It was suggested that what was admired about the balloon was finally this: that it was not limited, or defined. Sometimes a bulge, blister, or subsection would carry all the way east to the river on its own initiative, in the manner of an army’s movements on a map, as seen in a headquarters remote from the fighting. Then that part would be, as it were, thrown back again, or would withdraw into new dispositions; the next morning, that part would have made another sortie, or disappeared altogether. This ability of the balloon to shift its shape, to change, was very pleasing, especially to people whose lives were rather rigidly patterned, persons to whom change, although desired, was not available. The balloon, for the twenty-two days of its existence, offered the possibility, in its randomness, of mislocation of the self, in contradistinctions to the grid of precise, rectangular pathways under our feet. The amount of specialized training currently needed, and the consequent desirability of long-term commitments, has been occasioned by the steadily growing importance of complex machinery, in virtually all kinds of operations; as this tendency increases, more and more people will turn, in bewildered inadequacy, to solutions for which the balloon many stand as a prototype, or “rough draft.”
Category: Books
The sentence is itself an odyssey | William H. Gass analyzes a sentence from Joyce’s Ulysses
Stephen Dedalus and Leopold Bloom have stopped at a cabman’s shelter, a small coffeehouse under the Loop Line Bridge, for a cuppa and a rest on their way home. And the hope that the coffee will sober Stephen up. After an appropriate period of such hospitality, Bloom sees that it is time to leave.
James Joyce. Ulysses, (1921).
To cut a long story short Bloom, grasping the situation, was the first to rise to his feet so as not to outstay their welcome having first and foremost, being as good as his word that he would foot the bill for the occasion, taken the wise precaution to unobtrusively motion to mine host as a parting shot a scarcely perceptible sign when the others were not looking to the effect that the amount due was forthcoming, making a grand total of fourpence (the amount he deposited unobtrusively in four coppers, literally the last of the Mohicans) he having previously spotted on the printed price list for all who ran to read opposite to him in unmistakable figures, coffee ad., confectionary do, and honestly well worth twice the money once in a way, as Wetherup used to remark.
Commonplaces Narrative Events
1. to cut a long story short authorial intervention
2. grasp the situation subjective interpretation
3. rise to his feet narrative action
4. don’t outstay your welcome rationale or justification
5. first and foremost subjective evaluation
6. good as his word characterization
7. foot the bill promise, therefore a prediction
8. take the wise precaution subjective evaluation
9. mine host authorial archness
10. parting shot subjective evaluation
11. scarcely perceptible sign narrative action
12. to the effect that subjective interpretation
13. amount due is forthcoming subjective interpretation
14. grand total characterization
15. literally the last of the Mohicans authorial intervention, allusion
16. previously spotted subjective interpretation
17. all who run can read authorial intervention, allusion
18. honestly (in this context) subjective interpretation
19. well worth it subjective interpretation
20. worth twice the money subjective interpretation
21. once in a waysubjective allusion
22. as [Wetherup] used to [remark] say attribution
The sentence without its commonplaces:
To be brief, Bloom, realizing they should not stay longer, was the first to rise, and having prudently and discreetly signaled to their host that he would pay the bill, quietly left his last four pennies, a sum—most reasonable—he knew was due, having earlier seen the price of their coffee and confection clearly printed on the menu.
Bloom was the first to get up so that he might also be the first to motion (to the host) that the amount due was forthcoming.
The theme of the sentence is manners: Bloom rises so he and his companion will not have sat too long over their coffees and cake, and signals discreetly (unobtrusively is used twice) that he will pay the four pence due according to the menu. The sum, and the measure of his generosity, is a pittance.
The sentence is itself an odyssey, for Bloom and Dedalus are going home. They stop (by my count) at twenty-two commonplaces on their way. Other passages might also be considered for the list, such as “when others were not looking.” Commonplaces are the goose down of good manners. They are remarks empty of content, hence never offensive; they conceal hypocrisy in an acceptable way, because, since they have no meaning in themselves anymore they cannot be deceptive. That is, we know what they mean (“how are you?”), but they do not mean what they say (I really don’t want to know how you are). Yet they soothe and are expected. We have long forgotten that “to foot the bill,” for instance, is to pay the sum at the bottom of it, though it could mean to kick a bird in the face. Bloom, we should hope, is already well above his feet when he rises to them. The principal advantage of the commonplace is that it is supremely self-effacing. It so lacks originality that it has no source. The person who utters a commonplace—to cut a long explanation short—has shifted into neutral.
From William H. Gass’s essay “Narrative Sentences.” Collected in Life Sentences.
God Judging Adam — William Blake
The Spiderweb — Ohara Koson
Three Books
Usually, these Three Books posts come from my own library (with scans of the covers and not photos). Today’s post features books from my uncle’s library (my family stayed with my aunt and uncle for the Thanksgiving week and had a marvelous time—thanks for asking). Anyway, my uncle had a tremendous early influence on the books I read—he turned me on to Kurt Vonnegut and Hunter S. Thompson, for example.
Anyway, above:
The Garden of Eden by Ernest Hemingway. 1986 hardback by Collier. Ruth Kolbert is credited with design; the cover painting is Woman with a Basket by Juan Gris. I reviewed the novel here.
Slapstick by Kurt Vonnegut. 1976 first edition hardback by Delacorte. Design credited to Joel Schick.
Little Birds by Anaïs Nin. 1979 hardback by Harcourt Brace Jovanovich. Jacket design by Milton Glaser; photo credited to Richard Merkin. I surreptitiously read Little Birds—this particular copy of Little Birds—over and over again one summer that I stayed at my aunt and uncle’s. I reread the first three tales in the volume again. Good times.
A Poison Tree — William Blake
“Like They Say” — Robert Creeley
Why I Love Comics — Chris Ware
In Smoke of Fire — Edward Okun
The Flight of Madeline and Porphyro during the Drunkenness Attending the Revelry — William Holman Hunt
“An Upheaval,” a short story by Anton Chekhov
“An Upheaval”
by
Anton Chekhov
English translation by Constance Garnett
MASHENKA PAVLETSKY, a young girl who had only just finished her studies at a boarding school, returning from a walk to the house of the Kushkins, with whom she was living as a governess, found the household in a terrible turmoil. Mihailo, the porter who opened the door to her, was excited and red as a crab.
Loud voices were heard from upstairs.
“Madame Kushkin is in a fit, most likely, or else she has quarrelled with her husband,” thought Mashenka.
In the hall and in the corridor she met maid-servants. One of them was crying. Then Mashenka saw, running out of her room, the master of the house himself, Nikolay Sergeitch, a little man with a flabby face and a bald head, though he was not old. He was red in the face and twitching all over. He passed the governess without noticing her, and throwing up his arms, exclaimed:
“Oh, how horrible it is! How tactless! How stupid! How barbarous! Abominable!”
Continue reading ““An Upheaval,” a short story by Anton Chekhov”
Holiday film recommendations from John Waters
Tree Roots — Vincent van Gogh
Getting Ready for a Game — Carl Larsson
Happy Thanksgiving! Here’s a bunch of literary recipes and a Bosch painting
Enjoy Thanksgiving with this menu of literary recipes:
F. Scott Fitzgerald’s Turkey Twelve Ways
Zora Neale Hurston’s Mulatto Rice
James Joyce’s Burnt Kidney Breakfast
Herman Melville’s Whale Steaks
Ernest Hemingway’s Absinthe Cocktail, Death in the Afternoon
Vladimir Nabokov’s Eggs à la Nabocoque
Thomas Pynchon’s Banana Breakfast
Robert Crumb’s Macaroni Casserole
Truman Capote’s Caviar-Smothered Baked Potatoes with 80-Proof Russian Vodka
Emily Dickinson’s Cocoanut Cake
Thomas Jefferson’s Vanilla Ice Cream
Christmas Bonus: George Orwell’s Recipes for Plum Cake and Christmas Pudding
“The Night Before Thanksgiving” — Sarah Orne Jewett
“The Night Before Thanksgiving”
by
Sarah Orne Jewett
I.
There was a sad heart in the low-storied, dark little house that stood humbly by the roadside under some tall elms. Small as her house was, old Mrs. Robb found it too large for herself alone; she only needed the kitchen and a tiny bedroom that led out of it, and there still remained the best room and a bedroom, with the low garret overhead.
There had been a time, after she was left alone, when Mrs. Robb could help those who were poorer than herself. She was strong enough not only to do a woman’s work inside her house, but almost a man’s work outside in her piece of garden ground. At last sickness and age had come hand in hand, those two relentless enemies of the poor, and together they had wasted her strength and substance. She had always been looked up to by her neighbors as being independent, but now she was left, lame-footed and lame-handed, with a debt to carry and her bare land, and the house ill-provisioned to stand the siege of time.
For a while she managed to get on, but at last it began to be whispered about that there was no use for any one so proud; it was easier for the whole town to care for her than for a few neighbors, and Mrs. Robb had better go to the poorhouse before winter, and be done with it. At this terrible suggestion her brave heart seemed to stand still. The people whom she cared for most happened to be poor, and she could no longer go into their households to make herself of use. The very elms overhead seemed to say, “Oh, no!” as they groaned in the late autumn winds, and there was something appealing even to the strange passer-by in the look of the little gray house, with Mrs. Robb’s pale, worried face at the window. Continue reading ““The Night Before Thanksgiving” — Sarah Orne Jewett”
Turkey and Bones and Eating and We Liked It — A Play by Gertrude Stein
Turkey and Bones and Eating and We Liked It
A Play
by
Gertrude Stein
He was very restless. He does not like to stand while he picks flowers. He does not smell flowers. He has a reasonable liking for herbs. He likes their smell. He is not able to see storms. He can see anything running. He has been able to be praised.
SCENE I.
Polybe and seats.
Straw seats which are so well made that they resemble stools. They are all of straw and thick. They are made with two handles.
Genevieve and cotton.
I do not like cotton drawers. I prefer wool or linen. I admit that linen is damp. Wool is warm. I believe I prefer wool.
Minorca and dogs.
I like a dog which is easily understood as I have never had the habit of going out except on Sunday. Now I go out every day.
Anthony and coal.
I believe that coal is better than wood. If coal is good it burns longer. In any case it is very difficult to get here.
Felix and a letter.
I do not wish to reply to a telegram, not because I find it difficult to explain in it that I wished to see you. I did wish to see you.
It gives me great pleasure to meet you. I am feeling well today and I see that you are enjoying the mild weather. It will continue so. I hope you will be pleased. I will present myself to you in saying that I am certain that you are deriving pleasure from your winter. I am certainly eager.
William.
He is too difficult. I mean he is too difficult. I don’t believe you understand me yet. He is too difficult. Continue reading “Turkey and Bones and Eating and We Liked It — A Play by Gertrude Stein”
