“On Being Shy” — Jerome K. Jerome

“On Being Shy” by Jerome K. Jerome

All great literary men are shy. I am myself, though I am told it is hardly noticeable.

I am glad it is not. It used to be extremely prominent at one time, and was the cause of much misery to myself and discomfort to every one about me—my lady friends especially complained most bitterly about it.

A shy man’s lot is not a happy one. The men dislike him, the women despise him, and he dislikes and despises himself. Use brings him no relief, and there is no cure for him except time; though I once came across a delicious recipe for overcoming the misfortune. It appeared among the “answers to correspondents” in a small weekly journal and ran as follows—I have never forgotten it: “Adopt an easy and pleasing manner, especially toward ladies.”

Poor wretch! I can imagine the grin with which he must have read that advice. “Adopt an easy and pleasing manner, especially toward ladies,” forsooth! Don’t you adopt anything of the kind, my dear young shy friend. Your attempt to put on any other disposition than your own will infallibly result in your becoming ridiculously gushing and offensively familiar. Be your own natural self, and then you will only be thought to be surly and stupid.

The shy man does have some slight revenge upon society for the torture it inflicts upon him. He is able, to a certain extent, to communicate his misery. He frightens other people as much as they frighten him. He acts like a damper upon the whole room, and the most jovial spirits become in his presence depressed and nervous.

This is a good deal brought about by misunderstanding. Many people mistake the shy man’s timidity for overbearing arrogance and are awed and insulted by it. His awkwardness is resented as insolent carelessness, and when, terror-stricken at the first word addressed to him, the blood rushes to his head and the power of speech completely fails him, he is regarded as an awful example of the evil effects of giving way to passion.

But, indeed, to be misunderstood is the shy man’s fate on every occasion; and whatever impression he endeavors to create, he is sure to convey its opposite. When he makes a joke, it is looked upon as a pretended relation of fact and his want of veracity much condemned. His sarcasm is accepted as his literal opinion and gains for him the reputation of being an ass, while if, on the other hand, wishing to ingratiate himself, he ventures upon a little bit of flattery, it is taken for satire and he is hated ever afterward. Continue reading ““On Being Shy” — Jerome K. Jerome”

Portrait of Victor Guye — Francisco Goya

Drywood — Les Blank

So Happy (Peanuts)

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Money to Burn — Victor Dubreuil

RIP Filmmaker Les Blank

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RIP filmmaker Les Blank, 1935-2013.

Les Blank served as director and cinematographer of dozens of films, mostly documentaries. He’s probably most famous for his 1982 film Burden of Dreams, which chronicles Werner Herzog struggling against nature and humanity alike to make Fitzcarraldo. For me, the two films are inseparable. Here is Blank talking about making that film:

(Les Blank also made Werner Herzog Eats His Shoe).

Blank was also famous for documenting blues, jazz, folk, and other types of roots music in a naturalistic, earthy fashion.

He also loved gap toothed women:

 

“The Candle” — Leo Tolstoy

“The Candle” by Leo Tolstoy

“Ye have heard that it hath been said, an eye for an eye and a tooth for a tooth: but I say unto you, That ye resist not evil.”—ST. MATTHEW V. 38, 39.

It was in the time of serfdom—many years before Alexander II.’s liberation of the sixty million serfs in 1862. In those days the people were ruled by different kinds of lords. There were not a few who, remembering God, treated their slaves in a humane manner, and not as beasts of burden, while there were others who were seldom known to perform a kind or generous action; but the most barbarous and tyrannical of all were those former serfs who arose from the dirt and became princes.

It was this latter class who made life literally a burden to those who were unfortunate enough to come under their rule. Many of them had arisen from the ranks of the peasantry to become superintendents of noblemen’s estates.

The peasants were obliged to work for their master a certain number of days each week. There was plenty of land and water and the soil was rich and fertile, while the meadows and forests were sufficient to supply the needs of both the peasants and their lord.

There was a certain nobleman who had chosen a superintendent from the peasantry on one of his other estates. No sooner had the power to govern been vested in this newly-made official than he began to practice the most outrageous cruelties upon the poor serfs who had been placed under his control. Although this man had a wife and two married daughters, and was making so much money that he could have lived happily without transgressing in any way against either God or man, yet he was filled with envy and jealousy and deeply sunk in sin.

Michael Simeonovitch began his persecutions by compelling the peasants to perform more days of service on the estate every week than the laws obliged them to work. He established a brick-yard, in which he forced the men and women to do excessive labor, selling the bricks for his own profit.

On one occasion the overworked serfs sent a delegation to Moscow to complain of their treatment to their lord, but they obtained no satisfaction. When the poor peasants returned disconsolate from the nobleman their superintendent determined to have revenge for their boldness in going above him for redress, and their life and that of their fellow-victims became worse than before. Continue reading ““The Candle” — Leo Tolstoy”

Book Buff — Paul Cadmus

Paul Cadmus - Tutt'Art@ -

Daisies (Sedmikrásky) — Vera Chytilová (Full Film)

Small Sailors’ Home — Kurt Schwitters

Four Types of Film Critics (Life in Hell)

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Uterus of a Pregnant Cow — Leonardo da Vinci

“The Cloak” — Nikolai Gogol

“The Cloak” by Nikolai Gogol

In the department of—but it is better not to mention the department. There is nothing more irritable than departments, regiments, courts of justice, and, in a word, every branch of public service. Each individual attached to them nowadays thinks all society insulted in his person. Quite recently a complaint was received from a justice of the peace, in which he plainly demonstrated that all the imperial institutions were going to the dogs, and that the Czar’s sacred name was being taken in vain; and in proof he appended to the complaint a romance in which the justice of the peace is made to appear about once every ten lines, and sometimes in a drunken condition. Therefore, in order to avoid all unpleasantness, it will be better to describe the department in question only as a certain department.

So, in a certain department there was a certain official—not a very high one, it must be allowed—short of stature, somewhat pock-marked, red-haired, and short-sighted, with a bald forehead, wrinkled cheeks, and a complexion of the kind known as sanguine. The St. Petersburg climate was responsible for this. As for his official status, he was what is called a perpetual titular councillor, over which, as is well known, some writers make merry, and crack their jokes, obeying the praiseworthy custom of attacking those who cannot bite back.

His family name was Bashmatchkin. This name is evidently derived from “bashmak” (shoe); but when, at what time, and in what manner, is not known. His father and grandfather, and all the Bashmatchkins, always wore boots, which only had new heels two or three times a year. His name was Akakiy Akakievitch. It may strike the reader as rather singular and far-fetched, but he may rest assured that it was by no means far-fetched, and that the circumstances were such that it would have been impossible to give him any other.

This is how it came about.

Akakiy Akakievitch was born, if my memory fails me not, in the evening of the 23rd of March. His mother, the wife of a Government official and a very fine woman, made all due arrangements for having the child baptised. She was lying on the bed opposite the door; on her right stood the godfather, Ivan Ivanovitch Eroshkin, a most estimable man, who served as presiding officer of the senate, while the godmother, Anna Semenovna Byelobrushkova, the wife of an officer of the quarter, and a woman of rare virtues. They offered the mother her choice of three names, Mokiya, Sossiya, or that the child should be called after the martyr Khozdazat. “No,” said the good woman, “all those names are poor.” In order to please her they opened the calendar to another place; three more names appeared, Triphiliy, Dula, and Varakhasiy. “This is a judgment,” said the old woman. “What names! I truly never heard the like. Varada or Varukh might have been borne, but not Triphiliy and Varakhasiy!” They turned to another page and found Pavsikakhiy and Vakhtisiy. “Now I see,” said the old woman, “that it is plainly fate. And since such is the case, it will be better to name him after his father. His father’s name was Akakiy, so let his son’s be Akakiy too.” In this manner he became Akakiy Akakievitch. They christened the child, whereat he wept and made a grimace, as though he foresaw that he was to be a titular councillor. Continue reading ““The Cloak” — Nikolai Gogol”

The Storybook — Lewis Thomas Ives

c Lewis Thomas Ives (American artist, 1833-1894) The Storybook

Happy Together — Wong Kar Wai (Full Film)

Book Purge, Spring 2013

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Got rid of some books today—traded some in at the used bookshop I frequent, others I put in a box to take to the office to give away to colleagues. Anyway, I read these, reviewed many of them on the site, and in some cases enjoyed them—but I can’t see myself ever rereading them or returning to them for anything. And, uh, I hated some of them too.

Places in a room where books can be arranged (Georges Perec)

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