Author: Biblioklept

12 still frames from Carl Theodor Dreyer’s The Passion of Joan of Arc

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From The Passion of Joan of Arc, 1928. Directed by Carl Theodor Dreyer and starring Renée Jeanne Falconetti. Cinematography by Rudolph Maté. Via FilmGrab.

 

Infatuation — Konrad Klapheck

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Verliebtheit (Infatuation), 1969 by Konrad Klapheck (b. 1935)

Freudian Woman, NYC — Louis Faurer

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Freudian Woman, NYC, 1947 by Louis Faurer (1916-2001)

much/little (Emily Dickinson)

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In this short Life that only lasts an hour
How much – how little – is within our power

Emily Dickinson (poem 1287)

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Head of a Woman — Maruja Mallo

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Head of a Woman, 1946 by Maruja Mallo (1902–1995)

The Plan Maker — Salman Toor 

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The Plan Maker, 2018 by Salman Toor (b. 1983)

Michaelmas Term — Toyin Ojih Odutola 

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Michaelmas Term, 2016 by Toyin Ojih Odutola (b. 1985)

Azorka — Tilo Baumgärtel

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Azorka, 2018 by Tilo Baumgärtel (b. 1972)

Illustration for “The Hare and the Black-and-White Witch” — Barry Moser

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Barry Moser’s illustration for Lynne Reid Banks’s “The Hare and the Black-and-White Witch.” From The Magic Hare, Avon, 1994.

Mostryn — Rosa Loy

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Mostryn, 2020 by Rosa Loy (b. 1958)

Opportunity — George Petrovich Kichigin

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Opportunity, 1993 by George Petrovich Kichigin

“July 4th” — May Swenson

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Green Hell — Ryan Heshka

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Green Hell, 2018 by Ryan Heskha (b. 1970)

Claudia Rankine reading from Citizen

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Selections from One-Star Amazon Reviews of Toni Morrison’s The Bluest Eye

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[Editorial note: The following citations come from one-star Amazon reviews of Toni Morrison’s novel The Bluest Eye. Reading through these “reviews” has made me want to revisit Morrison’s debut, which I haven’t read in a dozen years (tellingly, many if not most of the reviewers fail to realize that the novel was published in 1970, not in 2000 when it was featured in Oprah Winfrey’s book club. I’ve preserved the reviewers’ own styles of punctuation and spelling. More one-star Amazon reviews.]

TRASH

f-words

b-words

Its sooooooo dirty!

unrelentingly grim

filled with sexuality

Call me a simpleton, but

politically correct posture

I felt dirty after reading it

over-the-top racial themes

Just another…(never mind)

horrible with no hope at all

full of cruel unlikable character

decorate her work with profanity

Did OPRAH actually read this drivel?

wallowing in the garbage of humanity

the gross aspects of sex and femine hygene

Granted I am a guy, a white guy at that, but

This author must be a good friend of Oprah’s

I loved To Kill a Mockingbird and Uncle Toms Cabin.

I like to read something that doesn’t pollute my mind

Sadly Toni Morrison has kept to her very low standards

write a letter to the school board to have them remove it

Evreythig revolved over sex and a lot of other horrible things

I read the book in one day hoping that it would eventually get better.

Good book packed intelligibly in a huge box with 2 32oz bottles of shampoo.

Half the time I didn’t even know what character they were writing about until I was well into the chapter.

my very well read and well travelled daughter said she was shocked by these stories

The author was very uneducated in her writing. She did not make since

I am an educated caucasian woman with a masters degree

we all live in the gutter and mix with the dregs of society

It just made me feel guilty just cos I’d been born white

I live in a town that has many African Americans

the appalling Common Core Curriculum

Common Core exemplar reading list

As highly educated as we both are,

random trashing of Dostoevsky

sexually explicit perversion

a very disturbing feeling

Common Core reading list

common core curriculum

common core standards

new CCSS(common core)

Common Core program

at times perverse

nothing but hurt

Oprah’s choices

“social justice.”

not literature

garbage

Phooey!

porn

VILE

 

Tipping Point — David Lyle

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Tipping Point, 2020 by David Lyle (b. 1971)

45 still frames from Hayao Miyazaki’s Nausicaä of the Valley of the Wind

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From Nausicaä of the Valley of the Wind, 1984. Directed by Hayao Miyazaki. Cinematography by Koji Shiragami, Yukitomo Shudo, Yasuhiro Shimizu. and Mamoru Sugiura. Via Screenmusings.