A Heap of Language — Robert Smithson

Why Not — Kenton Nelson

Nelson_Competition

Zombie Jamboree — Keith Morrison

William S. Burroughs’s Walking Stick

(Photograph by Udo Breger).

What did we do yesterday? / What did we do yesterday?

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Jorge Luis Borges, Forgeries, and Book Theft

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Fascinating story today at The Paris Review about a first edition of Jorge Luis Borges’s early poems stolen—and then returned (perhaps?)—to the National Library of Argentina. Forgeries, facsimiles, and book thefts! The following paragraph points out that Borges himself was once director of the library:

The National Library is as old as Argentina: it was created in 1810, together with the first national government, and its first director was Mariano Moreno, one of the greatest national heroes and the founder of the country’s first newspaper. The library was, at one point, something to be proud of, and Borges’s name is inextricably linked to its history; he was its director for eighteen years, between 1955 and 1973. By then, books were already disappearing from its shelves. When asked whether this was true, he replied, in typical fashion, “I can’t tell whether books are being stolen, because I’m blind.”

Read the essay.

Slavoj Žižek on David Lynch’s Blue Velvet

Every animal, after coition, is sad.

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From Joseph T. Shipley’s The Origin of English Words: A Discursive Dictionary of Indo-European Roots. I’ve found the book indispensable for years now—its discursiveness is a lunatic joy to get lost in. Anyway, the above passages extend/unwind from the root ap/apo; I found it while looking up the eytmology of poseur.

Gray Rabbit: Old Male, Female, and Young — John James Audubon

Mystic Allegory or Tea — Maurice Denis

The Thin Blue Line — Errol Morris (Full Documentary)

The Pop Art of Goya — Van Arno

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Men are beasts!

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Charming spot. / Inspiring prospects.

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A Comet’s Journey — J.J. Grandville

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“Endicott and the Red Cross” — Nathaniel Hawthorne

“Endicott and the Red Cross”

by

Nathaniel Hawthorne

At noon of an autumnal day, more than two centuries ago, the English colors were displayed by the standard-bearer of the Salem trainband, which had mustered for martial exercise under the orders of John Endicott. It was a period, when the religious exiles were accustomed often to buckle on their armour, and practice the handling of their weapons of war. Since the first settlement of New England, its prospects had never been so dismal. The dissensions between Charles the First and his subjects were then, and for several years afterwards, confined to the floor of Parliament. The measures of the King and ministry were rendered more tyrannically violent by an opposition, which had not yet acquired sufficient confidence in its own strength, to resist royal injustice with the sword. The bigoted and haughty primate, Laud, Archbishop of Canterbury, controlled the religious affairs of the realm, and was consequently invested with powers which might have wrought the utter ruin of the two Puritan colonies, Plymouth and Massachusetts. There is evidence on record, that our forefathers perceived their danger, but were resolved that their infant country should not fall without a struggle, even beneath the giant strength of the King’s right arm.

Such was the aspect of the times, when the folds of the English banner, with the Red Cross in its field, were flung out over a company of Puritans. Their leader, the famous Endicott, was a man of stern and resolute countenance, the effect of which was heightened by a grizzled beard that swept the upper portion of his breastplate. This piece of armour was so highly polished, that the whole surrounding scene had its image in the glittering steel. The central object, in the mirrored picture, was an edifice of humble architecture, with neither steeple nor bell to proclaim it,–what nevertheless it was,–the house of prayer. A token of the perils of the wilderness was seen in the grim head of a wolf, which had just been slain within the precincts of the town, and, according to the regular mode of claiming the bounty, was nailed on the porch of the meetinghouse. The blood was still plashing on the door-step. There happened to be visible, at the same noontide hour, so many other characteristics of the times and manners of the Puritans, that we must endeavour to represent them in a sketch, though far less vividly than they were reflected in the polished breastplate of John Endicott.
Continue reading ““Endicott and the Red Cross” — Nathaniel Hawthorne”

Portrait of a Young Lady — Alfred Stevens