Young Girl Reading — Federico Zandomeneghi

Ralph Ellison: “I recognize no dichotomy between art and protest”

INTERVIEWER

Then you consider your novel a purely literary work as opposed to one in the tradition of social protest.

ELLISON

Now, mind, I recognize no dichotomy between art and protest. Dostoyevsky’s Notes from Underground is, among other things, a protest against the limitations of nineteenth-century rationalism; Don Quixote, Man’s Fate, Oedipus Rex, The Trial—all these embody protest, even against the limitation of human life itself. If social protest is antithetical to art, what then shall we make of Goya, Dickens, and Twain?

From his 1955 Paris Review interview.

Mark Twain of a Morning

Don Quixote Reading — Honore Daumier

David Foster Wallace Explains How David Lynch Filmed That Hellacious Forced Joyride in Blue Velvet

From David Foster Wallace’s essay “David Lynch Keeps His Head,” collected in A Supposedly Fun Thing I’ll Never Do Again:

TIDBIT: HOW LYNCH AND HIS CINEMATOGRAPHER FOR BV FILMED THAT HELLACIOUS FORCED “JOYRIDE” IN FRANK BOOTH’S CAR, THE SCENE WHERE FRANK AND JACK NANCE AND BRAD DOURIF HAVE KIDNAPPED JEFFREY BEAUMONT AND ARE MENACING HIM INSIDE THE CAR WHILE THEY’RE GOING WHAT LOOKS LIKE 100+ DOWN A DISMAL RURAL TWO-LANER: The reason it looks like the car’s going so fast is that lights outside the car are going by so fast. In fact the car wasn’t even moving. A burly grip was bouncing madly up and down on the back bumper to make the car jiggle and roll, and other crewpeople with hand-held lamps were sprinting back and forth outside the car to make it look like the car was whizzing past streetlights. The whole scene’s got a claustrophobia-in-motion feel that they never could have gotten if the car’d actually been moving (the production’s insurance wouldn’t have allowed that kind of speed in a real take), and the whole thing was done for about $8.95.

Portrait of Charles Baudelaire — Gustave Courbet

“Sympathy for the Devil” Studio Sessions — Documentary Film of The Rolling Stones at Work

 

Timeline Map of The Deluge — Edward Quin

(About/via/more).

“And God Help You If You Use Voiceover in Your Work, My Friends!” (Screenwriting Seminar Scene, Adaptation)

RIP Carlos Fuentes

https://i0.wp.com/hilobrow.com/wp-content/uploads/2012/11/carlos-fuentes-e1352492338103.jpg

RIP Carlos Fuentes, 1928-2012

Monstrum Humanum — Ulisse Aldrovandi

The St. Louis Refugee Ship Blues — Art Spiegelman

The Cyclops — Odilon Redon

What Does the Internet Think About DFW, Franzen, Lydia Davis, Bolaño, Atwood, and Some Other Contemporaryish Writers?

What Does the Internet Think? is a somewhat addictive site that aggregates and analyzes opinions on the internet — I’m not sure exactly how it does this, but it’s fun. I plugged in a few writers this morning (when I should have been working) and here share the results (and, yes, I know that this means almost nothing. Just for fun).

 

“Good Fortune” — PJ Harvey

Margaret Atwood’s Self-Portrait

Flann O’Brien and Alasdair Gray (Books Acquired, 5.12.2012)

20120512-174120.jpg

Picked up two more by Flann O’Brien after enjoying The Third Policeman so very much; thanks again to the reader suggestions on that one. The Poor Mouth has pictures:

20120512-175150.jpg
20120512-174128.jpg

I was looking for Alasdair Gray’s first novel Lanark (no dice), but picked up 1982 Janine read the back and immediately knew I had to have it.

20120512-174146.jpg

I picked up Poor Things just to riffle a bit, and again, very intrigued. Also, another book with illustrations. Here’s one:

20120512-175200.jpg

And, as I shot these outside in the cheap showiness of nature, here’s a picture of a large plant’s tumescent bloom, because hey why not:

20120512-174156.jpg