“The Hollow of the Three Hills” by Nathaniel Hawthorne
In those strange old times when fantastic dreams and madmen’s reveries were realized among the actual circumstances of life, two persons met together at an appointed hour and place. One was a lady graceful in form and fair of feature, though pale and troubled and smitten with an untimely blight in what should have been the fullest bloom of her years; the other was an ancient and meanly-dressed woman of ill-favored aspect, and so withered, shrunken and decrepit that even the space since she began to decay must have exceeded the ordinary term of human existence. In the spot where they encountered no mortal could observe them. Three little hills stood near each other, and down in the midst of them sunk a hollow basin almost mathematically circular, two or three hundred feet in breadth and of such depth that a stately cedar might but just be visible above the sides. Dwarf pines were numerous upon the hills and partly fringed the outer verge of the intermediate hollow, within which there was nothing but the brown grass of October and here and there a tree-trunk that had fallen long ago and lay mouldering with no green successor from its roots. One of these masses of decaying wood, formerly a majestic oak, rested close beside a pool of green and sluggish water at the bottom of the basin. Such scenes as this (so gray tradition tells) were once the resort of a power of evil and his plighted subjects, and here at midnight or on the dim verge of evening they were said to stand round the mantling pool disturbing its putrid waters in the performance of an impious baptismal rite. The chill beauty of an autumnal sunset was now gilding the three hill-tops, whence a paler tint stole down their sides into the hollow. Continue reading ““The Hollow of the Three Hills” — Nathaniel Hawthorne”
From the “Epigrams, Wise Cracks and Jokes” section ofd F. Scott Fitzgerald’s Noteboooks:
Suicide and wife arrive in Cuba.
Let’s all live together.
Debut—the first time a young girl is seen drunk in public.
He repeated to himself an old French proverb he had made up that morning.
A sleeping porch is a back room with no pictures on the walls. It should contain at least one window.
Kill the scrub sire is our slogan.
Why can’t you be square? Well, when I was young I used to play with old automobile tires.
Forgotten is forgiven.
If all your clothes are worn to the same state it means you go out too much.
American actresses now use European convents as a sort of female Muldoon’s.
You must stoop a little in order to jump.
For a car—Excuse my lust.
Andre Gide lifted himself by his own jockstrap so to speak—and one would like to see him hoisted on his own pedarasty.
Creditors’ jokes
MONDAY — This new creature with the long hair is a good deal in the way. It is always hanging around and following me about. I don’t like this; I am not used to company. I wish it would stay with the other animals. . . . Cloudy today, wind in the east; think we shall have rain. . . . WE? Where did I get that word-the new creature uses it.
TUESDAY — Been examining the great waterfall. It is the finest thing on the estate, I think. The new creature calls it Niagara Falls-why, I am sure I do not know. Says it LOOKS like Niagara Falls. That is not a reason, it is mere waywardness and imbecility. I get no chance to name anything myself. The new creature names everything that comes along, before I can get in a protest. And always that same pretext is offered — it LOOKS like the thing. There is a dodo, for instance. Says the moment one looks at it one sees at a glance that it “looks like a dodo.” It will have to keep that name, no doubt. It wearies me to fret about it, and it does no good, anyway. Dodo! It looks no more like a dodo than I do.
WEDNESDAY — Built me a shelter against the rain, but could not have it to myself in peace. The new creature intruded. When I tried to put it out it shed water out of the holes it looks with, and wiped it away with the back of its paws, and made a noise such as some of the other animals make when they are in distress. I wish it would not talk; it is always talking. That sounds like a cheap fling at the poor creature, a slur; but I do not mean it so. I have never heard the human voice before, and any new and strange sound intruding itself here upon the solemn hush of these dreaming solitudes offends my ear and seems a false note. And this new sound is so close to me; it is right at my shoulder, right at my ear, first on one side and then on the other, and I am used only to sounds that are more or less distant from me.
FRIDAY — The naming goes recklessly on, in spite of anything I can do. I had a very good name for the estate, and it was musical and pretty — GARDEN OF EDEN. Privately, I continue to call it that, but not any longer publicly. The new creature says it is all woods and rocks and scenery, and therefore has no resemblance to a garden. Says it LOOKS like a park, and does not look like anything BUT a park. Consequently, without consulting me, it has been new-named NIAGARA FALLS PARK. This is sufficiently high-handed, it seems to me. And already there is a sign up:
KEEP OFF THE GRASS
My life is not as happy as it was. Continue reading ““Extracts From Adam’s Diary” — Mark Twain”
“Tarzan Based on the works of Burroughs”— Comic by Kelly Shane & Woody Compton, part of their Is This Tomorrow? series.
A few weeks back, Matt Bucher (via Twitter) suggested that because I enjoyed David Markson’s “notecard” novels so much, I should get a hold of Evan Lavender-Smith’s anti-novel From Old Notebooks. I went to order it from my bookstore, promptly found out it was out of print, and was bummed. And then like maybe a week after this, Matt let me know that the book was back in print from the good people at Dzanc. Anyway, it’s good stuff, and I’ll have a full write-up later this month.
Because of a postage screw-up, my original order was lost. When I let Dzanc know my book hadn’t arrived yet, they promptly sent another copy of the book, along with Jennifer Spiegel’s story collection The Freak Chronicles:
Dzanc’s blurb:
An American missionary sleeps on the dung floor in a witch doctor’s hut in South Africa. Two women contemplate “poverty porn” while trying to start a nonprofit in China. An heiress locks eyes with a whore on the streets of Cape Town. A college girl stalks Mickey Rourke. A professor from New Jersey gets scammed in Old Havana before Castro’s demise. A mom obsesses about the fate of Sesame Street characters. A study abroad student goes home with a Russian street artist. Backpackers question their global idealism. Terrain, both ordinary and extraordinary, work on the imaginations and perceptions of people on the run, freaks in the making, eccentrics by choice.
The short stories in this collection explore, both implicitly and explicitly, the notion of freakiness. They worry over eccentricity, alienation, normalcy, and intimacy. What is it that makes one a freak, makes one want to embrace quirkiness, have the fortitude to cultivate oddity? Is there a fine line between abnormality and the extraordinary? Jennifer Spiegel’s stories delve into these questions and others.
“The Story of Gulnare of the Sea”
from The Arabian Nights: Their Best Known Tales (1909)
There was, in olden time, and in an ancient age and period, in the land of the Persians, a king named Shahzeman, and the place of his residence was Khorassan. He had not been blest, during his whole life, with a male child nor a female; and he reflected upon this, one day, and lamented that the greater portion of his life had passed, and he had no heir to take the kingdom after him as he had inherited it from his fathers and forefathers. So the utmost grief befell him on this account.
Now while he was sitting one day, one of his mamelukes came in to him, and said to him: “O my lord, at the door is a slave-girl with a merchant: none more beautiful than she hath been seen.” And he replied: “Bring to me the merchant and the slave-girl.” The merchant and the slave-girl therefore came to him; and when he saw her, he found her to resemble the lance in straightness and slenderness. She was wrapped in a garment of silk embroidered with gold, and the merchant uncovered her face, whereupon the place was illuminated by her beauty, and there hung down from her forehead seven locks of hair reaching to her anklets. The King, therefore, wondered at the sight of her, and at her beauty, and her stature and justness of form; and he said to the merchant: “O sheikh, for how much is this damsel to be sold?” The merchant answered: “O my lord, I purchased her for two thousand pieces of gold of the merchant who owned her before me, and I have been for three years travelling with her, and she hath cost, to the period of her arrival at this place, three thousand pieces of gold; and she is a present from me unto thee.” Upon this, the king conferred upon him a magnificent robe of honour, and gave orders to present him with ten thousand pieces of gold. So he took them, and kissed the hands of the king, thanking him for his beneficence, and departed. Then the king committed the damsel to the tirewomen, saying to them: “Amend the state of this damsel, and deck her, and furnish for her a private chamber, and take her into it.” He also gave orders to his chamberlains that everything which she required should be conveyed to her. The seat of government where he resided was on the shore of the sea, and his city was called the White City. And they conducted the damsel into a private chamber, which chamber had windows overlooking the sea; and the king commanded his chamberlains to close all the doors upon her after taking to her all that she required. Continue reading ““The Story of Gulnare of the Sea” (Arabian Nights)”
Hark ye yet again—the little lower layer. All visible objects, man, are but as pasteboard masks. But in each event—in the living act, the undoubted deed—there, some unknown but still reasoning thing puts forth the mouldings of its features from behind the unreasoning mask. If man will strike, strike through the mask! How can the prisoner reach outside except by thrusting through the wall? To me, the white whale is that wall, shoved near to me. Sometimes I think there’s naught beyond. But ’tis enough. He tasks me; he heaps me; I see in him outrageous strength, with an inscrutable malice sinewing it. That inscrutable thing is chiefly what I hate; and be the white whale agent, or be the white whale principal, I will wreak that hate upon him. Talk not to me of blasphemy, man; I’d strike the sun if it insulted me. For could the sun do that, then could I do the other; since there is ever a sort of fair play herein, jealousy presiding over all creations. But not my master, man, is even that fair play. Who’s over me? Truth hath no confines.
From Chapter 36 of Herman Melville’s Moby-Dick. The speaker, of course, is Ahab.
Layla Alexander-Garrett’s memoir Andrei Tarkovsky: The Collector of Dreams is new from Glagoslav. Their blurb:
The Sacrifice is Andrei Tarkovsky’s final masterpiece. The film was shot in Sweden, during the summer of 1985, while Tarkovsky was in exile; it turned out to be his final testament. Day after day, while the film was being made, Layla Alexander-Garrett – Tarkovsky’s on-site interpreter – kept a diary which forms the basis of her award-winning book Andrei Tarkovsky: The Collector Of Dreams. In this book the great director is portrayed as a real, living person: tormented, happy, inexhaustibly kind but at times harsh, unrelenting, conscience-stricken and artistically unfulfilled.
I’ve been riffling through it over the past few days. Alexander-Garrett describes her time with Tarkovsky in vivid detail—there’s a concrete richness to the book, and the author doesn’t try to psychoanalyze or interpret or otherwise interpose herself between the reader and the subject. More to come.
“A Reflection” by Kate Chopin—
Some people are born with a vital and responsive energy. It not only enables them to keep abreast of the times; it qualifies them to furnish in their own personality a good bit of the motive power to the mad pace. They are fortunate beings. They do not need to apprehend the significance of things. They do not grow weary nor miss step, nor do they fall out of rank and sink by the wayside to be left contemplating the moving procession.
Ah! that moving procession that has left me by the road-side! Its fantastic colors are more brilliant and beautiful than the sun on the undulating waters. What matter if souls and bodies are failing beneath the feet of the ever-pressing multitude! It moves with the majestic rhythm of the spheres. Its discordant clashes sweep upward in one harmonious tone that blends with the music of other worlds—to complete God’s orchestra.
It is greater than the stars—that moving procession of human energy; greater than the palpitating earth and the things growing thereon. Oh! I could weep at being left by the wayside; left with the grass and the clouds and a few dumb animals. True, I feel at home in the society of these symbols of life’s immutability. In the procession I should feel the crushing feet, the clashing discords, the ruthless hands and stifling breath. I could not hear the rhythm of the march.
Salve! ye dumb hearts. Let us be still and wait by the roadside.
“It’s a white whale, I say,” resumed Ahab, as he threw down the topmaul: “a white whale. Skin your eyes for him, men; look sharp for white water; if ye see but a bubble, sing out.”
All this while Tashtego, Daggoo, and Queequeg had looked on with even more intense interest and surprise than the rest, and at the mention of the wrinkled brow and crooked jaw they had started as if each was separately touched by some specific recollection.
“Captain Ahab,” said Tashtego, “that white whale must be the same that some call Moby Dick.”
“Moby Dick?” shouted Ahab. “Do ye know the white whale then, Tash?”
“Does he fan-tail a little curious, sir, before he goes down?” said the Gay-Header deliberately.
“And has he a curious spout, too,” said Daggoo, “very bushy, even for a parmacetty, and mighty quick, Captain Ahab?”
“And he have one, two, three—oh! good many iron in him hide, too, Captain,” cried Queequeg disjointedly, “all twiske-tee be-twisk, like him—him—” faltering hard for a word, and screwing his hand round and round as though uncorking a bottle—”like him—him—”
“Corkscrew!” cried Ahab, “aye, Queequeg, the harpoons lie all twisted and wrenched in him; aye, Daggoo, his spout is a big one, like a whole shock of wheat, and white as a pile of our Nantucket wool after the great annual sheep-shearing; aye, Tashtego, and he fan-tails like a split jib in a squall. Death and devils! men, it is Moby Dick ye have seen—Moby Dick—Moby Dick!”
From Chapter 36 of Herman Melville’s Moby-Dick.
“The Battle of Sempach” by Robert Walser
One day, in the middle of high summer, a military expedition was advancing slowly down the dusty country road that led towards a district of Luzern. The bright, actually more than bright, sun dazzled down over swaying armour serving to cover human bodies, over prancing horses, over helmets and parts of faces, over equine heads and tails, over ornaments and plumes and stirrups as big as snowshoes. To the right and to the left of the shining military expedition spread out meadows with thousands of fruit trees in them up as far as hills that, looming up out of the blue-smelling, half-hazy distance, beckoned and had the same effect as light and carefully painted window dressing. It was before noon and the heat was already oppressive. It was a meadowy heat, a heat contained in grass, hay and dust, for thick clouds of dust were being thrown up that sometimes descended like a veil over parts and sections of the army. Sluggishly, ploddingly, carelessly the long cavalcade moved forward. Sometimes it looked like a shimmering and elongated snake, sometimes like a lizard of enormous girth, sometimes like a large piece of cloth, richly embroidered with figures and colourful shapes and ceremoniously trailed as with ladies, elderly and domineering ones as far as I’m concerned, accustomed to dragging trains behind them. In all this military might’s method and way of doing things, in the stamping of feet and the clinking of weapons, in this rough and ready clatter lurked an “as far as I’m concerned” that was uniform, something impudent, full of confidence, something upsetting, slowly pushing to one side. All these knights were conversing, as far as their iron-clad mouths would allow them, in joyful verbal banter with each other. Peals of laughter rang out and this sound was admirably suited to the bright tones emitted by weapons and chains and golden belts. The morning sun still appeared to caress a good deal of brass and finer metal. The sounds of tin whistles flew sunward. Now and again one of the many footmen walking as if on stilts would tender to his mounted lord a delicate titbit, stuck on a silver fork, right up to his swaying saddle. Wine was drunk on the move, poultry consumed and nothing edible spat out, with an easy-going, carefree amiability, for this was no earnest war involving chivalry they were riding to, but more of a punitive expedition, a statutory rape, bloody, scornful, histrionic things. Everybody there thought so and everybody saw already the heap of cut-off heads that would redden the meadow. Among the leaders of the expedition was many a wonderful noble young man splendidly attired, sitting on horseback like a male angel flown down from a blue uncertain heaven. Many a one had taken off his helmet to make things more comfortable for himself and given it to an attendant to carry. By doing so he displayed to the air a peculiarly finely drawn face that was a mixture of innocence and exuberance. They were telling the latest jokes and discussing the most up-to-date stories of courtly women. The serious ones in their company they tolerated as best they could; it seemed today as if a pensive expression was deemed to be improper and unchivalrous. The hair of the young knights who had taken their helmets off, shone and smelt of oil and unguents and sweet-smelling water that they had poured on it as if it had been a matter of riding to visit a coquette to sing her charming love songs. Their hands, from which the iron gauntlets had been taken off, did not look like those of warriors, but manicured and pampered, slender and white like the hands of young girls. Continue reading ““The Battle of Sempach” — Robert Walser”
Big thanks to Ryan Mihaly for sending me this copy of Norman Douglas’s novel South Wind, which is the 11th Penguin Book (1st printing, 1935). This book is beautiful and it was very kind of Ryan to send it to me. Ryan writes reviews (good ones!) at Flying Object.
South Wind is now in the public domain, so you can read it for free if you like. Here are the first few paragraphs:
The bishop was feeling rather sea-sick. Confoundedly sea-sick, in fact.
This annoyed him. For he disapproved of sickness in every shape or form. His own state of body was far from satisfactory at that moment; Africa—he was Bishop of Bampopo in the Equatorial Regions—had played the devil with his lower gastric department and made him almost an invalid; a circumstance of which he was nowise proud, seeing that ill-health led to inefficiency in all walks of life. There was nothing he despised more than inefficiency. Well or ill, he always insisted on getting through his tasks in a businesslike fashion. That was the way to live, he used to say. Get through with it. Be perfect of your kind, whatever that kind may be. Hence his sneaking fondness for the natives—they were such fine, healthy animals.
Fine, healthy animals; perfect of their kind! Africa liked them to “get through with it” according to their own lights. But there was evidently a little touch of spitefulness and malice about Africa; something almost human. For when white people try to get through with it after their particular fashion, she makes hay of their livers or something. That is what had happened to Thomas Heard, D.D., Bishop of Bampopo. He had been so perfect of his kind, such an exemplary pastor, that there was small chance of a return to the scenes of his episcopal labours. Anybody could have told him what would happen. He ought to have allowed for a little human weakness, on the part of the Black Continent. It could not be helped. For the rest, he was half inclined to give up the Church and take to some educational work on his return to England. Perhaps that was why he at present preferred to be known as “Mr. Heard.” It put people at their ease, and him too.
Whence now this novel and unpleasant sensation in the upper gastric region? Most annoying! He had dined discreetly at his hotel the evening before; had breakfasted with moderation. And had he not voyaged in many parts of the world, in China Seas and round the Cape? Was he not even then on his return journey from Zanzibar? No doubt. But the big liner which deposited him yesterday at the thronged port was a different concern from this wretched tub, reeking with indescribable odours as it rolled in the oily swell of the past storm through which the MOZAMBIQUE had ridden without a tremor. The benches, too, were frightfully uncomfortable, and sticky with sirocco moisture under the breathless awning. Above all, there was the unavoidable spectacle of the suffering passengers, natives of the country; it infected him with misery. In attitudes worthy of Michelangelo they sprawled about the deck, groaning with anguish; huddled up in corners with a lemon-prophylactic against sea-sickness, apparently-pressed to faces which, by some subtle process of colour-adaptation, had acquired the complexion of the fruit; tottering to the taffrail….
There was a peasant woman dressed in black, holding an infant to her breast. Both child and parent suffered to a distressing degree. By some kindly dispensation of Providence they contrived to be ill in turns, and the situation might have verged on the comical but for the fact that blank despair was written on the face of the mother. She evidently thought her last day had come, and still, in the convulsions of her pain, tried to soothe the child. An ungainly creature, with a big scar across one cheek. She suffered dumbly, like some poor animal. The bishop’s heart went out to her.
He took out his watch. Two more hours of discomfort to be gone through!
Then he looked over the water. The goal was far distant.
Essay describing the structure of Infinite Jest as Hofstadterian strange loop, the novel’s structure being that of a circle with a missing section—between the last and first pages—which must be filled in by the reader who has been, by the end of the novel, prepared, practiced, coached to do so, just as life allegedly teaches one how to die.
From Evan Lavender-Smith’s From Old Notebooks.
Biblioklept 