Drunk History Christmas (With Ryan Gosling, Jim Carrey, and Eva Mendes)

The Hobbit Film Trailer

(An Incomplete) List of Writers Who Died in 2011

Vaclav Havel

Christopher Hitchens

Russell Hoban

Ken Russell

Joe Simon

Stetson Kennedy

Sidney Lumet

George Whitman

Lilian Jackson Braun

Edwin Honig

Michael S. Hart

Gil Scott-Heron

Bill Keane

Jerry Leiber

Diana Wynne Jones

Bert Jansch

Leonora Carrington

Brian Jacques

Barbara Grier

Edouard Glissant

Dwayne McDuffie

Hisaye Yamamoto

Phoebe Snow

Anne McCaffrey

Leonard B. Stern

Vincent Cronin

Tony Geiss

MK Binodini

Kenneth Grant

Joe Gores

Maria Elena Walsh

Del Reisman

Christopher Trumbo

Loreen Rice Lucas

Diana Norman

Reynolds Price

John Ross

David Hart

B.H. Friedman

Dick King-Smith

Susana Chavez

Park Wun-suh

Wilfrid Sheed

Jean Dutord

Sun Axelsson

Ruth Cavin

Max Wilk

Hans Joachim Alpers

Donald S. Sanford

Peter J. Gomes

Ion Hobana

Rudi Bass

Anson Rainey

Perry Moore

Sean Boru

Bo Carpelan

Elaine Crowley

Martin Quigley Jr.

Charles E. Silberman

Andree Chedid

Iakovos Kambanelis

Sara Ruddick

Doris Burn

Steven Kroll

May Cutler

Thor Vilhjálmsson

H.R.F. Keating

Joe Bageant

Jean Liedloff

Bill Blackbeard

Alberto Granado

Hazel Rowley

Al Morgan

Raymond Garlick

John Haines

Ernesto Sabato

Abdul Hameed

Rafael Menjívar Ochoa

John Sullivan

Sidney Michaels

Madelyn Pugh

Sol Saks

Arthur Marx

Bill Brill

L.J. Davis

Ulli Beier

Kevin Jarre

Joanna Russ

David Wilkerson

Beverly Barton

Craig Thomas

Ira Cohen

W.J. Gruffydd

Anne Blonstein

Paul Violi

Johanna Fiedler

Dick Wimmer

Oniroku Dan

Hans Keilson

Martin Woodhouse

Newton Thornburg

Patrick Galvin

Wallace Clark

Carlos Trillo

Kate Swift

Arthur Laurents

Frans Sammut

William Kloefkorn

Thierry Martens

E.M. Broner

Tom Hungerford

Kathryn Tucker Windham

Harry Bernstein

Joel Rosenberg

Simon Heere Heeresma

David Rayfiel

Oscar Sambrano Urdaneta

Robert Kroetsch

Josephine Hart

Gloria Sawai

Anne LaBastille

Blaize Clement

Sissel Solbjørg Bjugn

Francis King

Agota Kristof

Henry Carlisle

Iain Blair

Hideo Tanaka

Michael Legat

Ruth Thomas

Colin Harvey

David Holbrook

Simona Monyová

William Sleator

Samuel Menashe

Selwyn Griffith

Sara Douglass

Ida Fink

Sergio Bonelli

Arthur Evans

Hella Haasse

David Croft

David Zelag Goodman

Emanuel Litvinoff

José Miguel Varas

Jo Carson

Cengiz Dağcı

Frank Parkin

Hugh Fox

Herbert Lomas

Florence Parry Heide

Stanley Mitchell

Uno Röndahl

Mildred Savage

Mick Anglo (LINK)

Alvin Schwartz

Sri Lal Sukla

Piri Thomas

Gerald Shapiro

Vittorio Curtoni

Morio Kita

Andrea Zonzotto

Taha Muhammad Ali

Georg Kreisler

Daniel Sada

H.G. Francis

Helen Forrester

Čestmír Vejdělek

Hal Kanter

Les Daniels

Leonid Borodin

Franz Josef Degenhardt

Morris Philipson

Ana Daniel

Ruth Stone

Peter Reading

Ruslan Akhtakhanov

Ivan Martin Jirous

Tomás Segovia

Kabir Chowdhury

Hans Heinz Holz

Ke Yan

Mario Miranda

Jean Baucus

Gilbert Adair

Jerry Robinson

Ambika Charan Choudhury

Matti Yrjänä Joensuu

Louky Bersianik

Christopher Logue

Christa Wolf

Elisabeth Young-Bruehl

Analog Lebowski

The Dude Abides -- Erika Iris Simmons

(I know we all saw this a few years ago, but damn, I just love it).

The Best and Worst Film Titles of 2011

The Best Film Titles of 2011

The Tree of Life: Solid, evocative, stately.

Melancholia: Simple and meaningful, but also easy to remember.

Star Watching Dog: I have no idea what this movie is, but I love this as an idea or as an image, or as a plot for a film. It makes me want to find out which of those three it actually is. If I’m lucky it will be all three.

We Need to Talk About Kevin: This has the right kind of loaded evocation to it. It’s great as a long-but-not-too-long title.

Tyrannosaur: Awesome. One word with a huge amount of weight, probably the best title of the year except for the obvious problem that it probably confused people into thinking the film was about dinosaurs. But other than that it doesn’t get better than this.

Your Sister’s Sister: I don’t really know what this means. Is it wordplay? Is there plot relevance? It makes me want to know though.

Another Earth: A brilliant combination of two words that manages in three syllables to open up hours upon hours of thoughts and possibilities.

Outside Satan: I would compare to the previous entry. A great two words that sounds good and suggests a lot of weird things, many of which I can’t quite put my finger on. Definitely makes me want to see what happens in the movie.

I Am A Good Person/I Am A Bad Person: Maybe it’s too long. And maybe it’s totally confusing. But I would watch something called this for sure.

The Rabbi’s Cat: Well it sounds like I know upfront two things I can expect to see. And I like both of these things.

The Catechism Cataclysm: Alliteration sucks. Here’s an exception that proves the rule.

Blackthorn: I would buy a cut of meat called Blackthorn, I would buy a bottle of wine called Blackthorn, I would vacation in a mountain city called Blackthorn, I would buy an album from a doom metal band called Blackthorn. Blackthorn would be a good word for many things. This time it is a movie.

Gingerdead Man 3: Saturday Night Cleaver: Double puns! Really? Okay fine, sure. It’s better than all the Air Bud titles combined.

Red State: Two evocative words, a sort of double-entendre but still easy to remember.

The Future: I would eat a burger called The Future, I would name my car The Future, I would name my dog The Future, I would love for my friends to give me the nickname The Future. So yeah I would watch a movie called The Future.

I Melt With You: Memorable and emotional, it tells me nothing about the film in any literal way, but it gives me some kind of sense of expectation.

Hobo With a Shotgun: Perfect. Truth in advertising; we’re all on the same page here.

***

The Worst Film Titles of 2011

Margin Call: What the hell is a Margin Call? Why would I voluntarily pay for anything called Margin Call. It sounds like something your accountant would suggest, but that’s why you hire that guy: to deal with boring stuff like Margin Calls. I would rather be watching a good movie than worrying about a Margin Call. If there are two things, and one is called Tyrannosaur and the other is Margin Call, which do you think I will be buying?

Hugo: Hugo is a stupid little word and I don’t like saying it or hearing it.  The only thing worse is the original title, The Invention of Hugo Cabret. Gross. Cabret is far too close to Cabaret and Cabaret is least appealing noun I can think of.

Weekend: Wow, title your indie movie the same thing as a famous art film. Always a good idea when your only potential audience is the miniscule slice of people who know this. Watch for the director’s next small festival hit, sure to be called The 400 Blows.

The Brooklyn Brothers Beat The Best: Alliteration is the worst.

A Beautiful Belly: Further proof of the above sentiment, only this one is also gross sounding. The only way I can even imagine saying this out loud is if it was the humorous name of a menu item at the best BBQ joint in Atlanta or something.

The Skin I Live In: I blame the second-language aspect here, but something about this sentence is annoying.

Martha Marcy May Marlene: AKA Marble-Mouthed Nonsense. I will concede that this one may be actually brilliant, as everyone who sees the film seems to universally love the title after the face. Still, there is definitely something idiotic about giving yr film a title no one can remember.

Crazy, Stupid, Love.: I hate seeing this written down, I hated typing it, I hate hearing it out loud and I can’t imagine speaking it. There is a weird kind of perfection here. Three words that are just fine on their own, but somehow in this order they make me want to die.

Take This Waltz: And shove it.

No One Killed Jessica: Oh well that’s a relief, you had me worried for a second there. I guess I can skip watching the movie altogether and go eat some lunch or something.

Water for Elephants: This sounds like part of some little piece of wisdom like “pearls before swine” or something, except that you think about it for five seconds and realize that it isn’t and that it’s just dumb sounding.

Twixt: This is one of those words that maybe girls under the age of 16 could get away with saying. Or like the name of new line of sexy dolls, like the new Bratz or something.

Soul Surfer: Soul Surfer sounds like the shittiest tattoo idea possible.

The Beaver: This immediately undercuts the notion that it can be at all serious by virtue of the obvious vulgar connotations. Unless of course the writer only chose the word “Beaver” because he thought it would be such a riot to see it written everywhere and to have serious actors say it a million times for two hours. So either way what we have here is totally ignorant or absurdly immature. Count me out either way.

Our Idiot Brother: If I wanted to watch a shitty ’90s sitcom I would have stayed home.

This Is Not A Movie: Yes it is.

Benjamin Sniddlegrass and the Cauldron of Penguins: This is so stupid that maybe it belongs on the “Best” list. Nah, maybe not.

Cowboys & Aliens: This and Hobo With a Shotgun are two sides of the same coin. This side is the shitty one that loses all the time.

I Am Number Four: The only way this could be worse is if it was I Am Number Two.

Green Lantern: The discussion surrounding this movie’s failure brought up a lot of valuable points: 1) Ryan Reynolds is The Worst, 2) The movie was a piece of shit and 3) Martin Campbell is not an auteur. But the big point I think everyone missed is that The Green Lantern is also just a stupid combination of three English words. I don’t care how long he’s been a comic book hero, please compare the title of this movie to the other famous DC tentpole franchises: Batman and Superman. And please analyze the various connotations involved in three titles: One is a man who is also a bat, alright cool. The other is a man who is super, yeah alright I bet he’s pretty tough. This is a lantern that is somehow green… is this meant to surprise or excite me? “No shit!? All my lanterns are blue, this guy must be AMAZING!” Even The Green Hornet is a better title because it has the word Hornet in it and everyone knows that Hornet is basically the coolest word in all of entomology, with the obvious exception of “Scorpion.” No movie with the word Lantern in the title will ever gross 500 million dollars, unless preceded by the words “Harry Potter” or “Twilight.” Lanterns suck and somehow this fact is known deep in the hearts of all Americans.


A Good Old Fashioned Orgy: The obvious sarcasm just tells me right away that this is insincere bullshit.

Straw Dogs: As the title for some weird VHS tape you find at the video store and rent on a lark only to be blown away by how gnarly and intense movies were allowed to be in the ’70s: Yes Straw Dogs is a great title, and it’s implacable weirdness somehow fully encapsulates everything strange an unnerving about that movie. But as the title for a contemporary product on the market for people who have no built-in context I can’t imagine anything worse. It might as well have been called Marble Lanterns, it would have done just as well.

Another Happy Day: Either the movie is actually about a succession of days that are happy, or it is very obviously the exact opposite. Both options annoy me and put me off for different reasons. They could have called it Are We Having Fun Yet? and it might have been a bigger hit, but that is equally stupid and probably taken already.

“27 Sounds Manufactured in a Kitchen” — John Cage

The Obligatory Best of 2011 List(s)

Best Books I Read in 2011 That Were Published in 2011 (Or Close Enough to 2011)

MetaMaus, Art Spiegelman

The Avian Gospels, Adam Novy

Spurious, Lars Iyer

The Third Reich, Roberto Bolaño

Humiliation, Wayne Koestenbaum

The Pale King, David Foster Wallace

Between Parentheses, Roberto Bolaño

***

Best Books I Read in 2011 That Were Published Before 2011

The Elementary Particles, Michel Houellebecq

Wittgenstein’s Mistress, David Markson

Expelled from Eden: A William Vollmann Reader

Ray, Barry Hannah

Trans-Atlantyk, Witold Gombrowicz

The Garden of Eden, Ernest Hemingway

Light in August, William Faulkner

Hadji Murad, Leo Tolstoy

First Love and Other Sorrows, Harold Brodkey

Airships, Barry Hannah

Speedboat, Renata Adler

Under the Volcano, Malcolm Lowry

Vertigo, W.G. Sebald

***

Best Rereading

Candide, Voltaire

***

Best Audiobook of 2011

The Collected Fictions of Gordon Lish, read by Gordon Lish

***

Best Film of 2011

The Tree of Life

***

Most Charming Film of 2011

Midnight in Paris

***

Most Overhyped Book of 2011

The Art of Fielding, Chad Harbach

***

Best Book Cover of 2011 

***

Best Book Series Design

Melville House’s Neversink Imprint

 

***

Weirdest (Yet Nevertheless Moving) Novel of 2011

How to Keep Your Volkswagen Alive, Chris Boucher

***

Book I Read in 2011 That Still Confounds and Haunts Me

The Kindly Ones, Jonathan Littell

***

Saddest Book I Read in 2011

Tie: Under the Volcano, Malcolm Lowry; The Stories of Breece D’J Pancake, Breece D’J Pancake

***

Best Essay (Print)

“Some Notes on Translation and on Madame Bovary,” Lydia Davis (The Paris Review)

***

Best Essay (Online)

“Nude in Your Hot Tub, Facing the Abyss (A Literary Manifesto After the End of Literature and Manifestos),”  Lars Iyer (White Review)

***

Worst Literary Trend of 2011

Tie: Lame “literary fiction” novels; Articles that link everything to David Foster Wallace

***

Best Literary Trend of 2011

Plagiarism!

***

Most Obvious Disclaimer

I did not read or see or hear every book or essay or audiobook or film or TV show or record or video that came out in 2011. Also, there are some days left in the year. These are all, just like, opinions man.

“A Book of Utopias” (Prospero’s Books)

Bret Easton Ellis’s Best Performances of 2011 Picks

“I’m Sick of Being on B-Squad!”

“Spider” — Carson Mell

Jeff Bridges Compares Pulp Fiction to Talking Heads, Creating Trifecta of Cool

RIP Ken Russell

RIP Ken Russell.

Filmmaker Ken Russell died last night at 84. I was a huge fan of his weird wonderful films, including Lisztomania, The Music Lovers, overlooked gem The Lair of the White Worm, Altered States,  and my personal favorite, The Devils (based on Aldous Huxley’s The Devils of Loudon).

Russell’s films deeply divided critics, who alternately lauded his hyperbolic visual flair and dramatic staging or lashed out at the perceived bad taste of his films. Simply put, a Russell film is turned to 10 from the get go, a style that worked well for strange projects like Lisztomania and Tommy, based on The Who’s concept album.

Russell’s career began provocatively with an adaptation of D.H. Lawrence’s Women in Love; the film featured a nude wrestling match between Oliver Reed and Alan Bates. Russell was able to push the limits of good taste, narrative cohesion, and sensory overload throughout the 1970s, but his career faltered in the 1980s, due in part, perhaps, because mainstream culture eventually caught up with him. Despite the histrionics and camp that marks much of his work, Russell’s singular vision as a filmmaker undoubtedly influenced a generation of filmmakers who would go on to turn the music video into an art form.

While Russell’s sensational synesthesia is not for everyone (I distinctly remember friends asking me to turn off The Devils in college), his films hold up remarkably well—and not just as documentation of the strange, grand period of filmmaking that was the 1970s. They are still provocative, even today. Russell was a strange bird, a filmmaker blending high art with popular culture who constantly pushed his audience. Do yourself a favor and check out one of his mind twisting films.

“He Wanted Someone Who Would Fall in Love with a Sheep and Not Do It as a Joke” — Gene Wilder on Woody Allen

Fear and Loathing on Tatooine — Anton Marrast

Martin Scorsese on Realism and Artifice in Film

“Shopping Is a Feeling” — David Byrne