Read “The School,” a short story by Donald Barthelme

“The School” by

Donald Barthelme


Well, we had all these children out planting trees, see, because we figured that … that was part of their education, to see how, you know, the root systems … and also the sense of responsibility, taking care of things, being individually responsible. You know what I mean. And the trees all died. They were orange trees. I don’t know why they died, they just died. Something wrong with the soil possibly or maybe the stuff we got from the nursery wasn’t the best. We complained about it. So we’ve got thirty kids there, each kid had his or her own little tree to plant and we’ve got these thirty dead trees. All these kids looking at these little brown sticks, it was depressing.

It wouldn’t have been so bad except that just a couple of weeks before the thing with the trees, the snakes all died. But I think that the snakes – well, the reason that the snakes kicked off was that … you remember, the boiler was shut off for four days because of the strike, and that was explicable. It was something you could explain to the kids because of the strike. I mean, none of their parents would let them cross the picket line and they knew there was a strike going on and what it meant. So when things got started up again and we found the snakes they weren’t too disturbed.

With the herb gardens it was probably a case of overwatering, and at least now they know not to overwater. The children were very conscientious with the herb gardens and some of them probably … you know, slipped them a little extra water when we weren’t looking. Or maybe … well, I don’t like to think about sabotage, although it did occur to us. I mean, it was something that crossed our minds. We were thinking that way probably because before that the gerbils had died, and the white mice had died, and the salamander … well, now they know not to carry them around in plastic bags.

Of course we expected the tropical fish to die, that was no surprise. Those numbers, you look at them crooked and they’re belly-up on the surface. But the lesson plan called for a tropical fish input at that point, there was nothing we could do, it happens every year, you just have to hurry past it.

We weren’t even supposed to have a puppy. Continue reading “Read “The School,” a short story by Donald Barthelme”

Temptation and Fall — Genesis 3.4-6 (From A Curious Hieroglyphick Bible, 1788)

(From A curious hieroglyphick Bible, or, Select passages in the Old and New Testaments, represented with emblematical figures, for the amusement of youth : designed chiefly to familiarize tender age, in a pleasing and diverting manner, with early ideas of the Holy Scriptures : to which are subjoined, a short account of the lives of the Evangelists, and other pieces / illustrated with nearly five hundred cuts. 1788).

Corridor Fight Scene from Old Boy

Two Chained Monkeys — Pieter Bruegel the Elder

Self-Portrait — Ben Marcus

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Book Shelves #18, 4.29.2012

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Book shelves series #18, eighteenth Sunday of 2012.

Lots of issues of McSweeney’s on this shelf. I abandoned The InstructionsSome Tintin omnibuses. Crumb-illustrated Kafka bio. Bookended by Will Eisner’s masterwork A Contract with God:

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A Chris Ware comic from McSweeney’s #13:

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The Gobolink and How to Make Him

(More)

Intervals, A Short Film by Peter Greenaway

Five Rules of Wisdom (From Flann O’Brien’s The Third Policeman)

‘Tell me this much,’ I ventured. ‘What sort of readings were those in the policeman’s black book?’

The Sergeant gave me a keen look which felt almost hot from being on the fire previously.

‘The first beginnings of wisdom,’ he said, ‘is to ask questions but never to answer any. You get wisdom from asking and I from not answering. Would you believe that there is a great increase in crime in this locality? Last year we had sixty-nine cases of no lights and four stolen. This year we have eighty-two cases of no lights, thirteen cases of riding on the footpath and four stolen. There was one case of wanton damage to a three-speed gear, there is sure to be a claim at the next Court and the area of charge will be the parish. Before the year is out there is certain to be a pump stolen, a very depraved and despicable manifestation of criminality and a blot on the county.’

‘Indeed,’ I said.

‘Five years ago we had a case of loose handlebars. Now there is a rarity for you. It took the three of us a week to frame the charge.’

‘Loose handlebars,’ I muttered. I could not clearly see the reason for such talk about bicycles.

‘And then there is the question of bad brakes. The country is honeycombed with bad brakes, half of the accidents are due to it, runs in families.’

I thought it would be better to try to change the conversation from bicycles.

‘You told me what the first rule of wisdom is,’ I said. ‘What is the second rule?’

‘That can be answered,’ he said.

‘There are five in all. Always ask any questions that are to be asked and never answer any. Turn everything you hear to your own advantage. Always carry a repair outfit. Take left turns as much as possible. Never apply your front brake first.’

‘These are interesting rules,’ I said dryly.

‘If you follow them,’ said the Sergeant, ‘you will save your soul and you will never get a fall on a slippy road.’

‘I would be obliged to you,’ I said, ‘if you would explain to me which of these rules covers the difficulty I have come here today to put before you.’

‘This is not today, this is yesterday,’ he said, ‘but which of the difficulties is it? What is the crux rei?’

‘Yesterday? I decided without any hesitation that it was a waste of time trying to understand the half of what he said. I persevered with my inquiry.

‘I came here to inform you officially about the theft of my American gold watch.’

He looked at me through an atmosphere of great surprise and incredulity and raised his eyebrows almost to his hair.

‘That is an astonishing statement,’ he said at last.

‘Why?’

‘Why should anybody steal a watch when they can steal a bicycle?’

From Flann O’Brien’s surreal comic masterpiece, The Third Policeman.

The World Without You (Book Acquired, 4.19.2012)

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The World Without You is forthcoming this summer from Joshua Henkin (Pantheon). Write up from Publisher’s Weekly:

Like a more bittersweet version of Jonathan Tropper’s This Is Where I Leave You or a less chilly variation on Jonathan Franzen’s The Corrections, Henkin (Matrimony) tenderly explores family dynamics in this novel about the ties that bind, and even lacerate. One year after the death of their kidnapped journalist son, Leo, in Iraq, David and Marilyn Frankel, non-practicing Jews, call their entire mishpocha to their summer home in the Berkshires to attend his memorial service: Clarissa and her husband, Nathaniel, who, after years of putting off parenthood, are having a difficult time getting pregnant; Lily, a D.C. lawyer who shows up without Malcolm, her restaurateur boyfriend of 10 years; Noelle, an Orthodox Jew who arrives from Jerusalem with her husband, Amram, and their four children; and Thisbe, Leo’s widow, a grad student who flies in from Berkeley with their three-year-old son, Calder. Over the course of the Fourth of July holiday, David and Marilyn will make a stunning announcement; Thisbe will reveal a secret; a game of Celebrity will cause Amram to drive off into the night; Leo will be remembered; and someone will pee on the carpet. The author has created an empathetic cast of characters that the reader will love spending time with, even as they behave like fools and hurt one another. An intelligently written novel that works as a summer read and for any other time of the year.

The Canterbury Tales — Pier Paolo Pasolini (Entire Film with Subtitles)

Proving Darwin (Book Acquired, 4.23.2012)

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Gregory Chaitin’s Proving Darwin: Making Biology Mathematical is forthcoming in hardback from Random House. It’s a great-looking book, slim and neat with graphs and plenty of explications of the math for fellas like me. There’s also illustrations from Biblioklept fave Ernst Haeckel:

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Random House’s copy:

Groundbreaking mathematician Gregory Chaitin gives us the first book to posit that we can prove how Darwin’s theory of evolution works on a mathematical level.

For years it has been received wisdom among most scientists that, just as Darwin claimed, all of the Earth’s life-forms evolved by blind chance. But does Darwin’s theory function on a purely mathematical level? Has there been enough time for evolution to produce the remarkable biological diversity we see around us? It’s a question no one has yet answered—in fact, no one has even attempted to answer it until now.

In this illuminating and provocative book, Gregory Chaitin argues that we can’t be sure evolution makes sense without a mathematical theory. He elucidates the mathematical scheme he’s developed that can explain life itself, and examines the works of mathematical pioneers John von Neumann and Alan Turing through the lens of biology. Chaitin presents an accessible introduction to metabiology, a new way of thinking about biological science that highlights the mathematical structures underpinning the biological world. Fascinating and thought-provoking, Proving Darwin makes clear how biology may have found its greatest ally in mathematics.

Flann O’Brien, Charles Olson, Karel Capek (Books Acquired, Earlier This Week)

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Steinbeck on Critics: “Curious Sucker Fish Who Live with Joyous Vicariousness on Other Men’s Work”

ON CRITICS

This morning I looked at the Saturday Review, read a few notices of recent books, not mine, and came up with the usual sense of horror. One should be a reviewer or better a critic, these curious sucker fish who live with joyous vicariousness on other men’s work and discipline with dreary words the thing which feeds them. I don’t say that writers should not be disciplined, but I could wish that the people who appoint themselves to do it were not quite so much of a pattern both physically and mentally.

I’ve always tried out my material on my dogs first. You know, with Angel, he sits there and listens and I get the feeling he understands everything. But with Charley, I always felt he was just waiting to get a word in edgewise. Years ago, when my red setter chewed up the manuscript of Of Mice and Men, I said at the time that the dog must have been an excellent literary critic.

Time is the only critic without ambition.

Give a critic an inch, he’ll write a play.

From John Steinbeck’s 1969 interview in The Paris Review.

“The Land of Nod” — An Illustrated Poem by Robert Louis Stevens

(From A Child’s Garden of Verses by Robert Louis Stevenson; illustrated by Charles Robinson, 1895. Via the LOC’s rare books collection.)

Books Acquired, This Week and Last

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Reading for Our Time by J. Hillis Miller from Columbia University Press. Their copy:

A masterclass in attentive reading that opens up brilliant insights into two of George Eliot’s novels. J. Hillis Miller shows how reading Eliot’s great novels Adam Bede and Middlemarch can provide the pleasure and insight unique to reading fiction. The readings focus on famous passages in which the narrator reflects about the story and its characters. What do these passages really say? What role does Eliot’s figurative language play in her storytelling? These stories deal with uncovering their characters’ ideological illusions. By understanding how to expose these illusions, readers will be able to recognize how easy it is to be taken in by such mistakes, both in the personal and in the political worlds.

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Mary S. Lovell’s The Churchills is new in trade paperback from Norton. From the LA Times review:

Intelligent and well-written, like all of Mary S. Lovell’s biographies, “The Churchills” provides a vivid introduction to the family of English aristocrats whose nation-preserving achievements stretch from the Battle of Blenheim to the Battle of Britain and beyond. The Churchills are a much-chronicled clan, and although footnotes indicate that Lovell has read all the relevant books and delved into vast archives of personal papers, there’s nothing startlingly new here. Instead, as she did in “The Mitford Girls,” the author synthesizes a variety of familiar material to create a lively collective portrait.

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Diane Keaton’s memoir is out in trade paperback. It’s a handsome book with stylish color inserts. New from Random House.

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 Great cover on A Simple Murder, new from Eleanor Kuhns. Publisher Minotaur/Macmillan’s write-up:

Five years ago, while William Rees was still recovering from his stint as a Revolutionary War soldier, his beloved wife died. Devastated, Rees left his son, David, in his sister’s care, fled his Maine farm, and struck out for a tough but emotionally empty life as a traveling weaver. Now, upon returning unexpectedly to his farm, Rees discovers that David has been treated like a serf for years and finally ran away to join a secluded religious sect—the Shakers.

Overwhelmed by guilt and hoping to reconcile with his son, Rees immediately follows David to the Shaker community. But when a young Shaker woman is brutally murdered shortly after Rees’s arrival, Rees finds himself launched into a complicated investigation where the bodies keep multiplying, a tangled web of family connections casts suspicion on everyone, and the beautiful woman on the edge of the Shaker community might be hiding troubling ties to the victims. It quickly becomes clear that in solving Sister Chastity’s murder, Rees may well expose some of the Shaker community’s darkest secrets, not to mention endanger his own life.

An atmospheric portrait of a compelling time in American history, A Simple Murder is an outstanding debut from Eleanor Kuhns, Minotaur Books/Mystery Writers of America’s 2011 First Crime Novel Competition Winner.

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