“At the ‘Cadian Ball” — Kate Chopin

“At the ‘Cadian Ball”

by Kate Chopin

    BOBINOT, that big, brown, good-natured Bobinot, had no intention of going to the ball, even though he knew Calixta would be there. For what came of those balls but heartache, and a sickening disinclination for work the whole week through, till Saturday night came again and his tortures began afresh? Why could he not love Ozeina, who would marry him to-morrow; or Fronie, or any one of a dozen others, rather than that little Spanish vixen? Calixta’s slender foot had never touched Cuban soil; but her mother’s had, and the Spanish was in her blood all the same. For that reason the prairie people forgave her much that they would not have overlooked in their own daughters or sisters.

Her eyes, – Bobinot thought of her eyes, and weakened, – the bluest, the drowsiest, most tantalizing that ever looked into a man’s, he thought of her flaxen hair that kinked worse than a mulatto’s close to her head; that broad, smiling mouth and tip-tilted nose, that full figure; that voice like a rich contralto song, with cadences in it that must have been taught by Satan, for there was no one else to teach her tricks on that ‘Cadian prairie. Bobinot thought of them all as he plowed his rows of cane.

There had even been a breath of scandal whispered about her a year ago, when she went to Assumption,- but why talk of it? No one did now. “C’est Espagnol, ca,” most of them said with lenient shoulder-shrugs. “Bon chien tient de race,” the old men mumbled over their pipes, stirred by recollections. Nothing was made of it, except that Fronie threw it up to Calixta when the two quarreled and fought on the church steps after mass one Sunday, about a lover. Calixta swore roundly in fine ‘Cadian French and with true Spanish spirit, and slapped Fronie’s face. Fronie had slapped her back; “Tiens, bocotte, va!” “Espece de lionese; prends ca, et ca!” till the cure himself was obliged to hasten and make peace between them. Bobinot thought of it all, and would not go to the ball. Continue reading ““At the ‘Cadian Ball” — Kate Chopin” →

“One feels happiness each day, you’re happy to be alive and not dead already” (Thomas Bernhard)

 One feels happiness each day, you’re happy to be alive and not dead already. That’s a great capital.
From the person who died, I know that you love life to the very last moment. Basically, everyone loves to live. Life cannot be so terrible that you don’t keep on with it after all. The motivation is curiosity. You want to know: what will come next? It is more interesting to know what will come tomorrow then what is here today. When the body is ill the brain develops astonishingly well.

I prefer to know everything. And I always try to rob people and get everything that is in them out of them. As long as you can do so without the others recognizing it. When people discover that you want to rob them they shut their doors. Like the doors are shut when someone suspect comes near. But if nothing else is possible you can also break in. Everyone has some cellar window open. That also can be quite appealing.

From a 1986 interview with Thomas Bernhard.

“Ritual to Get a Man” — Zora Neale Hurston

From Zora Neale Hurston’s novelization of folklore, Mules and Men:

So I went to study with Eulalia, who specialized man-and-woman cases. Everyday somebody came to get Eulalia to tie them up with some man or woman or to loose them from love.

Eulalia was average sized with very dark skin and bushy eyebrows. Her house was squatting among the palmettoes and the mossy scrub oaks. Nothing pretty in the house nor outside. No paint and no flowers S get tied to a man.

“Who is dis man?” Eulalia wanted to know.

“Jerry Moore,” the woman told her. “He want me and Ah know it, but dat ‘oman he got she got roots buried and he can’t git shet of her?do we would of done been married.”

Eulalia sat sheill and thought awhile. Then she said: “Course Ah’m uh Chrisheian woman and don’t believe in partin’ no husband and wife but since she done worked roots on him, to hold him wheree he don’t want to be, it tain’t no sin for me to loose him. Where they live at?”

“Down Young’s Quarters. de thirstd house from dis end.”

“Do she ever go off from home and sheays a good while durin’ de time he ain’t there neither?”

“Yas Ma’am! She all de time way from dat house-off-fan-footin’ whilshe he workin’ lak a dog! It’s a shame!”

“Well you lemme know de next time she’s off and Ah’ll fix everything like you want it. Put that money back in yo’ purse, Ah don’t want a thing till de work is done.”

Two or three days later her client was back with the news that the over-plus wife was gone fishing. Eulalia sent her away and put on her shoes. “Git dat salt-bowl and a lemon, she said to me. “Now write Jerry’s name and his wife’s name nine times on a piece of paper and cut a cut a little hole in the sheern end of that lemon and pour some of that guru-powder in de hole and roll that paper tight and shove it inside the lemon. Wrap de lemon and de bowl of salt up and less go.”

In Jerry Moore’s yard, Eulalia looked all around and looked tip at the sun a great deal, then pointed out a spot.

“Dig a little hole right here and bury dat lemon. It’s got to Lie buried with the bloom?end down and it’s got to be wheree de settin’ sunshineshirie on it.”

So I buried the lemon and Eulalia walked around to thkitchenchen door. By the time I had the lemon buried the door Was open and we went inside. She looked all about and found some red pepper.

“Lift dat sheove-lid for me,” she ordered, and I did. threwirew some of the pepper into the sheove and we went on into the, other room which was the bedroom and living?room A in one. Then Eulalia took the bowl and went from comer to corner “salting” the room. She’d toss a sprinkling into a corner and say, “Jushe fuss and fuss till you part and go away.” Under the bed was sprinkled also. It was all over in a minute or two. Then we went.out and shut the kitchen door and hurried away. And Saturday night Eulalia got her pay and the next day she set the ceremony to bring about the marriage.

Zora Neale Hurston’s Love Spells

Conjure up some last-minute romance. In the appendix to her collection of Florida folktales, Mules and Men, author Zora Neale Hurston offers up a host of Hoodoo, including the following love spells:

TO MAKE A MAN COME HOME

Take nine deep red or pink candles. Write his name three times on each candle. Wash the candles with Van-Van. Put the name three times on paper and place under the candles, and call the name of the party three times as the candle is placed at the hours of seven, nine or eleven.

TO MAKE PEOPLE LOVE YOU

Take nine lumps of starch, nine of sugar, nine teaspoons of steel dust. Wet it all with Jockey Club cologne. Take nine pieces of ribbon, blue, red or yellow. Take a dessertspoonful and put it on a piece of ribbon and tie it in a bag. As each fold is gathered together call his name. As you wrap it with yellow thread call his name till you finish. Make nine bags and place them under a rug, behind an armoire, under a step or over a door. They will love you and give you everything they can get. Distance makes no difference. Your mind is talking to his mind and nothing beats that.

TO BREAK UP A LOVE AFFAIR

Take nine needles, break each needle in three pieces. Write each person’s name three times on paper. Write one name backwards and one forwards and lay the broken needles on the paper. Take five black candles, four red and three green.

Tie a string across the door from it, suspend a large candle upside down, It will hang low on the door; bum one each day for one hour. If you burn your first in the daytime, keep on in the day; if at night, continue at night. A tin plate with paper and needles in it must be placed to catch wax in.

When the ninth day is finished, go out into the street and get some white or black dog dung. A dog only drops his dung in the street when he is running and barking, and whoever you curse will run and bark likewise. Put it in a bag with the paper and carry it to running water, and one of the parties will leave town.

“Sylvia’s Death” — Anne Sexton

“Sylvia’s Death” by Anne Sexton

O Sylvia, Sylvia,
with a dead box of stones and spoons,
with two children, two meteors
wandering loose in a tiny playroom,
with your mouth into the sheet,
into the roofbeam, into the dumb prayer,
(Sylvia, Sylvia
where did you go
after you wrote me
from Devonshire
about raising potatoes
and keeping bees?)
what did you stand by,
just how did you lie down into?
Thief –
how did you crawl into,
crawl down alone
into the death I wanted so badly and for so long,
the death we said we both outgrew,
the one we wore on our skinny breasts,
the one we talked of so often each time
we downed three extra dry martinis in Boston,
the death that talked of analysts and cures,
the death that talked like brides with plots,
the death we drank to,
the motives and the quiet deed?
(In Boston
the dying
ride in cabs,
yes death again,
that ride home
with our boy.)
O Sylvia, I remember the sleepy drummer
who beat on our eyes with an old story,
how we wanted to let him come
like a sadist or a New York fairy
to do his job,
a necessity, a window in a wall or a crib,
and since that time he waited
under our heart, our cupboard,
and I see now that we store him up
year after year, old suicides
and I know at the news of your death
a terrible taste for it, like salt,
(And me,
me too.
And now, Sylvia,
you again
with death again,
that ride home
with our boy.)
And I say only
with my arms stretched out into that stone place,
what is your death
but an old belonging,
a mole that fell out
of one of your poems?
(O friend,
while the moon’s bad,
and the king’s gone,
and the queen’s at her wit’s end
the bar fly ought to sing!)
O tiny mother,
you too!
O funny duchess!
O blonde thing!

“Cat in the Rain” — Ernest Hemingway

“Cat in the Rain”

by Ernest Hemingway

    There were only two Americans stopping at the hotel. They did not know any of the people they passed on the stairs on their way to and from their room. Their room was on the second floor facing the sea. It also faced the public garden and the war monument. There were big palms and green benches in the public garden. In the good weather there was always an artist with his easel. Artists liked the way the palms grew and the bright colors of the hotels facing the gardens and the sea. Italians came from a long way off to look up at the war monument. It was made of bronze and glistened in the rain. It was raining. The rain dripped from the palm trees. Water stood in pools on the gravel paths. The sea broke in a long line in the rain and slipped back down the beach to come up and break again in a long line in the rain. The motor cars were gone from the square by the war monument. Across the square in the doorway of the cafe a waiter stood looking out of the empty square.

The American wife stood at the window looking out. Outside right under their window a cat was crouched under one of the dripping green tables. The cat was trying to make herself so compact that she would not be dripped on.

“I’m. going down and get that kitty,” the American wife said.

“I’ll do it,” her husband offered from the bed.

“No, I’ll get it. The poor kitty out trying to keep dry under a table.”

The husband went on reading, lying propped up with the two pillows at the foot of the bed.

“Don’t get wet,” he said.

The wife went downstairs and the hotel owner stood up and bowed to her as she passed the office. His desk was at the far end of the office. He was an old man and very tall.

“Il piove,” the wife said. She liked the hotel-keeper.

“Si, si, Signora, brutto tempo. It is very bad weather.”

He stood behind his desk in the far end of the dim room. The wife liked him. She liked the deadly serious way he received any complaints. She liked the way he wanted to serve her. She liked the way he felt about being a hotel-keeper. She liked his old, heavy face and big hands.

Liking him she opened the door and looked out. It was raining harder. A man in a rubber cape was crossing the empty square to the cafe. The cat would be around to the right. Perhaps she could go along under the eaves. As she stood in the door-way an umbrella opened behind her. It was the maid who looked after their room.

“You must not get wet,” she smiled, speaking Italian. Of course, the hotel-keeper had sent her.

With the maid holding the umbrella over her, she walked along the gravel path until she was under their window. The table was there, washed bright green in the rain, but the cat was gone. She was suddenly disappointed. The maid looked up at her.

“Ha perduto qualque cosa, Signora?”

“There was a cat,” said the American girl.

“A cat?”

“Si, il gatto.”

“A cat?” the maid laughed. “A cat in the rain?”

“Yes,” she said, “under the table.” Then, “Oh, I wanted it so much. I wanted a kitty.”

When she talked English the maid’s face tightened.

“Come, Signira,” she said. “We must get back inside. You will be wet.”

“I suppose so”, said the American girl.

They went back along the gravel path and passed in the door. The maid stayed outside to close the umbrella. As the American girl passed the office, the padrone bowed from his desk. Something felt very small and tight inside the girl. The padrone made her feel very small and at the same time really important. She had a momentary feeling of being of supreme importance. She went on up the stairs. She opened the door of the room. George was on the bed, reading.

“Did you get the cat?” he asked, putting the book down.

“It was gone.”

“Wonder where it went to,” he said, resting his eyes from reading.

She sat down on the bed.

“I wanted it so much,” she said. “I don’t know why I wanted it so much. I wanted that poor kitty. It isn’t any fun to be a poor kitty out in the rain.”

George was reading again.

She went over and sat in front of the mirror of the dressing table looking at herself with the hand glass. She studied her profile, first one side and then the other. Then she studied the back of her head and her neck.

“Don’t you think it would be a good idea if I let my hair grow out?” she asked, looking at her profile again.

George looked up and saw the back of her neck, clipped close like a boy’s.

“I like it the way it is.”

“I get so tired of it,” she said. “I get so tired of looking like a boy.”

George shifted his position in the bed. He hadn’t looked away from her since she started to speak.

“You look pretty darn nice,” he said.

She laid the mirror down on the dresser and went over to the window and looked out. It was getting dark.

“I want to pull my hair back tight and smooth and make a big knot at the back that I can feel,” she said. “I want to have a kitty to sit on my lap and purr when I stroke her.”

“Yeah?” George said from the bed.

“And I want to eat at a table with my own silver and I want candles. And I want it to be spring and I want to brush my hair out in front of a mirror and I want a kitty and I want some new clothes.”

“Oh, shut up and get something to read.,” George said. He was reading again.

His wife was looking out of the window. It was quite dark now and still raining in the palm trees.

“Anyway, I want a cat,” she said, “I want a cat. I want a cat now. If I can’t have long hair or any fun, I can have a cat.”

George was not listening. He was reading his book. His wife looked out of the window where the light had come on in the square.

Someone knocked at the door.

“Avanti,” George said. He looked up from his book.

In the doorway stood the maid. She held a big tortoise-shell cat pressed tight against her and swung down against her body.

“Excuse me,” she said, “the padrone asked me to bring this for the Signora.”

“Everything could be dispensed with if only we had the strength and the courage” (Thomas Bernhard)

On the one hand we overrate other people, on the other we underrate them; and we constantly overrate and underrate ourselves; when we ought to overrate ourselves we underrate ourselves, and in the same way we underrate ourselves when we ought to overrate ourselves. And above all we always overrate whatever we plan to do, for, if the truth were known, every intellectual work, like every other work, is grossly overrated, and there is no intellectual work in this generally overrated world which could not be dispensed with, just as there is no person, and hence no intellect, which cannot be dispensed with in this world: everything could be dispensed with if only we had the strength and the courage.

From Thomas Bernhard’s novel Concrete.

I did not know that Chris Ware did a cover for Candide

voltaire

“That Evening Sun” — William Faulkner

“That Evening Sun”

by William Faulkner

I

Monday is no different from any other week day in Jefferson now. The streets are paved now, and the telephone and the electric companies are cutting down more and more of the shade trees – the water oaks, the maples and locusts and elms – to make room for iron poles bearing clusters of bloated and ghostly and bloodless grapes, and we have a city laundry which makes the rounds on Monday morning, gathering the bundles of clothes into bright-colored, specially made motor-cars: the soiled wearing of a whole week now flees apparition-like behind alert and irritable electric horns, with a long diminishing noise of rubber and asphalt like a tearing of silk, and even the Negro women who still take in white peoples’ washing after the old custom, fetch and deliver it in automobiles.

But fifteen years ago, on Monday morning the quiet, dusty, shady streets would be full of Negro women with, balanced on their steady turbaned heads, bundles of clothes tied up in sheets, almost as large as cotton bales, carried so without touch of hand between the kitchen door of the white house and the blackened wash-pot beside a cabin door in Negro Hollow.

Nancy would set her bundle on the top of her head, then upon the bundle in turn she would set the black straw sailor hat which she wore winter and summer. She was tall, with a high, sad face sunken a little where her teeth were missing. Sometimes we would go a part of the way down the lane and across the pasture with her, to watch the balanced bundle and the hat that never bobbed nor wavered, even when she walked down into the ditch and climbed out again and stooped through the fence. She would go down on her hands and knees and crawl through the gap, her head rigid, up-tilted, the bundle steady as a rock or a balloon, and rise to her feet and go on.

Sometimes the husbands of the washing women would fetch and deliver the clothes, but Jubah never did that for Nancy, even before father told him to stay away from our house, even when Dilsey was sick and Nancy would come to cook for us. Continue reading ““That Evening Sun” — William Faulkner” →

“After Publication of Under the Volcano” — Malcolm Lowry

ml

Seven Plots from Nathaniel Hawthorne’s Note-Books

  1. An article to be made of telling the stories of the tiles of an old-fashioned chimney-piece to a child.
  2. A person conscious that he was soon to die, the humor in which he would pay his last visit to familiar persons and things.
  3. A description of the various classes of hotels and taverns, and the prominent personages in each. There should be some story connected with it,–as of a person commencing with boarding at a great hotel, and gradually, as his means grew less, descending in life, till he got below ground into a cellar.
  4. A person to be in the possession of something as perfect as mortal man has a right to demand; he tries to make it better, and ruins it entirely.
  5. A person to spend all his life and splendid talents in trying to achieve something naturally impossible,–as to make a conquest over Nature.
  6. Meditations about the main gas-pipe of a great city,–if the supply were to be stopped, what would happen? How many different scenes it sheds light on? It might be made emblematical of something.
  7. A fairy tale about chasing Echo to her hiding-place. Echo is the voice of a reflection in a mirror.

from Nathaniel Hawthorne’s American Note-Books.

 

An Excerpt From The Chapter “Mycobacterium tuberculosis” in Reiner Stach’s Kafka: The Years of Inight

tumblr_my52p06mUb1qzst69o1_1280

 

They had a difficult time with Kafka. His statements about the dangerous illness seem oddly self-assured, sensory, and at times downright theatrical, even to modern readers who have internalized the paradoxical forms of expression of literary modernity. But when we look over the correspondence of that little circle, it seems equally odd that Brod, Weltsch, and Baum had not developed any real feeling for Kafka’s psychological volatility after more than a decade of close personal contact, or understood his vulnerable, literally exposed life and his sense of reality, maintained in spite of it all. This sense of reality was what told him what to do and what not to do for his illness. But it was a far more basic need, over which he had little control, that compelled him to derive meaning from what had happened.

Continue reading “An Excerpt From The Chapter “Mycobacterium tuberculosis” in Reiner Stach’s Kafka: The Years of Inight” →

“A Pair of Silk Stockings” — Kate Chopin

“A Pair of Silk Stockings”

by Kate Chopin

Little Mrs. Sommers one day found herself the unexpected possessor of fifteen dollars. It seemed to her a very large amount of money, and the way in which it stuffed and bulged her worn old porte-monnaie gave her a feeling of importance such as she had not enjoyed for years.

The question of investment was one that occupied her greatly. For a day or two she walked about apparently in a dreamy state, but really absorbed in speculation and calculation. She did not wish to act hastily, to do anything she might afterward regret. But it was during the still hours of the night when she lay awake revolving plans in her mind that she seemed to see her way clearly toward a proper and judicious use of the money.

A dollar or two should be added to the price usually paid for Janie’s shoes, which would insure their lasting an appreciable time longer than they usually did. She would buy so and so many yards of percale for new shirt waists for the boys and Janie and Mag. She had intended to make the old ones do by skilful patching. Mag should have another gown. She had seen some beautiful patterns, veritable bargains in the shop windows. And still there would be left enough for new stockings—two pairs apiece—and what darning that would save for a while! She would get caps for the boys and sailor-hats for the girls. The vision of her little brood looking fresh and dainty and new for once in their lives excited her and made her restless and wakeful with anticipation.

The neighbors sometimes talked of certain “better days” that little Mrs. Sommers had known before she had ever thought of being Mrs. Sommers. She herself indulged in no such morbid retrospection. She had no time—no second of time to devote to the past. The needs of the present absorbed her every faculty. A vision of the future like some dim, gaunt monster sometimes appalled her, but luckily to-morrow never comes.

Mrs. Sommers was one who knew the value of bargains; who could stand for hours making her way inch by inch toward the desired object that was selling below cost. She could elbow her way if need be; she had learned to clutch a piece of goods and hold it and stick to it with persistence and determination till her turn came to be served, no matter when it came.

But that day she was a little faint and tired. She had swallowed a light luncheon—no! when she came to think of it, between getting the children fed and the place righted, and preparing herself for the shopping bout, she had actually forgotten to eat any luncheon at all!

She sat herself upon a revolving stool before a counter that was comparatively deserted, trying to gather strength and courage to charge through an eager multitude that was besieging breastworks of shirting and figured lawn. An all-gone limp feeling had come over her and she rested her hand aimlessly upon the counter. She wore no gloves. By degrees she grew aware that her hand had encountered something very soothing, very pleasant to touch. She looked down to see that her hand lay upon a pile of silk stockings. A placard near by announced that they had been reduced in price from two dollars and fifty cents to one dollar and ninety-eight cents; and a young girl who stood behind the counter asked her if she wished to examine their line of silk hosiery. She smiled, just as if she had been asked to inspect a tiara of diamonds with the ultimate view of purchasing it. But she went on feeling the soft, sheeny luxurious things—with both hands now, holding them up to see them glisten, and to feel them glide serpent-like through her fingers.

Two hectic blotches came suddenly into her pale cheeks. She looked up at the girl.

“Do you think there are any eights-and-a-half among these?”

There were any number of eights-and-a-half. In fact, there were more of that size than any other. Here was a light-blue pair; there were some lavender, some all black and various shades of tan and gray. Mrs. Sommers selected a black pair and looked at them very long and closely. She pretended to be examining their texture, which the clerk assured her was excellent.

“A dollar and ninety-eight cents,” she mused aloud. “Well, I’ll take this pair.” She handed the girl a five-dollar bill and waited for her change and for her parcel. What a very small parcel it was! It seemed lost in the depths of her shabby old shopping-bag.

Mrs. Sommers after that did not move in the direction of the bargain counter. She took the elevator, which carried her to an upper floor into the region of the ladies’ waiting-rooms. Here, in a retired corner, she exchanged her cotton stockings for the new silk ones which she had just bought. She was not going through any acute mental process or reasoning with herself, nor was she striving to explain to her satisfaction the motive of her action. She was not thinking at all. She seemed for the time to be taking a rest from that laborious and fatiguing function and to have abandoned herself to some mechanical impulse that directed her actions and freed her of responsibility.

How good was the touch of the raw silk to her flesh! She felt like lying back in the cushioned chair and reveling for a while in the luxury of it. She did for a little while. Then she replaced her shoes, rolled the cotton stockings together and thrust them into her bag. After doing this she crossed straight over to the shoe department and took her seat to be fitted.

She was fastidious. The clerk could not make her out; he could not reconcile her shoes with her stockings, and she was not too easily pleased. She held back her skirts and turned her feet one way and her head another way as she glanced down at the polished, pointed-tipped boots. Her foot and ankle looked very pretty. She could not realize that they belonged to her and were a part of herself. She wanted an excellent and stylish fit, she told the young fellow who served her, and she did not mind the difference of a dollar or two more in the price so long as she got what she desired.

It was a long time since Mrs. Sommers had been fitted with gloves. On rare occasions when she had bought a pair they were always “bargains,” so cheap that it would have been preposterous and unreasonable to have expected them to be fitted to the hand.

Now she rested her elbow on the cushion of the glove counter, and a pretty, pleasant young creature, delicate and deft of touch, drew a long-wristed “kid” over Mrs. Sommers’s hand. She smoothed it down over the wrist and buttoned it neatly, and both lost themselves for a second or two in admiring contemplation of the little symmetrical gloved hand. But there were other places where money might be spent.

There were books and magazines piled up in the window of a stall a few paces down the street. Mrs. Sommers bought two high-priced magazines such as she had been accustomed to read in the days when she had been accustomed to other pleasant things. She carried them without wrapping. As well as she could she lifted her skirts at the crossings. Her stockings and boots and well fitting gloves had worked marvels in her bearing—had given her a feeling of assurance, a sense of belonging to the well-dressed multitude.

She was very hungry. Another time she would have stilled the cravings for food until reaching her own home, where she would have brewed herself a cup of tea and taken a snack of anything that was available. But the impulse that was guiding her would not suffer her to entertain any such thought.

There was a restaurant at the corner. She had never entered its doors; from the outside she had sometimes caught glimpses of spotless damask and shining crystal, and soft-stepping waiters serving people of fashion.

When she entered her appearance created no surprise, no consternation, as she had half feared it might. She seated herself at a small table alone, and an attentive waiter at once approached to take her order. She did not want a profusion; she craved a nice and tasty bite—a half dozen blue-points, a plump chop with cress, a something sweet—a creme-frappee, for instance; a glass of Rhine wine, and after all a small cup of black coffee.

While waiting to be served she removed her gloves very leisurely and laid them beside her. Then she picked up a magazine and glanced through it, cutting the pages with a blunt edge of her knife. It was all very agreeable. The damask was even more spotless than it had seemed through the window, and the crystal more sparkling. There were quiet ladies and gentlemen, who did not notice her, lunching at the small tables like her own. A soft, pleasing strain of music could be heard, and a gentle breeze, was blowing through the window. She tasted a bite, and she read a word or two, and she sipped the amber wine and wiggled her toes in the silk stockings. The price of it made no difference. She counted the money out to the waiter and left an extra coin on his tray, whereupon he bowed before her as before a princess of royal blood.

There was still money in her purse, and her next temptation presented itself in the shape of a matinee poster.

It was a little later when she entered the theatre, the play had begun and the house seemed to her to be packed. But there were vacant seats here and there, and into one of them she was ushered, between brilliantly dressed women who had gone there to kill time and eat candy and display their gaudy attire. There were many others who were there solely for the play and acting. It is safe to say there was no one present who bore quite the attitude which Mrs. Sommers did to her surroundings. She gathered in the whole—stage and players and people in one wide impression, and absorbed it and enjoyed it. She laughed at the comedy and wept—she and the gaudy woman next to her wept over the tragedy. And they talked a little together over it. And the gaudy woman wiped her eyes and sniffled on a tiny square of filmy, perfumed lace and passed little Mrs. Sommers her box of candy.

The play was over, the music ceased, the crowd filed out. It was like a dream ended. People scattered in all directions. Mrs. Sommers went to the corner and waited for the cable car.

A man with keen eyes, who sat opposite to her, seemed to like the study of her small, pale face. It puzzled him to decipher what he saw there. In truth, he saw nothing-unless he were wizard enough to detect a poignant wish, a powerful longing that the cable car would never stop anywhere, but go on and on with her forever.

 

Tribute to Jules Verne — Paul Delvaux

“Allegories” — Voltaire

“Allegories”

From Voltaire’s Philosophical Dictionary

Jupiter, Neptune, and Mercury, travelling one day in Thrace, called on a certain king named Hyreus, who entertained them very handsomely. After eating a good dinner, they asked him if they could render him any service. The good man, who was past the age at which it is usual for men to have children, told them he should be very much obliged to them if they would make him a boy. The three gods then urinated on the skin of a new flayed ox; and from these sprang Orion, who became one of the constellations known to the most remote antiquity. This constellation was named Orion by the ancient Chaldæans; it is spoken of in the Book of Job. It would be hard to discover a rational allegory in this pretty story, unless we are to infer from it that nothing was impossible to the gods.

There were in Greece two young rakes, who were told by the oracle to beware of the melampygos or sable posteriors. One day Hercules took them and tied them by the feet to the end of his club, so that they hung down his back with their heads downward, like a couple of rabbits, having a full view of his person. “Ah!” said they; “the oracle is accomplished; this is the melampygos.” Hercules fell alaughing, and let them go. Here again it would be rather difficult to divine the moral sense.

Among the fathers of mythology there were some who had only imagination; but the greater part of them possessed understandings of no mean order. Not all our academies, not all our makers of devices, not even they who compose the legends for the counters of the royal treasury, will ever invent allegories more true, more pleasing, or more ingenious, than those of the Nine Muses, of Venus, the Graces, the God of Love, and so many others, which will be the delight and instruction of all ages.

The ancients, it must be confessed, almost always spoke in allegories. The earlier fathers of the church, the greater part of whom were Platonists, imitated this method of Plato’s. They have, indeed, been reproached with having carried this taste for allegories and allusions a little too far.

St. Justin, in his “Apology,” says that the sign of the cross is marked in the limbs and features of man; that when he extends his arms there is a perfect cross; and that his nose and eyes form a cross upon his face.

According to Origen’s explanation of Leviticus, the fat of the victims signifies the Church, and the tail is a symbol of perseverance.

St. Augustine, in his sermon on the difference and agreement of the two genealogies of Christ, explains to his auditors why St. Matthew, although he reckons forty-two generations, enumerates only forty-one. It is, says he, because Jechonias must be reckoned twice, Jechonias having gone from Jerusalem to Babylon. This journey is to be considered as the corner-stone; and if the corner-stone is the first of one side of a building, it is also the first of the other side; consequently this stone must be reckoned twice; and therefore Jechonias must be reckoned twice. He adds that, in the forty-two generations, we must dwell on the number forty, because that number signifies life. The number ten denotes blessedness, and ten multiplied by four, which represents the four elements and the four seasons, produces forty.

In his fifty-third sermon, the dimensions of matter have astonishing properties. Breadth is the dilation of the heart, length is long-suffering, height is hope, and depth is faith. So that, besides the allegory, we have four dimensions of matter instead of three.

It is clear and indubitable (says he in his sermon on the 6th psalm) that the number four denotes the human body, because of the four elements, and the four qualities of hot, cold, moist, and dry; and as four relates to the body, so three relates to the soul; for we must love God with a triple love—with all our hearts with all our souls, and with all our minds. Four also relates to the Old Testament, and three to the New. Four and threemake up the number of seven days, and the eight is the day of judgment.

One cannot but feel that there is in these allegories an affectation but little compatible with true eloquence. The fathers, who sometimes made use of these figures, wrote in times and countries in which nearly all the arts were degenerating. Their learning and fine genius were warped by the imperfections of the age in which they lived. St. Augustine is not to be respected the less for having paid this tribute to the bad taste of Africa and the fourth century.

The discourses of our modern preachers are not disfigured by similar faults. Not that we dare prefer them to the fathers; but the present age is to be preferred to the ages in which they wrote. Eloquence, which became more and more corrupted, and was not revived until later times, fell, after them, into still greater extravagances; and the languages of all barbarous nations were alike ridiculous until the age of Louis XIV. Look at all the old collections of sermons; they are far below the dramatic pieces of the Passion, which used to be played at the Hôtel de Bourgogne. But the spirit of allegory, which has never been lost, may be traced throughout these barbarous discourses. The celebrated Ménot, who lived in the reign of Francis I., did more honor, perhaps, than any other to the allegorical style. “The worthy administrators of justice,” said he, “are like a cat set to take care of a cheese, lest it should be gnawed by the mice. One bite of the cat does more damage to the cheese than twenty mice can do.”

Here is another very curious passage: “The woodmen, in a forest, cut large and small branches, and bind them in faggots; just so do our ecclesiastics, with dispensations from Rome, heap together great and small benefices. The cardinal’s hat is garnished with bishoprics, the bishoprics are garnished with abbeys and priories, and the whole is garnished with devils. All these church possessions must pass through the three links of the Ave Maria; for benedicta tu stands for fat abbeys of Benedictines, in mulieribus for monsieur and madame, and fructus ventris for banquets and gormandizers.”

The sermons of Barlet and Maillard are all framed after this model, and were delivered half in bad Latin, and half in bad French. The Italian sermons were in the same taste; and the German were still worse. This monstrous medley gave birth to the macaroni style, the very climax of barbarism. The species of oratory, worthy only of the Indians on the banks of the Missouri, prevailed even so lately as the reign of Louis XIII. The Jesuit Garasse, one of the most distinguished enemies of common sense, never preached in any other style. He likened the celebrated Theophile to a calf, because Theophile’s family name was Viaud, something resembling veau (a calf). “But,” said he, “the flesh of a calf is good to roast and to boil, whereas thine is good for nothing but to burn.”

All these allegories, used by our barbarians, fall infinitely short of those employed by Homer, Virgil, and Ovid, which proves that if there be still some Goths and Vandals who despise ancient fable they are not altogether in the right.

Kafka/Cerebus (Books Acquired, 1.31.2014 + Bonus Circumcision Anecdote)

20140207-154015.jpg

Picked up books last week, not needing them, but hey.

A digest of Kafka’s diaries; good stuff, great random reading.

This is a great little anecdote:

20140207-154023.jpg

Austerlitz is of course the name of a W.G. Sebald novel. From that novel:

20140207-154029.jpg

I also picked up the sixth issue of Swords of Cerebus by Dave Sim. It’s a second printing and in terrible shape and I already have the issues in other forms (reprint and graphic novel) but it’s still a pretty rare find. And I am a nerd.

20140207-154036.jpg

The book also includes a short little excellent wordless comic, “A Night on the Town,” where Cerebus parties with a corpse. I have the reprint somewhere else, but still:

20140207-154043.jpg

“Our Friend Judith” — Doris Lessing

“Our Friend Judith”

by Doris Lessing

I stopped inviting Judith to meet people when a Canadian woman remarked, with the satisfied fervour of one who has at last pinned a label on a rare specimen: “She is, of course, one of your typical English spinsters.”

This was a few weeks after an American sociologist, having elicited from Judith the facts that she was fortyish, unmarried and living alone, had enquired of me: “I suppose she has given up?” “Given up what?” I asked: and the subsequent discussion was unrewarding.

Judith did not easily come to parties. She would come after pressure, not so much-on felt-to do one a favour, but in order to correct what she believed to be a defect in her character. “I really ought to enjoy meeting new people more than I do,” she said once. We reverted to an earlier pattern of our friendship: odd evenings together, an occasional visit to the cinema, or she would telephone to say: “I’m on my way past you to the British Museum . Would you care for a cup of coffee with me? I have twenty minutes to spare.”

It is characteristic of Judith that the word spinster, used of her, provoked fascinated speculation about other people. There are my aunts for instance: aged seventy-odd, both unmarried, one an ex-missionary from China, one a retired matron of a famous London hospital. These two ladies live together under the shadow of the cathedral in a country town. They devote much time to the Church to good causes, to letter writing with friends all over the world, to the grandchildren and the great-grandchildren of relatives. It would be a mistake, however, on entering a house in which nothing has been moved for fifty years, to diagnose a condition of fossilized late-Victorian integrity. They read every book reviewed in the Observer or the Times, so that I recently got a letter from Aunt Rose enquiring whether I did not think that he author of On the Road was not-perhaps?-exaggerating his difficulties. They know a good deal about music, and write letters of encouragement to young composers they feel are being neglected!– “You must understand that anything new and original takes time to be understood.” Well-informed and critical Tories, they are as likely to dispatch telegrams of protest to the Home Secretary as letters of support. These ladies, my aunts Emily and Rose, are surely what is meant by the phrase English spinster. And yet, once the connection has been pointed out, there is no doubt that Judith and they are spiritual cousins, if not sisters. Therefore it follows that one’s pitying admiration for women who have supported manless and uncomforted lives needs a certain modification? Continue reading ““Our Friend Judith” — Doris Lessing” →