its dirty yellow belly above the water, to wriggle off the hook. And when he got it into the boat, and took it off the hook, he saw that it had only two small slits where the eyes should have been.
It must be a huldrefish, thought one of the boatmen, for rumour had it that that lake was one of those which had a double bottom.
But Nona didn’t trouble his head very much about what sort of a fish it was, so long as it was a big one. He was ravenously hungry, and bawled to them to row as rapidly as possible ashore so as to get it cooked.
He had been sitting the whole afternoon with empty lines out in the mountain lake there; but as for the trout, it was only an hour ago since it had been steering its way through the water with its rudder of a tail, and allowed itself to be fooled by a hook, and already it lay cooked red there on the dish.
But now Nona recollected about the strange eyes, and felt for them, and pricked away at its head with his fork. There was nothing but slits outside, and yet there was a sort of hard eyeball inside. The head was strangely shaped, and looked very peculiar in many respects.
He was vexed that he had not examined it more closely before it was cooked; it was not so easy now to make out what it really was. It had tasted first-rate, however, and that was something.
But at night there was, as it were, a gleam of bright water before his eyes, and he lay half asleep, thinking of the odd fish he had pulled up.
He was in his boat again, he thought, and it seemed to him as if his hands felt the fish wriggling and sprawling for its life, and shooting its snout backwards and forwards to get off the hook.
All at once it grew so heavy and strong that it drew the boat after it by the line.
It went along at a frightful speed, while the lake gradually diminished, as it were, and dried up.
There was an irresistible sucking of the water in the direction the fish went, which was towards a hole at the bottom of the lake like a funnel, and right into this hole went the boat.
It glided for a long time in a sort of twilight along a subterranean river, which dashed and splashed about him. The air that met him was, at first, chilly and cellar-like; gradually, however, it grew milder and milder, and warmer and warmer.
The stream now flowed along calmly and quietly, and broadened out continually till it fell into a large lake.
Beyond the borders of this lake, but only half visible in the gloom, stretched swamps and morasses, where he heard sounds as of huge beasts wading and trampling. Serpent like they rose and writhed with a crashing and splashing and snorting amidst the tepid mud and mire.
By the phosphorescent gleams he saw various fishes close to his boat, but all of them lacked eyes.
And he caught glimpses of the outlines of gigantic sea-serpents stretching far away into the darkness. He now understood that it was from down here that they pop up their heads off the coast in the dog days when the sea is warm.
The lindworm, with its flat head and duck’s beak, darted after fish, and crept up to the surface of the earth through the slimy ways of mire and marsh.
Through the warm and choking gloom there came, from time to time, a cooling chilling blast from the cold curves and winds of the slimy and slippery greenish lichworm, which bores its way through the earth and eats away the coffins that are rotting in the churchyards.
Horrible shapeless monsters, with streaming manes, such as are said to sometimes appear in mountain tarns, writhed and wallowed and seized their prey in the fens and marshes.
And he caught glimpses of all sorts of humanlike creatures, such as fishermen and sailors meet and marvel at on the sea, and landsmen see outside the elfin mounds.
And, besides, that there was a soft whizzing and an endless hovering and swarming of beings, whose shapes were nevertheless invisible to the eye of man.
Then the boat glided into miry pulpy water, where her course tended downwards, and where the earth-vault above darkened as it sank lower and lower.
All at once a blinding strip of light shot down from a bright blue slit high, high, above him.
A stuffy vapour stood round about him. The water was as yellow and turbid as that which comes out of steam boilers.
And he called to mind the peculiar tepid undrinkable water which bubbles up by the side of artesian wells. It was quite hot. Up there they were boring down to a world of warm watercourses and liquid strata beneath the earth’s crust.
Heat as from an oven rose up from the huge abysses and dizzying clefts, whilst mighty steaming waterfalls roared and shook the ground.
All at once he felt as if his body were breaking loose, freeing itself, and rising in the air. He had a feeling of infinite lightness, of a wondrous capability for floating in higher atmospheres and recovering equilibrium.
And, before he knew how it was, he found himself up on the earth again.
“The Alchemist” by H.P. Lovecraft
High up, crowning the grassy summit of a swelling mound whose sides are wooded near the base with the gnarled trees of the primeval forest, stands the old chateau of my ancestors. For centuries its lofty battlements have frowned down upon the wild and rugged countryside about, serving as a home and stronghold for the proud house whose honoured line is older even than the moss-grown castle walls. These ancient turrets, stained by the storms of generations and crumbling under the slow yet mighty pressure of time, formed in the ages of feudalism one of the most dreaded and formidable fortresses in all France. From its machicolated parapets and mounted battlements Barons, Counts, and even Kings had been defied, yet never had its spacious halls resounded to the footstep of the invader.
But since those glorious years all is changed. A poverty but little above the level of dire want, together with a pride of name that forbids its alleviation by the pursuits of commercial life, have prevented the scions of our line from maintaining their estates in pristine splendour; and the falling stones of the walls, the overgrown vegetation in the parks, the dry and dusty moat, the ill-paved courtyards, and toppling towers without, as well as the sagging floors, the worm-eaten wainscots, and the faded tapestries within, all tell a gloomy tale of fallen grandeur. As the ages passed, first one, then another of the four great turrets were left to ruin, until at last but a single tower housed the sadly reduced descendants of the once mighty lords of the estate.
It was in one of the vast and gloomy chambers of this remaining tower that I, Antoine, last of the unhappy and accursed Comtes de C——, first saw the light of day, ninety long years ago. Within these walls, and amongst the dark and shadowy forests, the wild ravines and grottoes of the hillside below, were spent the first years of my troubled life. My parents I never knew. My father had been killed at the age of thirty-two, a month before I was born, by the fall of a stone somehow dislodged from one of the deserted parapets of the castle, and my mother having died at my birth, my care and education devolved solely upon one remaining servitor, an old and trusted man of considerable intelligence, whose name I remember as Pierre. I was an only child, and the lack of companionship which this fact entailed upon me was augmented by the strange care exercised by my aged guardian in excluding me from the society of the peasant children whose abodes were scattered here and there upon the plains that surround the base of the hill. At the time, Pierre said that this restriction was imposed upon me because my noble birth placed me above association with such plebeian company. Now I know that its real object was to keep from my ears the idle tales of the dread curse upon our line, that were nightly told and magnified by the simple tenantry as they conversed in hushed accents in the glow of their cottage hearths. Continue reading ““The Alchemist” — H.P. Lovecraft”
I was psyched when Greg Carlisle’s Nature’s Nightmare: Analyzing David Foster Walalce’s Oblivion showed up in the mail. (You might recall Carlisle as the author of Elegant Complexity, a study of Infinite Jest). Blurb from publisher Slideshow Media Group:
Carlisle gives an in-depth narrative analysis of each story: “Mr. Squishy,” “The Soul is Not a Smithy,” “Incarnations of Burned Children,” “Another Pioneer,” “Good Old Neon,” “Philosophy and the Mirror of Nature,” “Oblivion,” and “The Suffering Channel.” Carlisle’s methodical approach walks readers through Wallace’s thematic interests and situates Oblivion in the broader arc of Wallace’s career. Every passage of each story is analyzed in terms of 1) interrelation of narrative form and content, 2) relation of story to the theme of oblivion, 3) recurring thematic motifs in Wallace’s work, and 4) assessment of content in relation to Infinite Jest and The Pale King. The book includes nine charts that illustrate narrative devices Wallace employs throughout the stories. Jason Kottke called Elegant Complexity the reference book for Infinite Jest and now Nature’s Nightmare is the primary reference work for Oblivion.
I read the introduction and first chapter, covering “Mr. Squishy,” this weekend, and Carlisle’s perceptive analysis made me want to reread the story. Of course, I had to scan over the chapter for “Good Old Neon,” maybe my favorite Wallace story and arguably his best piece of writing. Here’s the diagram from that chapter (did I neglect to mention that there are diagrams?):
Full review forthcoming.
Rein Jansma, Stairs
Biblioklept 