The Beach at Trouville — Claude-Oscar Monet

Borges Citation (Wilde v Chesterton)

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“Sampler Plate” — Robert Walser

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Holidays — Maurice Prendergast

“Counterparts” — James Joyce

“Counterparts” by James Joyce

THE bell rang furiously and, when Miss Parker went to the tube, a furious voice called out in a piercing North of Ireland accent:

“Send Farrington here!”

Miss Parker returned to her machine, saying to a man who was writing at a desk:

“Mr. Alleyne wants you upstairs.”

The man muttered “Blast him!” under his breath and pushed back his chair to stand up. When he stood up he was tall and of great bulk. He had a hanging face, dark wine-coloured, with fair eyebrows and moustache: his eyes bulged forward slightly and the whites of them were dirty. He lifted up the counter and, passing by the clients, went out of the office with a heavy step.

He went heavily upstairs until he came to the second landing, where a door bore a brass plate with the inscription Mr. Alleyne. Here he halted, puffing with labour and vexation, and knocked. The shrill voice cried:

“Come in!”

The man entered Mr. Alleyne’s room. Simultaneously Mr. Alleyne, a little man wearing gold-rimmed glasses on a cleanshaven face, shot his head up over a pile of documents. The head itself was so pink and hairless it seemed like a large egg reposing on the papers. Mr. Alleyne did not lose a moment:

“Farrington? What is the meaning of this? Why have I always to complain of you? May I ask you why you haven’t made a copy of that contract between Bodley and Kirwan? I told you it must be ready by four o’clock.”

“But Mr. Shelley said, sir——”

“Mr. Shelley said, sir…. Kindly attend to what I say and not to what Mr. Shelley says, sir. You have always some excuse or another for shirking work. Let me tell you that if the contract is not copied before this evening I’ll lay the matter before Mr. Crosbie…. Do you hear me now?”

“Yes, sir.”

“Do you hear me now?… Ay and another little matter! I might as well be talking to the wall as talking to you. Understand once for all that you get a half an hour for your lunch and not an hour and a half. How many courses do you want, I’d like to know…. Do you mind me now?” Continue reading ““Counterparts” — James Joyce”

Goliath Bookplate — Tom Gauld

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On His Holidays, Norway — John Singer Sargent

“A lament for life’s wasted sunshine” (And Four Other Ideas from Nathaniel Hawthorne’s Note-Books)

  1. Walking along the track of the railroad, I observed a place where the workmen had bored a hole through the solid rock, in order to blast it; but, striking a spring of water beneath the rock, it gushed up through the hole. It looked as if the water were contained within the rock.
  2. A Fancy Ball, in which the prominent American writers should appear, dressed in character.
  3. A lament for life’s wasted sunshine.
  4. A new classification of society to be instituted. Instead of rich and poor, high and low, they are to be classed,–First, by their sorrows: for instance, whenever there are any, whether in fair mansion or hovel, who are mourning the loss of relations and friends, and who wear black, whether the cloth be coarse or superfine, they are to make one class. Secondly, all who have the same maladies, whether they lie under damask canopies or on straw pallets or in the wards of hospitals, they are to form one class. Thirdly, all who are guilty of the same sins, whether the world knows them or not; whether they languish in prison, looking forward to the gallows, or walk honored among men, they also form a class. Then proceed to generalize and classify the whole world together, as none can claim utter exemption from either sorrow, sin, or disease; and if they could, yet Death, like a great parent, comes and sweeps them all through one darksome portal,–all his children.
  5. Fortune to come like a pedlar with his goods,–as wreaths of laurel, diamonds, crowns; selling them, but asking for them the sacrifice of health, of integrity, perhaps of life in the battle-field, and of the real pleasures of existence. Who would buy, if the price were to be paid down?

Notations from Nathaniel Hawthorne’s American Note-Books.

Carolina Morning — Edward Hopper

Ah! Moebius! — Jean Giraud

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Smiles of a Summer Night — Ingmar Bergman (Full Film)

Borges Citation (Hawthorne)

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John Keats’s Handwritten Manuscript for “To Autumn”

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(Read the poem).

“Elegy” — Jorge Luis Borges

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Young Woman in Kimono, Reading — Emile Bernard

Unloved (Peanuts)

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