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Illustration for Ozu’s Tokyo Story — Chris Ware

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A Lady with a Squirrel and a Starling — Hans Holbein the Younger

“Over an Absinthe Bottle” — W.C. Morrow

 

“Over an Absinthe Bottle”

by

W.C. Morrow

Arthur Kimberlin, a young man of very high spirit, found himself a total stranger in San Francisco one rainy evening, at a time when his heart was breaking; for his hunger was of that most poignant kind in which physical suffering is forced to the highest point without impairment of the mental functions. There remained in his possession not a thing that he might have pawned for a morsel to eat; and even as it was, he had stripped his body of all articles of clothing except those which a remaining sense of decency compelled him to retain. Hence it was that cold assailed him and conspired with hunger to complete his misery. Having been brought into the world and reared a gentleman, he lacked the courage to beg and the skill to steal. Had not an extraordinary thing occurred to him, he either would have drowned himself in the bay within twenty-four hours or died of pneumonia in the street. He had been seventy hours without food, and his mental desperation had driven him far in its race with his physical needs to consume the strength within him; so that now, pale, weak, and tottering, he took what comfort he could find in the savory odors which came steaming up from the basement kitchens of the restaurants in Market Street, caring more to gain them than to avoid the rain. His teeth chattered; he shambled, stooped, and gasped. He was too desperate to curse his fate—he could only long for food. He could not reason; he could not understand that ten thousand hands might gladly have fed him; he could think only of the hunger which consumed him, and of food that could give him warmth and happiness. Continue reading ““Over an Absinthe Bottle” — W.C. Morrow”

Daniel’s — Kenton Nelson

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“The Prisoner” — Edna St. Vincent Millay

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“All art constantly aspires towards the condition of music”

Charles Burns’s Sugar Skull (Book Acquired, 6.06.2014)

 

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Got a bound black and white proof of Sugar Skull, the final book in Charles Burns’s Tintin-punk-rock-Interzone trilogy. Out from the good people of Pantheon this September.

Back cover image:
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So I went back and reread X’ed Out and The Hive and then yeah I read Sugar Skull. I’m going to wait to read a finished color copy to do a full review but, good great weird stuff.

A tender moment:

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Sketch for The Little Prince — Antoine de Saint-Exupéry

The Spring of Evil — Georges de Feure

Like a ranging spaniel (Robert Burton)

This roving humour (though not with like success) I have ever had, and like a ranging spaniel, that barks at every bird he sees, leaving his game, I have followed all, saving that which I should, and may justly complain, and truly, qui ubique est, nusquam est, which Gesner did in modesty, that I have read many books, but to little purpose, for want of good method; I have confusedly tumbled over divers authors in our libraries, with small profit, for want of art, order, memory, judgment. I never travelled but in map or card, in which mine unconfined thoughts have freely expatiated, as having ever been especially delighted with the study of Cosmography. Saturn was lord of my geniture, culminating, &c., and Mars principal significator of manners, in partile conjunction with my ascendant; both fortunate in their houses, &c. I am not poor, I am not rich; nihil est, nihil deest, I have little, I want nothing: all my treasure is in Minerva’s tower. Greater preferment as I could never get, so am I not in debt for it, I have a competence (laus Deo) from my noble and munificent patrons, though I live still a collegiate student, as Democritus in his garden, and lead a monastic life, ipse mihi theatrum, sequestered from those tumults and troubles of the world, Et tanquam in specula positus, (as he said) in some high place above you all, like Stoicus Sapiens, omnia saecula, praeterita presentiaque videns, uno velut intuitu, I hear and see what is done abroad, how others run, ride, turmoil, and macerate themselves in court and country, far from those wrangling lawsuits, aulia vanitatem, fori ambitionem, ridere mecum soleo: I laugh at all, only secure, lest my suit go amiss, my ships perish, corn and cattle miscarry, trade decay, I have no wife nor children good or bad to provide for. A mere spectator of other men’s fortunes and adventures, and how they act their parts, which methinks are diversely presented unto me, as from a common theatre or scene. I hear new news every day, and those ordinary rumours of war, plagues, fires, inundations, thefts, murders, massacres, meteors, comets, spectrums, prodigies, apparitions, of towns taken, cities besieged in France, Germany, Turkey, Persia, Poland, &c., daily musters and preparations, and such like, which these tempestuous times afford, battles fought, so many men slain, monomachies, shipwrecks, piracies and sea-fights; peace, leagues, stratagems, and fresh alarms. A vast confusion of vows, wishes, actions, edicts, petitions, lawsuits, pleas, laws, proclamations, complaints, grievances are daily brought to our ears. New books every day, pamphlets, corantoes, stories, whole catalogues of volumes of all sorts, new paradoxes, opinions, schisms, heresies, controversies in philosophy, religion, &c. Now come tidings of weddings, maskings, mummeries, entertainments, jubilees, embassies, tilts and tournaments, trophies, triumphs, revels, sports, plays: then again, as in a new shifted scene, treasons, cheating tricks, robberies, enormous villainies in all kinds, funerals, burials, deaths of princes, new discoveries, expeditions, now comical, then tragical matters. Today we hear of new lords and officers created, tomorrow of some great men deposed, and then again of fresh honours conferred; one is let loose, another imprisoned; one purchaseth, another breaketh: he thrives, his neighbour turns bankrupt; now plenty, then again dearth and famine; one runs, another rides, wrangles, laughs, weeps, &c. This I daily hear, and such like, both private and public news, amidst the gallantry and misery of the world; jollity, pride, perplexities and cares, simplicity and villainy; subtlety, knavery, candour and integrity, mutually mixed and offering themselves; I rub on privus privatus; as I have still lived, so I now continue, statu quo prius, left to a solitary life, and mine own domestic discontents: saving that sometimes, ne quid mentiar, as Diogenes went into the city, and Democritus to the haven to see fashions, I did for my recreation now and then walk abroad, look into the world, and could not choose but make some little observation, non tam sagax observator ac simplex recitator, not as they did, to scoff or laugh at all, but with a mixed passion.

From Robert Burton’s The Anatomy of Melancholy.

That Bofa on the Sofa — Dr. Seuss

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Hedda Gabler, 21st Century Woman — Ralph Niese

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Interim #1 — Kristian Evju

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Portrait of Edgar Allan Poe — Henri Matisse

“The Forgetful Ghost,” A Supernatural Tale by William T. Vollmann

After my father died, I began to wonder whether my turn might come sooner rather than later. What a pity! Later would have been so much more convenient! And what if my time might be even sooner than soon? Before I knew it, I would recognize death by its cold shining as of brass. Hence in those days, I do confess, I felt sometimes angry that the treasures of sunlight escaped my hands no matter how tightly I clenched them. I loved life so perfectly, at least in my own estimation, that it seemed I deserved to live forever, or at least until later rather than sooner. But just in case death disregarded my all-important judgments, I decided to seek out a ghost, in order to gain expert advice about being dead. The living learn to weigh the merits of preparation against those of spontaneity, which is why they hire investment counselors and other fortune-tellers. And since I had been born an American, I naturally believed myself entitled to any destiny I could pay for. Why shouldn’t my postmortem years stretch on like a lovely procession of stone lamps?

If you believe, as H.P. Lovecraft asserted, that all cemeteries are subterraneously connected, then it scarcely matters which one you visit; so I put one foot before the other, and within a half-hour found myself allured by the bright green moss on the pointed tops of those ancient stone columns of the third Shogun’s loyally suicided retainers. Next I found, glowing brighter than the daylight, more green moss upon the stone railings and torii enclosing these square plots whose tombstones strained upward like trees, each stone engraved with its undertenant’s postmortem Buddhist name.

The smell of moss consists of new and old together. Dead matter having decayed into clean dirt, the dirt now freshens into green. It is this becoming-alive that one smells. I remember how when my parents got old, they used to like to walk with me in a certain quiet marsh. The mud there smelled clean and chocolate-bitter. I now stood breathing this same mossy odor, and fallen cryptomeria-needles darkened their shades of green and orange while a cloud slid over the sun. Have you ever seen a lizard’s eyelid close over his yellow orb? If so, then you have entered ghostly regions, which is where I found myself upon the sun’s darkening. All the same, I had not gone perilously far: On the other side of the wall, tiny cars buzzed sweetly, bearing living skeletons to any number of premortem destinations. Reassured by the shallowness of my commitment, I approached the nearest grave. 

The instant I touched the wet moss on the railing, I fell into communication with the stern occupant, upon whose wet dark hearthstone lay so many dead cryptomeria-tips. To say he declined to come out would be less than an understatement. It was enough to make a fellow spurn the afterlife! I experienced his anger as an electric shock. To him I was nothing, a rootless alien who lacked a lord to die for. Why should he teach me?

Humiliated, I turned away, and let myself into the lower courtyard behind the temple. Here grew the more diminutive ovoid and phallic tombs of priests. Some were incised with lotus wave-patterns. One resembled a mirror or hairbrush stood on end. I considered inviting myself in, but then I thought: If that lord up there was so cross, wouldn’t a priest have even less use for me? 

So I pulled myself up to the temple’s narrow porch and sat there with my feet dangling over, watching cherry blossoms raining down on the tombs. The gnarled arms of that tree pointed toward every grave, and afternoon fell almost into dusk. 

A single white blossom sped down like a spider parachuting down his newest thread. Then my ears began to ring—death’s call. 

So I ran away. I sat down in my room and hid. Looking out my window, I spied death up boards and pouring vinegar on nails. Death killed a dog. What if I were next?

Read the rest of “The Forgetful Ghost” at VICE.

The tale is collected in Vollmann’s forthcoming book, Last Stories and Other Stories.

At Luciano’s House — Franz Gertsch