Simulated stag | From Gene Wolfe’s novel Peace

And so will I search now for my knife, thus getting the exercise Dr. Van Ness prescribes. It was large, and stamped with the words “Boy Scout.” The scales were of simulated black staghorn, bringing to mind (at least to mine) the image of a simulated stag, his horns held proudly as those of any elm-deer, ranging the forest among the now-waking trees, trees whose leaves are dying with the summer in every color, like bruises, but bruises beautiful as the skins of races unborn, withheld from us because God, or destiny, or the bland chance of the scientists (whose blind, piping ape-god, idiot-god, we have met before; we know you, troubler of Babylon) has denied us the sight of all these scarlet and yellow—truly red, orange, russet-brown—races on our sidewalks, and all the wonderful richness of stereotypes we might have entertained ourselves with if only they had been permitted us: the scarlet people with tight fists and loose women, gobbling dialects, a talent for paintings done with chalk upon the sides of newspaper kiosks, and high abilities in the retail merchandising of hobby supplies such as tiny-toy jet engines, and model garbage trucks whose hungry rumps, trundled about the wooden tops of retired dining-room tables in basements, will devour the dross of train-station quick-eat restaurants; the orange people with their weird religion demanding the worship of sundials (as our own seems to others that of telephone poles), so that in friendly locker-room conversations, when we have at last and at the threat of certain legal pressures admitted them to Pinelawn and are discussing the round now past, they out with strange oaths. What is a wabe?

And all of them, since all the lands of this earth are occupied, must be from strange and farther countries, from Hi Brasil and the Islands of the Sun, from the Continental Islands and the Isles of the Tethys Sea. Only the rarest, the russet browns, belong here, native to St. Brendan’s land, and they are dying; the things they are famous for are not strange oaths, or ability at any art, or cunning in a trade, but alcoholism and gonorrhea and dwindling. They make good soldiers and that is fatal, just as is the bravery of the simulated stag, which will bring him to death, answering the call of the simulated war cry to meet bullets in the dry autumn woods and fall, his lungs hemorrhaging substitute blood at the edge of the potato fields. The imitation huntsman shouts and dances for joy, and then, having learned very well to shoot, but never to butcher, and being, in his own opinion, no longer of an age to carry heavy burdens, leaves him to rot and stink, the bait of plastic flies with fishhooks in their bellies. In time his flesh, torn by such fur-like foxes as remain, and by the teeth of curs, falls away, and only his horns and his celluloid bones remain, the prey of the boys’-knife maker.

A passage from Gene Wolfe’s 1975 novel Peace.

Mass-market Monday | Gene Wolfe’s Peace

Peace, Gene Wolfe, 1975. Berkley Books  (1982). No cover artist or designer credited. 246 pages.

The uncredited cover artist is obviously and well-documentedly Gahan Wilson.

Maybe a hundred pages into Gene Wolfe’s 1975 novel Peace it struck me that this book is, like, an American post-modernist classic that we would now talk about alongside novels of writers like Pynchon, Barth, Reed, Coover, Barthelme, etc., if the Publishing Industry and Academia didn’t have hangups about sci-fi and fantasy. And the novel is only sci-fi or fantasy in the sense that, like, Gravity’s Rainbow is sci-fi fantasy or Pricksongs & Descants is sci-fi fantasy or Chimera is sci-fi fantasy. Anyway.

I “finished” Peace like an hour ago and I am going to reread it this week. The final chapter made some baffling moves; I realized that I missed a lot (not unlike my reading experience with Wolfe’s baroque postmodern fantasy epic The Book of the New Sun). Wolfe has a big bag of tricks in Peace; this is a haunted house, haunted by Sheherazade and her matryoshka dolls. The novel is larded with stories that loop and decay and engender new stories, moments of strange beauty and death and life; consider the narrator Den Weer, on the second page, describing roses who, “like mothers holding up their dead infants” show “the softly rotten shoots they put forth in the last warm weather of fall.” This is a novel about extinction.

I hope I manage more thoughts after a reread. For now, an incomplete list of books that I connected to Peace, as vibe or I do not know what:

Carpenter’s Gothic, William Gaddis

Benito Cereno, Herman Melville

Dhalgren, Samuel R. Delany

Gravity’s Rainbow, Thomas Pynchon

The House of Seven Gables, Nathaniel Hawthorne

Wide Sargasso Sea, Jean Rhys

As I Lay Dying, William Faulkner

A Canticle for Leibowitz, Walter M. Miller Jr.

Chimera, John Barth

Has Man a Future? — Bertrand Russell Penguin Edition (Book Acquired, 9.14.2012)

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Unable to resist this1961 first edition Penguin of Russell’s essay for peace, Has Man a Future?

In a strange coincidence, I showed this 1959 clip of Russell to a few of my classes this week—I know others have shared it before, but it seems more relevant than ever: