“The Discharged Soldier” — William Wordsworth

“The Discharged Soldier” by William Wordsworth:

No living thing appeared in earth or air,
And, save the flowing water’s peaceful voice,
Sound there was none–but, lo! an uncouth shape,
Shown by a sudden turning of the road,
So near that, slipping back into the shade
Of a thick hawthorn, I could mark him well,
Myself unseen. He was of stature tall,
A span above man’s common measure, tall,
Stiff, lank, and upright; a more meagre man
Was never seen before by night or day.
Long were his arms, pallid his hands; his mouth
Looked ghastly in the moonlight: from behind,
A mile-stone propped him; I could also ken
That he was clothed in military garb,
Though faded, yet entire. Companionless,
No dog attending, by no staff sustained,
He stood, and in his very dress appeared
A desolation, a simplicity,
To which the trappings of a gaudy world
Make a strange back-ground. From his lips, ere long,
Issued low muttered sounds, as if of pain
Or some uneasy thought; yet still his form
Kept the same awful steadiness–at his feet
His shadow lay, and moved not. From self-blame
Not wholly free, I watched him thus; at length
Subduing my heart’s specious cowardice,
I left the shady nook where I had stood
And hailed him. Slowly from his resting-place
He rose, and with a lean and wasted arm
In measured gesture lifted to his head
Returned my salutation; then resumed
His station as before; and when I asked
His history, the veteran, in reply,
Was neither slow nor eager; but, unmoved,
And with a quiet uncomplaining voice,
A stately air of mild indifference,
He told in few plain words a soldier’s tale–
That in the Tropic Islands he had served,
Whence he had landed scarcely three weeks past;
That on his landing he had been dismissed,
And now was travelling towards his native home.
This heard, I said, in pity, “Come with me.”
He stooped, and straightway from the ground took up
An oaken staff by me yet unobserved–
A staff which must have dropped from his slack hand
And lay till now neglected in the grass.
Though weak his step and cautious, he appeared
To travel without pain, and I beheld,
With an astonishment but ill suppressed,
His ghostly figure moving at my side;
Nor could I, while we journeyed thus, forbear
To turn from present hardships to the past,
And speak of war, battle, and pestilence,
Sprinkling this talk with questions, better spared,
On what he might himself have seen or felt.
He all the while was in demeanour calm,
Concise in answer; solemn and sublime
He might have seemed, but that in all he said
There was a strange half-absence, as of one
Knowing too well the importance of his theme,
But feeling it no longer. Our discourse
Soon ended, and together on we passed
In silence through a wood gloomy and still.
Up-turning, then, along an open field,
We reached a cottage. At the door I knocked,
And earnestly to charitable care
Commended him as a poor friendless man,
Belated and by sickness overcome.
Assured that now the traveller would repose
In comfort, I entreated that henceforth
He would not linger in the public ways,
But ask for timely furtherance and help
Such as his state required. At this reproof,
With the same ghastly mildness in his look,
He said, “My trust is in the God of Heaven,
And in the eye of him who passes me!”

The cottage door was speedily unbarred,
And now the soldier touched his hat once more
With his lean hand, and in a faltering voice,
Whose tone bespake reviving interests
Till then unfelt, he thanked me; I returned
The farewell blessing of the patient man,
And so we parted. Back I cast a look,
And lingered near the door a little space,
Then sought with quiet heart my distant home.

 

The Morning News — William Merritt Chase

Lion — Albrecht Dürer

Derrida’s Mother

The Complete Short Stories of J.G. Ballard (Fourth Riff: Stories of 1962)

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PREVIOUSLY:

Introductions + stories 1956-1959

Stories of 1960

Stories of 1961

IN THIS RIFF:

Nine stories published in 1962:

“The Insane Ones”

“The Garden of Time”

“The Thousand Dreams of Stellavista”

“Thirteen to Centaurus”

“Passport to Eternity”

“The Cage of Sand”

“The Watch Towers”

“The Singing Statues”

“Man on the 99th Floor”

1. “The Insane Ones” (1962)

Psychology, and particularly subliminal psychology, remained a major theme throughout Ballard’s writing career. “The Insane Ones” is a thought-experiment that examines what might happen if libertarianism were taken to its most extreme:

The Mental Freedom legislation enacted ten years earlier by the ultraconservative UW government had banned the profession outright and enshrined the individual’s freedom to be insane if he wanted to, provided he paid the full civil consequences for any infringements of the law. That was the catch, the hidden object of the MF laws. What had begun as a popular reaction against ‘subliminal living’ and the uncontrolled extension of techniques of mass manipulation for political and economic ends had quickly developed into a systematic attack on the psychological sciences. Overpermissive courts of law with their condoning of delinquency, pseudo–enlightened penal reformers, ‘Victims of society’, the psychologist and his patient all came under fierce attack. Discharging their self–hate and anxiety onto a convenient scapegoat, the new rulers, and the great majority electing them, outlawed all forms of psychic control, from the innocent market survey to lobotomy. The mentally ill were on their own, spared pity and consideration, made to pay to the hilt for their failings. The sacred cow of the community was the psychotic, free to wander where he wanted, drooling on the doorsteps, sleeping on sidewalks, and woe betide anyone who tried to help him.

“The Insane Ones” isn’t a particularly good story—as is the case with many of the tales in The Complete Stories, it’s mostly an excuse to tease out a speculative notion—but its conceit of a lack of adequate health care set against the backdrop of reactionary politics seems particularly germane today. 

2. “The Garden of Time” (1962)

“The Garden of Time” is an oddity in Ballard’s oeuvre. Most of his short stories take cues from Edgar Allan Poe, but “The Garden of Time,” a direct allegory, is pure-Hawthorne territory, a dark fairy tale with fantasy tropes unusual for Ballard. Count Axel and his darling wife live in a perfect Edenic space that they maintain by picking flowers that “freeze” time. At the periphery, a mechanized mob approaches:

At first glance, the long ranks seemed to be progressing in orderly lines, but on closer inspection, it was apparent that, like the obscured detail of a Goya landscape, the army was composed of a vast throng of people, men and women, interspersed with a few soldiers in ragged uniforms, pressing forward in a disorganized tide. Some laboured under heavy loads suspended from crude yokes around their necks, others struggled with cumbersome wooden carts, their hands wrenching at the wheel spokes, a few trudged on alone, but all moved on at the same pace, bowed backs illuminated in the fleeting sun.

I’m not sure how to read the tale—it seems that Ballard identifies the horde, the mob, as a dumb, dim force of history, a consumer society that will destroy the last vestiges of High Culture embodied by the graceful Count and his wife, the aristocrats who understand Truth and Beauty and Art &c. I think there’s a streak of conservatism here, a tendency that we might not immediately think of when we think of Ballard the futurist.

3. “The Thousand Dreams of Stellavista” (1962)

Another Vermilion Sands story, “Stellavista” takes on architecture. This is basically a haunted house story; the Ballardian trick here is the psychotropic house, dwellings that echo “every shift of mood and position of the occupants.” Young couple buys house, house is haunted, etc. The conceit is interesting, but again, Ballard’s not particularly inclined to write it in anything outside of a standard pulp fiction (or doesn’t seem to know how to yet).

Ballard’s treatment of his female characters is what I find most interesting here. As always, they seem to be divided into just a few classes: The wife, an unimaginative nag; the mysterious (and impossible to understand) ingenue; the mad, abandoned old woman (shades of Miss Havisham); and the abject, consuming Villain-Woman. Ballard often combines the last three types, but they are always set in opposition to the housewife. More on this in a moment.

4. “Thirteen to Centaurus”

“Thirteen to Centaurus” belongs in what I’ve been calling The Essential Short Stories of J.G. Ballard, a collection of the best stuff here. Each Ballard story is essentially a trick or a thought experiment—the tale is just a delivery system, a frame. Ballard here employs a metaframe; sure, the story is still composed in the tropes and language of pulp fiction, but Ballard shows signs of breaking out. In some ways, “Thirteen to Centaurus” is a rewrite of “Manhole 69” (which I also suggested is Essential). I haven’t described the plot and won’t—I think the story is probably better read without preview or explication.

5. “Passport to Eternity” (1962)

“Passport to Eternity” highlights Ballard’s greatest imaginative failure. This is a guy who can conceive of every kind of fantasy trip—extraterrestrial adventures, private-war-as-vacation, space safari (the occasion for the story here is a list of surreal vacations; the story would read much, much better as just that list). Yes, Ballard can conceive of any kind of future, except one where a woman is something other than a house wife:

For several centuries now the managerial and technocratic elite had been so preoccupied with the work of government that they relied on the Templars of Aphrodite not merely to guard their wives from any marauding suitors but also to keep them amused and contented. By definition, of course, their relationship was platonic, a pleasant revival of the old chivalrous ideals…

Even if Ballard is poking ironic fun here (and I don’t think that’s the case), his framing is aggressively chauvinistic; not only does the “managerial and technocratic elite” appear to exclude women, the underlying anxiety of cuckoldry manifests in a social structure that must manage (and contain) women’s passions and sexualities. There’s something aggressively misogynistic here, a streak that finds its twin in Ballard’s abjectification of women elsewhere in the stories (I wrote above that he only conceives women as house wives—not quite true—they can also be consuming monsters in the Ballardverse).

6. “The Cage of Sand” (1962)

Astronauts. Ecology. Etc. Pass.

7. “The Watch-Towers” (1962)

“The Watch Towers” is basically an extended riff on how churches institutionalize power and regulate behavior. Ballard’s trick here is to elide or omit any language that would directly evoke religion or spirituality though. The story also gets its power comes from its bare simplicity, its lack of ornamentation—one can sense Ballard’s restraint here. The story would likely be more successful stripped even further—something closer to Shirley Jackson’s “The Lottery,” which it echoes. There are also shades here of a particularly English brand of hauntology—The Prisoner and The Wicker Man come to mind.

8. “The Singing Statues” (1962)

“The Singing Statues” feels like a rewrite of several of Ballard’s Vermilion Sands stories. I suppose collected together in their own volume, the Vermilion Sands tales might read like a novel-in-stories, a work through of central themes, images, and ideas—but dispersed in The Collected Stories they get swallowed. They read like repetitions. Stale.

9. “Man on the 99th Floor” (1962)

Ballard handles subliminal suggestion much better in the next tale, “The Subliminal Man.” So I’ll take a pass on this one in anticipation of one of Ballard’s best

Morning Tea — Vladimir Makovsky

Object Book — Ion Bitzan

Lunatics — Odd Nerdrum

“Your Own War to Order” and Other Vacations from J.G. Ballard

(1) ARGO PRODUCTIONS INC. Unregistered. Private subsidiary of Sagittarius Security Police.

Hunting and shooting. Your own war to order. Raiding parties, revolutions, religious crusades. In anything from a small commando squad to a 3,000–ship armada. ARGO provide publicity, mock War Crimes Tribunal, etc. Samples:

(a) Operation Torquemada .23–day expedition to Bellatrix IV .20 ship assault corps under Admiral Storm Wengen. Mission: liberation of (imaginary) Terran hostages. Cost: 300,000 credits.

(b) Operation Klingsor. 15–year crusade against Ursa Major. Combined task force of 2,500 ships. Mission: recovery of runic memory dials stolen from client’s shrine. Cost: 500 billion credits (ARGO will arrange lend–lease but this is dabbling in realpolitik).

(2) ARENA FEATURES INC. Unregistered. Organizers of the Pan–Galactic Tournament held trimillennially at the Sun Bowl 2–Heliop1is, NGC 3599.

Every conceivable game in the Cosmos is played at the tournament and so formidable is the opposition that a winning contestant can virtually choose his own apotheosis. The challenge round of the Solar Megathlon Group 3 (that is, for any being whose function can be described, however loosely, as living) involves Quantum Jumping, 7dimensional Maze Ball and Psychokinetic Bridge (pretty tricky against a telepathic Ketos D’Oma). The only Terran ever to win an event was the redoubtable Chippy Yerkes of Altair 5 The Clowns, who introduced the unplayable blank Round Dice. Being a spectator is as exhausting as being a contestant, and you’re well advised to substitute. Cost: 100,000 credits/day.

(3) AGENCE GENERALE DE TOURISME. Registered. Venus.

Concessionaires for the Colony Beatific on Lake Virgo, the Mandrake Casino Circuit and the Miramar–Trauma Senso–channels. Dream–baths, vu–dromes, endocrine–galas. Darleen Costello is the current Aphrodite and Laurence Mandell makes a versatile Lothario. Plug into these two from 30:30 V5T.Room and non–denominational bath at the Gomorrah–Plaza on Mount Venus comes to 1,000 credits a day, but remember to keep out of the Zone. It’s just too erotogenous for a Terran.

(4) TERMINAL TOURS LTD. Unregistered. Earth.

For those who want to get away from it all the Dream of Osiris, an astral–rigged, 1,000–foot leisure–liner is now fitting out for the Grand Tour. Round–cosmos cruise, visiting every known race and galaxy. Cost: Doubles at a flat billion, but it’s cheap when you realize that the cruise lasts for ever and you’ll never be back.

(5) SLEEP TRADERS. Unregistered.

A somewhat shadowy group who handle all dealings on the Blue Market, acting as a general clearing house and buying and selling dreams all through the Galaxy.

Sample: Like to try a really new sort of dream? The Set Corrani Priests of Theta Piscium will link you up with the sacred electronic thought–pools in the Desert of Kish. These mercury lakes are their ancestral memory banks. Surgery is necessary but be careful. Too much cortical damage and the archetypes may get restive. In return one of the Set Corrani (polysexual delta–humanoids about the size of a walking dragline) will take over your cerebral functions for a long weekend. All these transactions are done on an exchange basis and SLEEP TRADERS charge nothing for the service. But they obviously get a rake–off, and may pump advertising into the lower medullary centres. Whatever they’re selling I wouldn’t advise anybody to buy.

(6) THE AGENCY. Registered. M33 in Andromeda.

The executive authority of the consortium of banking trusts floating Schedule D, the fourth draw of the gigantic PK pyramid lottery sweeping all through the continuum from Sol III out to the island universes. Trancecells everywhere are now recruiting dream–readers and ESPerceptionists, and there’s still time to buy a ticket. There’s only one number on all the tickets – the winning one – but don’t think that means you’ll get away with the kitty. THE AGENCY has just launched UNILIV, the emergency relief fund for victims of Schedule C who lost their deposits and are now committed to paying off impossible debts, some monetary, some moral (if you’re unlucky in the draw you may find yourself landed with a guilt complex that would make even a Colonus Rex look sad). Cost: 1 credit – but with an evaluation in the billions if you have to forfeit.

(7) ARCTURIAN EXPRESS. Unregistered.

Controls all important track events. The racing calendar this year is a causal and not a temporal one and seems a little obscure, but most of the established classics are taking place.

(a) The Rhinosaur Derby. Held this year at Betelgeuse Springs under the rules of the Federation of Amorphs. First to the light horizon. There’s always quite a line–up for this one and any form of vehicle is allowed rockets, beams, racial migrations, ES thought patterns – but frankly it’s a waste of effort. It’s not just that by the time you’re out of your own sight you’re usually out of your mind as well, but the Nils of Rigel, who always enter a strong team, are capable of instantaneous transmission.

(b) The Paraplegic Handicap. Recently instituted by the Protists of Lambda Scorpio. The course measures only 0.00015 mm, but that’s a long way to urge an Aldebaran Torpid. They are giant viruses embedded in bauxite mountains, and by varying their pressure differentials it’s sometimes possible to tickle them into a little life. K 2 on Regulus IX is holding the big bets, but even so the race is estimated to take about 50,000 years to run.

(8) NEW FUTURES INC. Unregistered.

Tired of the same dull round? NEW FUTURES will take you right out of this world. In the island universes the continuum is extra–dimensional, and the time channels are controlled by rival cartels. The element of chance apparently plays the time role, and it’s all even more confused by the fact that you may be moving around in someone else’s extrapolation. In the tourist translation manual 185 basic tenses are given, and of these 125 are future conditional. No verb conjugates in the present tense, and you can invent and copyright your own irregulars. This may explain why I got the impression at the bureau that they were only half there. Cost: simultaneously 3,270 and 2,000,000 credits. They refuse to quibble.

(9) SEVEN SIRENS. Registered. Venus.

A subsidiary of the fashion trust controlling senso–channel Astral Eve. Ladies, like to win your own beauty contest? Twenty–five of the most beautiful creatures in the Galaxy are waiting to pit their charms against yours, but however divine they may be – and two or three of them, such as the Flamen Zilla Quel–Queen (75–9–25) and the Orthodox Virgin of Altair (76–953–?) certainly will be – they’ll stand no chance against you. Your specifications will be defined as the ideal ones.

(10) GENERAL ENTERPRISES. Registered.

Specialists in culture cycles, world struggles, ethnic trends. Organize vacations as a sideline. A vast undertaking for whom ultimately we all work. Their next venture, epoch–making by all accounts, is starting now, and everybody will be coming along. I was politely but firmly informed that it was no use worrying about the cost.

(From J.G. Ballard’s 1962 short story “Passport to Eternity”)

Coition of a Hemisected Man and Woman — Leonardo da Vinci

Slavoj Žižek on Coke

“The first thing the baby did wrong” — Donald Barthelme

“The first thing the baby did wrong” by Donald Barthelme

The first thing the baby did wrong was to tear pages out of her books. So we made a rule that each time she tore a page out of a book she had to stay alone in her room for four hours, behind the closed door. She was tearing out about a page a day, in the beginning, and the rule worked fairly well, although the crying and screaming from behind the closed door were unnerving. We reasoned that that was the price you had to pay, or part of the price you had to pay. But then as her grip improved she got to tearing out two pages at a time, which meant eight hours alone in her room, behind the closed door, which just doubled the annoyance for everybody. But she wouldn’t quit doing it. And then as time went on we began getting days when she tore out three or four pages, which put her alone in her room for as much as sixteen hours at a stretch, interfering with normal feeding and worrying my wife. But I felt that if you made a rule you had to stick to it, had to be consistent, otherwise they get the wrong idea. She was about fourteen months old or fifteen months old at that point. Often, of course, she’d go to sleep, after an hour or so of yelling, that was a mercy. Her room was very nice, with a nice wooden rocking horse and practically a hundred dolls and stuffed animals. Lots of things to do in that room if you used your time wisely, puzzles and things. Unfortunately sometimes when we opened the door we’d find that she’d torn more pages out of more books while she was inside, and these pages had to be added to the total, in fairness.

The baby’s name was Born Dancin’. We gave the baby some of our wine, red, whites and blue, and spoke seriously to her. But it didn’t do any good.

I must say she got real clever. You’d come up to her where she was playing on the floor, in those rare times when she was out of her room, and there’d be a book there, open beside her, and you’d inspect it and it would look perfectly all right. And then you’d look closely and you’d find a page that had one little corner torn, could easily pass for ordinary wear-and-tear but I knew what she’d done, she’d torn off this little corner and swallowed it. So that had to count and it did. They will go to any lengths to thwart you. My wife said that maybe we were being too rigid and that the baby was losing weight. But I pointed out to her that the baby had a long life to live and had to live in a world with others, had to live in a world where there were many, many rules, and if you couldn’t learn to play by the rules you were going to be left out in the cold with no character, shunned and ostracized by everyone. The longest we ever kept her in her room consecutive was eighty-eight hours, and that ended when my wife took the door off its hinges with a crowbar even though the baby still owed us twelve hours because she was working off twenty five pages. I put the door back on its hinges and added a big lock, one that opened only if you put a magnetic card in a slot, and I kept the card.

But things didn’t improve. The baby would come out of her room like a bat out of hell and rush to the nearest book, Goodnight Moon or whatever, and begin tearing pages out of it hand over fist. I mean there’d be thirty-four pages of Goodnight Moon on the floor in ten seconds. Plus the covers. I began to get a little worried. When I added up her indebtedness, in terms of hours, I could see that she wasn’t going to get out of her room until 1992, if then. Also, she was looking pretty wan. She hadn’t been to the park in weeks. We had more or less of an ethical crisis on our hands.

I solved it by declaring that it was all right to tear pages out of books, and moreover, that it was all right to have torn pages out of books in the past. That is one of the satisfying things about being a parent-you’ve got a lot of moves, each one good as gold. The baby and I sit happily on the floor, side by side, tearing pages out of books, and sometimes, just for fun, we go out on the street and smash a windshield together.

[Via Jaessamyn’s excellent Barthelme page].

Ridiculous Portrait (Seated Woman, Small Book) — May Wilson

Charles Bukowski’s Hollywood Tour

“Lay of Ill Luck” — W.G. Sebald

sebald

Robert Walser/Robert Burton (Books Acquired, 11.01.2013)

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I think this NYRB edition of Burton’s The Anatomy of Melancholy is the biggest paperback in the house.

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Robert Walser shorty:

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