Shack — Niccolo Cannicci

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Sunday Comics

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Three pages from Will Eisner’s “Izzy the Cockroach and the Meaning of Life,” part of A Life Force, collected in Eisner’s The Contract with God Trilogy, Norton, 2006.

October — Alex Colville

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The Offer — Neo Rauch

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Still Life — Gregorio Sciltian

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The Loyal Retainers (detail) — Mu Pan

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Discovery — Rene Magritte

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Some Fathersons Go to Museums of Fine Art — Richie Pope

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Richie Pope’s Fatherson showed up in today’s mail—it’s issue #13 of Youth in Decline’s monograph series Frontier. It’s so, so good—I’ve gone through it a few times now, and its immediate vibrancy and apparently simplicity slips into richer and richer territory each time.

It reminded me at first of a book my wife brought back to me years ago from San Francisco—a kids book called The Daddy Book by Todd Parr (she took our son when he was like, what—six months old?—left me with our daughter, alone, when she was like, what—twoish? Everything was fine and dandy cotton candy). And then, simultaneously, Fatherson reminded me of Donald Barthelme’s novel The Dead Father—particularly the “Manual for Sons” section.

And Fatherson reminded me of other stuff too, but mostly I loved it because of the stuff it didn’t remind me of. Highly recommended.

Living in a Big Hotel — Kazimir Malevich

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summon monsters? open the door? heal? or die?

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I found this flyer for a 2001 Takashi Murakami show somewhere in Tokyo. I never made it to the exhibition. I just found the flyer again in an old folder of old stuff.

Nastagio’s Breakfast — F. Scott Hess

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Sacrifice of Isaac (detail) — Caravaggio

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The Loyal Retainers (detail) — Mu Pan

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I ♥ Mu Pan

Personal Effects (After Hokusai) — Laurie Lipton

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Schiele’s Desk — Egon Schiele

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Billboards — Simon Stålenhag

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