List with No Name #58

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Study for a Portrait 1952 Francis Bacon 1909-1992 Bequeathed by Simon Sainsbury 2006, accessioned 2008 http://www.tate.org.uk/art/work/T12616

Reflections on The Scream 1990 Roy Lichtenstein 1923-1997 ARTIST ROOMS   Tate and National Galleries of Scotland. Lent by The Roy Lichtenstein Foundation Collection 2015 http://www.tate.org.uk/art/work/AL00371

Screaming Head with a White Veil 1941 Julio Gonz?lez 1876-1942 Presented by Mme Roberta Gonzalez-Richard, the artist's niece 1972 http://www.tate.org.uk/art/work/T01631

André Kertész (American (born Hungary), Budapest 1894–1985 New York) Distortion #51, 1933 Gelatin silver print; Image: 9.6 x 6.9 cm (3 3/4 x 2 11/16 in.) The Metropolitan Museum of Art, New York, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 1987 (1987.1180) http://www.metmuseum.org/Collections/search-the-collections/265734

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Sorrow — Egon Schiele

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Distortion #51 — André Kertész

André Kertész (American (born Hungary), Budapest 1894–1985 New York) Distortion #51, 1933 Gelatin silver print; Image: 9.6 x 6.9 cm (3 3/4 x 2 11/16 in.) The Metropolitan Museum of Art, New York, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 1987 (1987.1180) http://www.metmuseum.org/Collections/search-the-collections/265734

The Raven Girl — Jamie Wyeth

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The Ghost of Clytemnestra Awakening the Furies — John Dowman

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Erasmus Variations — R.B. Kitaj

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“All art constantly aspires to something something music”

Morning Sun — Edward Hopper

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Appalachian — George Boorujy

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I’ve often wished that someone would rewrite the end of Huckleberry Finn (Paul Bowles)

I’ve often wished that someone would rewrite the end of Huckleberry Finn, delivering it from the farcical closing scenes which Twain, probably embarrassed by the lyrical sweep of the nearly completed book, decided were necessary if the work were to be appreciated by American readers. It’s the great American novel, damaged beyond repair by its author’s senseless sabotage. I’d be interested to have your opinion, or do you feel that the book isn’t worth having an opinion about, since a botched masterpiece isn’t a masterpiece at all? Yet to counterfeit the style successfully, so that the break would be seamless and the prose following it a convincing continuation of what came before—that seems an impossible task. So I shan’t try it, myself.

From Paul Bowles’s short story “Unwelcome Words.”

We have got difficult days ahead

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Sunday Comics 

Art by Dave Cooper. From Bizarro World, DC Comics, 2005.

Perseus and Andromeda (detail) — Joachim Wtewael

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“Rising Waters” — Langston Hughes

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Perseus and Andromeda (detail) — Joachim Wtewael

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Sketch for The Conjuror — Nathaniel Hone

Sketch for 'The Conjuror' 1775 by Nathaniel Hone 1718-1784