This Coming Fall (Book Acquired, Some Time at the End of October, 2013)

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Matthew Winston’s This Coming Fall. 

Another beautiful little book from Pilotless Press.

Their blurb:

These days it feels like we are living inside a failing machine. Enter the two-room apartment of This Coming Fall, though, and you begin to see just how far things could spin out of control. Walk from one room to the next and back again. Hear each room’s voice. You will soon realize these are the voices not of some dismal future, but of a present still obscured under the noise of our daily lives. But listen closely to the dialogue between them and one starts to resemble the voice of god, the other the voice of the faithful. Listen for long enough, and you will see that it could be the same voice after all, echoing from room to room and back again.

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Read my review of the first Pilotless Press project, The Mundane History of Lockwood Heights.

Watch Wes Anderson’s New Short Film, Castello Cavalcanti

The Art Critics — Gabriel von Max

“The Untidy Man” — Robert Graves

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Loose Company — Dirck van Baburen

Allegory of a Dream — Giorgio Vasari

“My Books” — Jorge Luis Borges

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When the Children Have Gone to Bed — Carl Larsson

“Doing, a filthy pleasure is, and short” — Petronius

doing

Eleven/Twelve/Thirteen

Eleven Heads — Pavel Filonov
Twelve Proverbs — Pieter Bruegel the Elder
Thirteen Rectangles — Wassily Kandinsky

 

Gross World Product — Ron Cobb

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“What Does the Shark Stand For?” — Slavoj Žižek on Jaws and Fascism

Aujourd’hui Rose — Cecily Brown

“Directions for the Construction of the Text” — Albrecht Dürer

A to D
E to L
M to P
Q to V
X to Z

“Directions for the Construction of the Text” —  Albrecht Dürer

(From  Of the  Just Shaping of Letters).

THE letters which are usually called “text,” or quadrate, it was formerly customary so to write, although they are now imitated by the new art, as presently I shall show below. Although the alphabet begins with the writing of A, yet shall I (not needlessly) in the first place undertake to draw an I; because almost all the other letters are formed after this letter, although always something has to be added to it or taken away.

First make your I of equal squares, of which three are properly set one over the other; and the top of the top one, and the bottom of the bottom one, divide in two points, that is to say, into three equal parts: then set a square equal to the others in an oblique manner, so that its diagonal be vertical, and its angle on the first point of the top square. In this way, this oblique square shall extend with its angles more to the left than the right. Then produce upwards on either side, after the width of the superposed squares, right lines to meet the sides of the oblique set square. Next do below precisely as you did above, except that you must set the angle of the oblique square on the second point, that is, the one farthest to the right in the bottom of the lowest square; and let fall your lines on either side upon the transposed square: so will I be perfect; only above it draw with a fine pen a tiny in-crescent. Continue reading ““Directions for the Construction of the Text” — Albrecht Dürer”

Dresden Altarpiece (Detail) — Albrecht Dürer

Blow Out — Brian De Palma (Full Film)

Black Magic — Rene Magritte