The Bus — Paul Kirchner

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Odalisque — Georgy Kurasov

Georgy Kurasov Odalesque 32 x 40

The Treasures of Satan — Jean Delville

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Porcupines and Vipers — Frans Snyders

The Mediterranean Cat — Balthus

Pasolini’s Decameron

Moonsiren — Leonora Carrington

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Little Nemo Visits the Moon — Winsor McCay

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Romancing the Casserole — Mary Pratt

Gothic Novel — Georgy Kurasov

Georgy Kurasov Gothic Novel 40 x 30

Seated Figure of Summer — Giuseppe Arcimboldo

The Finery of the Storm — Rene Magritte

The Creation of the World and the Expulsion from Paradise — Giovanni di Paolo

Have you met a typical nonperson lately? (William H. Gass)

Have you met met a typical nonperson lately? Then say hello, now, to your neighbor. He may be male, but his facial expressions have been put on like lipstick and eyelashes. His greeting is inevitable; so is his interest in the weather. He always smiles; he speaks only in cliches; and his opinions (as bland as Cream of Wheat, as undefined, and—when sugared—just as sweet) are drearily predictable. He has nothing but good to say of people; he collects his wisdom like dung from a Digest; he likes to share his experiences with “folks,” and recite the plots of movies. He is working up this saccharine soulside manner as part of his preparation for the ministry.

These are the “good” people. “Bad” people are unreal in the same way.

Nonpersons unperson persons. They kill. For them no one is human. Like cash registers, everyone’s the same: all will go ding and their cash drawers slide out when you strike the right key.

So I don’t think that it’s the message of a work of art that gives it any lasting social value. On the contrary, insisting on this replaces the work with its interpretation, another way of robbing it of reality. How would you like to be replaced by your medical dossier, your analysts’s notes? 

–More from William H. Gass’s essay “The Artist and Society” (1968). Collected in Fiction and the Figures of Life.

Stilts (Adaptation) — Martin Wittfooth

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The Spectators (Beautiful book acquried 6.11.2015)

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Victor Hussenot’s The Spectators is a gorgeous new graphic novel from Nobrow. I’ve read it twice now (“read” as a verb seems inadequate but—), and will get to a proper review later this week. Excellent stuff. Nobrow’s blurb:

What if we are merely shadows, our characters defined by a simple inflection of light? The realm of possibilities opens up, because in our world we are nothing but spectators.

The Spectators unfolds as a poetic and philosophical introspection on the nature of man. Victor Hussenot‘s palette is awash with subtle colour, gently carrying the narrative and allowing the reader to envelop themselves in the lyricism of the work. Reminiscent of French New Wave cinema with its clipped dialogue, gentle pacing and departure from a classic narrative structure, The Spectators is an exciting new graphic novel.

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Portrait of the Artist’s Father

Repin

Degas

Escher

Freud

Continue reading “Portrait of the Artist’s Father”