Taking Stock — Hans Haacke

Girlie Show — Edward Hopper

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Screen Test: Susan Sontag — Andy Warhol

Moist Stag — Vania Zouravliov

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Words is oh such a twitch-tickling problem to me all my life (Roald Dahl’s The BFG)

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The Sell Out — Eric Yahnker

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In Search of Moebius

Theseus — Edward Burne-Jones

“Supernatural Axioms” — William T. Vollmann

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From William T. Vollmann’s forthcoming collection, Last Stories and Other Stories.

Studies of the Arm — Leonardo da Vinci

The Hammock — Thomas Theodor Heine

Where the artist is still trusted, he will not be looked to for assurance (Flannery O’Connor)

Unless we are willing to accept our artists as they are, the answer to the question, “Who speaks for America today?” will have to be: the advertising agencies. They are entirely capable of showing us our unparalleled prosperity and our almost classless society, and no one has ever accused them of not being affirmative. Where the artist is still trusted, he will not be looked to for assurance. Those who believe that art proceeds from a healthy, and not from a diseased, faculty of the mind will take what he shows them as a revelation, not of what we ought to be but of what we are at a given time and under given circumstances; that is, as a limited revelation but revelation nevertheless.

From Flannery O’Connor’s essay “The Fiction Writer and His Country,” collected in Mystery and Manners.

 

Portrait of Friederike Maria Beer — Egon Schiele

Flannery O’Connor/Janet Frame (Books Acquired, 6.27.2014)

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“Death and the Maiden” — The Verlaines

Language (Ambrose Bierce)

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Batman ’66 Meets the Dark Knight Returns — Marco D’Alfonso

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