“The New Colossus” — Emma Lazarus

“The New Colossus”

by
Emma Lazarus

Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”

Tribes. They’re a powerful curse laid on you when you get born (From Coover’s Huck Out West)

“Palling around with injuns, Huck, is right down dangersome. You can’t trust ’em. Remember what happened to them poor emigrants we met when we first come out here. You’ll get your throat slit before you know it. And it ain’t right. There’s a war on.”“We made the war, not them,” I says, recollecting what Dan Harper said. “We been bullying in and taking away everything they s’posed was their’n. They’re only just defending theirselves.”

“Well, from where they set, Huck, they got a point. But we ain’t them. We got to stick with our own tribe, even if they ARE all lunatics. If we don’t, we’ll end up crazier’n any of them. You remember that poor preacher up in Minnysota? Even if he was maybe right, his rebel notions was turning him plumb loco, and in the end they probably got him lynched by his own congregation. These lands is become our lands, that’s the story now, and it’s only got just one ending. There ain’t nothing them hoss-tiles can do about it, nor not you nuther.”

“Tribes,” I says. “They’re a powerful curse laid on you when you get born. They ruin you, but you can’t get away from them. They’re a nightmare a body’s got to live with in the daytime.”

Dialogue between Huckleberry Finn and Tom Sawyer from Robert Coover’s 2017 novel Huck Out West.

 

Akira — Tomer Hanuka

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Horseman Attacked by a Giant Snake — Henry Fuseli

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phol: to make slide; hence, to trick, to deceive

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From Joseph T. Shipley’s The Origin of English Words: A Discursive Dictionary of Indo-European Roots.

The Window, Chiswick — Mary Potter

The Window, Chiswick 1929 by Mary Potter 1900-1981

Wittgenstein at the Cinema Admires Betty Grable — Eduardo Paolozzi

Wittgenstein at the Cinema Admires Betty Grable 1965 Sir Eduardo Paolozzi 1924-2005 Presented by Rose and Chris Prater through the Institute of Contemporary Prints 1975 http://www.tate.org.uk/art/work/P04766

“The Story to End All Stories” — Philip K. Dick

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Girl at the Window — Balthus

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Open Window, Spitalfields — Anthony Eyton

Open Window, Spitalfields 1976-81 by Anthony Eyton born 1923

Window — Anton Dieffenbach

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The Fitting — Paula Rego

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“Spoon” (Live & Long) — Can

RIP Jaki Liebezeit

Experience — Eduardo Paolozzi

Experience 1964 by Sir Eduardo Paolozzi 1924-2005

Sunday Comics

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It Ain’t Me Babe, Last Gasp, July 1970. Cover by Trina Robbins.

Read Emma Silvers’s thorough (and image-filled) write-up of the creators of It Ain’t Me, who went on to create Wimmen’s Comix.

From Silvers’s essay:

With Wimmen’s Comix, there were no cliques, no unspoken rules: Each issue had a loose theme (Outlaws, The Occult, Disastrous Relationships — even a 3-D edition.) In each issue, roughly half the book was reserved for any woman who wanted in; the collective solicited contributions on the back page. And every month the editors would meet at someone’s house to sift through the submissions.

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Wimmen’s Comix #1, Last Gasp, November 1972. Cover by Patricia Moodian.

Learn lots more at The Comics Journal’s “An Oral History of Wimmen’s Comix.

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Wimmin’s Comix #17, Rip Off Press, 1992. Cover by Caryn Leschen.

Sisters — Eva Watson-Schütze

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Lady Hamilton as the Persian Sibyl — Louise Elisabeth Vigee Le Brun

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