“In drear-nighted December” — John Keats

“In drear-nighted December” by  John Keats

In drear-nighted December,
Too happy, happy tree,
Thy branches ne’er remember
Their green felicity:
The north cannot undo them
With a sleety whistle through them;
Nor frozen thawings glue them
From budding at the prime.

In drear-nighted December,
Too happy, happy brook,
Thy bubblings ne’er remember
Apollo’s summer look;
But with a sweet forgetting,
They stay their crystal fretting,
Never, never petting
About the frozen time.

Ah! would ’twere so with many
A gentle girl and boy!
But were there ever any
Writhed not at passed joy?
The feel of not to feel it,
When there is none to heal it
Nor numbed sense to steel it,
Was never said in rhyme.

“Christmas Night with Satan” — John Fox, Jr.

“Christmas Night with Satan” by John Fox, Jr.

No night was this in Hades with solemn-eyed Dante, for Satan was only a woolly little black dog, and surely no dog was ever more absurdly misnamed. When Uncle Carey first heard that name, he asked gravely:

“Why, Dinnie, where in h—-,” Uncle Carey gulped slightly, “did you get him?” And Dinnie laughed merrily, for she saw the fun of the question, and shook her black curls. “He didn’t come f’um THAT PLACE.”

Distinctly Satan had not come from that place. On the contrary, he might by a miracle have dropped straight from some Happy Hunting- Ground, for all the signs he gave of having touched pitch in this or another sphere. Nothing human was ever born that was gentler, merrier, more trusting or more lovable than Satan. That was why Uncle Carey said again gravely that he could hardly tell Satan and his little mistress apart. He rarely saw them apart, and as both had black tangled hair and bright black eyes; as one awoke every morning with a happy smile and the other with a jolly bark; as they played all day like wind-shaken shadows and each won every heart at first sight—the likeness was really rather curious. I have always believed that Satan made the spirit of Dinnie’s house, orthodox and severe though it was, almost kindly toward his great namesake. I know I have never been able, since I knew little Satan, to think old Satan as bad as I once painted him, though I am sure the little dog had many pretty tricks that the “old boy” doubtless has never used in order to amuse his friends.

“Shut the door, Saty, please,” Dinnie would say, precisely as she would say it to Uncle Billy, the butler, and straightway Satan would launch himself at it—bang! He never would learn to close it softly, for Satan liked that—bang!

If you kept tossing a coin or marble in the air, Satan would keep catching it and putting it back in your hand for another throw, till you got tired. Then he would drop it on a piece of rag carpet, snatch the carpet with his teeth, throw the coin across the room, and rush for it like mad, until he got tired. If you put a penny on his nose, he would wait until you counted, one—two— THREE! Then he would toss it up himself and catch it. Thus, perhaps, Satan grew to love Mammon right well, but for another and better reason than that he liked simply to throw it around—as shall now be made plain. Continue reading ““Christmas Night with Satan” — John Fox, Jr.”

“Patricide: Patricide is a bad idea” (Donald Barthelme)

Patricide: Patricide is a bad idea, first because it is contrary to law and custom and second because it proves, beyond a doubt, that the father’s every fluted accusation against you was correct: you are a thoroughly bad individual, a patricide! — member of a class of persons universally ill-regarded. It is all right to feel this hot emotion, but not to act upon it. And it is not necessary. It is not necessary to slay your father, time will slay him, that is a virtual certainty. Your true task lies elsewhere. Your true task, as a son, is to reproduce every one of the enormities touched upon in this manual, but in attenuated form. You must become your father, but a paler, weaker version of him. The enormities go with the job, but close study will allow you to perform the job less well than it has previously been done, thus moving toward a golden age of decency, quiet, and calmed fevers. Your contribution will not be a small one, but “small” is one of the concepts that you should shoot for. If your father was a captain in Battery D, then content yourself with a corporalship in the same battery. Do not attend the annual reunions. Do not drink beer or sing songs at the reunions. Begin by whispering, in front of a mirror, for thirty minutes a day. Then tie your hands behind your back for thirty minutes a day, or get someone else to do this for you. Then, choose one of your most deeply held beliefs, such as the belief that your honors and awards have something to do with you, and abjure it. Friends will help you abjure it, and can be telephoned if you begin to backslide. You see the pattern, put it into practice. Fatherhood can be, if not conquered, at least “turned down” in this generation — by the combined efforts of all of us together.

From Donald Barthelme’s novel The Dead Father.

“A Luckless Santa Claus” — F. Scott Fitzgerald

“A Luckless Santa Claus” by F. Scott Fitzgerald

Miss Harmon was responsible for the whole thing. If it had not been for her foolish whim, Talbot would not have made a fool of himself, and–but I am getting ahead of my story.

It was Christmas Eve. Salvation Army Santa Clauses with highly colored noses proclaimed it as they beat upon rickety paper chimneys with tin spoons. Package laden old bachelors forgot to worry about how many slippers and dressing gowns they would have to thank people for next day, and joined in the general air of excitement that pervaded busy Manhattan.

In the parlor of a house situated on a dimly lighted residence street somewhere east of Broadway, sat the lady who, as I have said before, started the whole business. She was holding a conversation half frivolous, half sentimental, with a faultlessly dressed young man who sat with her on the sofa. All of this was quite right and proper, however, for they were engaged to be married in June.

“Harry Talbot,” said Dorothy Harmon, as she rose and stood laughing at the merry young gentleman beside her, “if you aren’t the most ridiculous boy I ever met, I’ll eat that terrible box of candy you brought me last week!”

“Dorothy,” reproved the young man, “you should receive gifts in the spirit in which they are given. That box of candy cost me much of my hard earned money.”

“Your hard earned money, indeed!” scoffed Dorothy. “You know very well that you never earned a cent in your life. Golf and dancing–that is the sum total of your occupations. Why, you can’t even spend money, much less earn it!”

“My dear Dorothy, I succeeded in running up some very choice bills last month, as you will find if you consult my father.”

“That’s not spending your money. That’s wasting it. Why, I don’t think you could give away twenty-five dollars in the right way to save your life.”

“But why on earth,” remonstrated Harry, “should I want to give away twenty-five dollars?”

“Because,” explained Dorothy, “that would be real charity. It’s nothing to charge a desk to your father and have it sent to me, but to give money to people you don’t know is something.”

“Why, any old fellow can give away money,” protested Harry.

“Then,” exclaimed Dorothy, “we’ll see if you can. I don’t believe that you could give twenty-five dollars in the course of an evening if you tried.”

“Indeed, I could.”

“Then try it!” And Dorothy, dashing into the hall, took down his coat and hat and placed them in his reluctant hands. “It is now half-past eight. You be here by ten o’clock.”

“But, but,” gasped Harry.

Dorothy was edging him towards the door.

“How much money have you?” she demanded.

Harry gloomily put his hand in his pocket and counted out a handful of bills.

“Exactly twenty-five dollars and five cents.”

“Very well! Now listen! These are the conditions. You go out and give this money to anybody you care to whom you have never seen before. Don’t give more than two dollars to any one person. And be back here by ten o’clock with no more than five cents in your pocket.”

“But,” declared Harry, still backing towards the door, “I want my twenty-five dollars.”

“Harry,” said Dorothy sweetly, “I am surprised!” and with that, she slammed the door in his face.

“I insist,” muttered Harry, “that this is a most unusual pro- ceeding.”

He walked down the steps and hesitated.

“Now,” he thought, “Where shall I go?”

He considered a moment and finally started off towards Broad- way. He had gone about half a block when he saw a gentleman in a top hat approaching. Harry hesitated. Then he made up his mind, and, stepping towards the man, emitted what he intended for a pleasant laugh but what sounded more like a gurgle, and loudly vociferated, “Merry Christmas, friend!” Continue reading ““A Luckless Santa Claus” — F. Scott Fitzgerald”

Bingo’s Run (Book Acquired, 12.16.2013)

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Bingo’s Run by James A. Levine is new in hardback from Random House in January of 2014. Their blurb:

Meet Bingo, the greatest drug runner in the slums of Kibera, Nairobi, and maybe the world. A teenage grifter, often mistaken for a younger boy, he faithfully serves Wolf, the drug lord of Kibera. Bingo spends his days throwing rocks at Krazi Hari, the prophet of Kibera’s garbage mound, “lipping” safari tourists of their cash, and hanging out with his best friend, Slo-George, a taciturn fellow whose girth is a mystery to Bingo in a place where there is never enough food. Bingo earns his keep by running “white” to a host of clients, including Thomas Hunsa, a reclusive artist whose paintings, rooted in African tradition, move him. But when Bingo witnesses a drug-related murder and Wolf sends him to an orphanage for “protection,” Bingo’s life changes and he learns that life itself is the “run.”

A modern trickster tale that draws on African folklore, Bingo’s Run is a wildly original, often very funny, and always moving story of a boy alone in a corrupt and dangerous world who must depend on his wits and inner resources to survive

“The Poem That Took The Place Of A Mountain” — Wallace Stevens

“The Poem That Took The Place Of A Mountain” by Wallace Stevens

There it was, word for word,
The poem that took the place of a mountain.

He breathed its oxygen,
Even when the book lay turned in the dust of his table.

It reminded him how he had needed
A place to go to in his own direction,

How he had recomposed the pines,
Shifted the rocks and picked his way among clouds,

For the outlook that would be right,
Where he would be complete in an unexplained completion:

The exact rock where his inexactness
Would discover, at last, the view toward which they had edged,

Where he could lie and, gazing down at the sea,
Recognize his unique and solitary home.

 

“To find a lost father” (Donald Barthelme)

To find a lost father: The first problem in finding a lost father is to lose him, decisively. Often he will wander away from home and lose himself. Often he will remain at home but still be “lost” in every true sense, locked away in an upper room, or in a workshop, or in the contemplation of beauty, or in the contemplation of a secret life. He may, every evening, pick up his gold-headed cane, wrap himself in his cloak, and depart, leaving behind, on the coffee table, a sealed laundry bag in which there is an address at which he may be reached, in case of war. War, as is well known, is a place at which many fathers are lost, sometimes temporarily, sometimes forever. Fathers are frequently lost on expeditions of various kinds (the journey to the interior). The five best places to seek this kind of lost father are Nepal, Rupert’s Land, Mount Elbrus, Paris, and the agora. The five kinds of vegetation in which fathers most often lose themselves are needle-leaved forest, broad-leaved forest mainly evergreen, broad-leaved forest mainly deciduous, mixed needle-leaved and broad-leaved forest, and tundra. The five kinds of things fathers were wearing when last seen are caftans, bush jackets, parkas, Confederate gray, and ordinary business suits. Armed with these clues then, you may place an advertisement in the newspaper: Lost, in Paris, on or about February 24, a broad-leaf-loving father, 6’ 2”, wearing a blue caftan, may be armed and dangerous, we don’t know, answers to the name Old Hickory. Reward. Having completed this futile exercise, you are then free to think about what is really important. Do you really want to find this father? What if, when you find him, he speaks to you in the same tone he used before he lost himself? Will he again place nails in your mother, in her elbows and back of the knee? Remember the javelin. Have you any reason to believe that it will not, once again, flash through the seven-o’clock-in-the-evening air? What we are attempting to determine is simple: Under what conditions do you wish to live? Yes, he “nervously twiddles the stem of his wineglass.” Do you wish to watch him do so on into the last quarter of the present century? I don’t think so. Let him take those mannerisms, and what they portend, to Borneo, they will be new to Borneo. Perhaps in Borneo he will also nervously twiddle the stem of, etc., but he will not be brave enough to manufacture, there the explosion of which this is a sign. Throwing the roast through the mirror. Thrusting a belch big as an opened umbrella into the middle of something someone else is trying to say. Beating you, either with a wet, knotted rawhide, or with an ordinary belt. Ignore that empty chair at the head of the table. Give thanks.

From Donald Barthelme’s novel The Dead Father.

New From Indie Press Sunnyoutside: Reckoning and Pilot Season (Books Acquired, 12.11.2013)

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Two new handsome fellas from indie press Sunnyoutside:

James Brubaker’s Pilot Season, which I read over the past few days, is a fun little volume that is better than its thin premise suggests (blurb from the back):

Pilot Season opens with a television executive attempting to save his floundering network’s fall roster. As his own anxieties, disappointments, and alienation from his own family play out through a steady stream of absurd television pilots, we are treated to sardonic parodies of the contemporary reality show-obsessed media culture. While critiquing the cruelty and exploration of the medium, Pilot Season also manages to laud the human spirit’s ability to trump our flaws.

Pilot Season shares a strong overlap with Matthew Winston’s This Coming Fall; the central conceit of that story is a voice that blithely announces a schedule of dystopian TV shows. (I read the books more or less at the same time—both are slim enough to fit in a pocket and can be discreetly absorbed during meetings, for example).

Rusty Barnes’s Reckoning is Appalachian noir propelled by dialogue, sex, and violence. Blurb from the back:

Richard Logan begins his summer day as any fourteen-year-old might: working at a farm job bringing in hay, avoiding his hard-headed father, and hanging out with his friends. When he stumbles onto an unconscious woman in the woods, he has no idea that the process of helping her will lead him into the darkness o fa the deeply held deceits of his rural Appalachian town. Both brutal and beautiful, Reckoning shows the seams and limits of family love and community tolerance while Richard discovers where manhood truly lies.

Reckoning and Pilot Season will be released in Spring of 2014.