Reading — Ernest Haskell

Reading, c. 1914 by Ernest Haskell (1876-1925)

Persephone and Pluto — Adam Miller

Persephone and Pluto, 2023 by Adam Miller (b. 1979)

Woman Reading — Agnes Goodsir

Woman Reading, c. 1910 by Agnes Goodsir (1864-1939)

“A Polemical-Poetical Oration in the Narrative-Dramatic-Cinematic Mode” — Peter Michelson

“Samuel Delany’s Babel-17 only looks like a traditional space opera…” — Moebius

Imagine Buster — Samplerman

Imagine Buster, 2024 by Samplerman (Yvan Guillo)

Palestine — Walid Ebeid

 

Palestine, 2018 by Walid Ebeid (b. 1970)

Friday the Thirteenth — Leonora Carrington

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Friday the Thirteenth, 1965 by Leonora Carrington (1917-2011)

Moebius’s cover illustration for Kurt Vonnegut’s novel Player Piano

Cover illustration for the French translation of Kurt Vonnegut’s novel Player Piano, 1975 by Moebius (Jean Giraud, 1938–2012)

Nude with Book — Zinaida Serebriakova

Nude with Book, 1940 by Zinaida Serebriakova (1884-1967)

Afterword — Chester Arnold

Afterword, 2009 by Chester Arnold (b. 1952)

The Reader — Henri Fantin-Latour

The Reader (Marie Fantin Latour, the Artist’s Sister), 1861 by Henri Fantin-Latour (1836-1904)

Without Even Looking — Nigel Van Wieck

Without Even Looking by Nigel Van Wieck (b. 1947)

Untitled (Do You See Stars, Fascist Superman?) — Raymond Pettibon

Untitled (Do You See Stars, Fascist Superman?), 2015 by Raymond Pettibon (b. 1957)

Mass-market Monday | Mervyn Peake’s Titus Groan

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Titus Groan, Mervyn Peake. Ballantine Books (1968). No cover artist credited. 543 pages.

The uncredited cover artist is Bob Pepper, who also provided the covers for Ballantine editions of the other two novels in Peake’s Gormenghast trilogy, Gormenghast and Titus Alone. The covers are actually segments from one painting:

The edition also includes black and white illustrations by Peake (including eight glossy inset pages).

I have no idea how I had never even heard of Mervyn Peake’s Gormenghast trilogy until some point late in 2019. I grew up reading fantasy and yet somehow never encountered these strange, dense books. I consumed them in 2020, pressing extra copies on my son.

From my 2020 reading roundup end-of-year post:

Titus Groan, Mervyn Peake

The first of Mervyn Peake’s strange castle (and then not-castle trilogy (not really a trilogy, really)), Titus Groan is weird wonderful grotesque fun. Inspirited by the Machiavellian antagonist Steerpike, Titus Groan can be read as a critique of the empty rituals that underwrite modern life. It can also be read for pleasure alone.

Gormenghast, Mervyn Peake

Probably the best novel in Peake’s trilogy, Gormenghast is notable for its psychological realism, surreal claustrophobia, and bursts of fantastical imagery. We finally get to know Titus, who is a mute infant in the first novel, and track his insolent war against tradition and Steerpike. The novel’s apocalyptic diluvian climax is amazing.

Titus Alone, Mervyn Peake

A beautiful mess, an episodic, picaresque adventure that breaks all the apparent rules of the first two books. The rulebreaking is fitting though, given that Our Boy Titus (alone!) navigates the world outside of Gormenghast—a world that doesn’t seem to even understand that a Gormenghast exists (!)—Titus Alone is a scattershot epic. Shot-through with a heavy streak of Dickens, Titus Alone never slows down enough for readers to get their bearings. Or to get bored. There’s a melancholy undercurrent to the novel. Does Titus want to get back to his normal—to tradition and the meaningless lore and order that underwrote his castle existence? Or does he want to break quarantine? 

Charles Ricketts and Charles Shannon as Medieval Saints — Edmund Dulac

Charles Ricketts and Charles Shannon as Medieval Saints, 1920 by Edmund Dulac (1822–1953)

Manikins — Paul Cadmus

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Manikins, 1951 by Paul Cadmus (1904-199)