Fletcher Hanks/Gilbert Sorrentino (Books Acquired, 7.12.2012)

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I’ve been wanting to get my mitts on this Fletcher Hanks collection since I first read about it in The Believer five years ago. Finally came across a used copy in pristine shape.

It’s really, really fucking weird. Sample page; full write-up forthcoming:

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I’ve been itching to read Gilbert Sorrentino’s Mulligan Stew for a while. This copy may or may not be a first edition paperback—the rejection letters in the front are on a different type of paper than the rest of the novel (color/stock). It’s a big book—I’m finishing up a rereading of 2666, so maybe this one will jump in front of Georges Perec’s Life: A User’s Manual. Thoughts?

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Books Acquired, 6.02.2012 (Comix + Angela Carter)

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Little Lit: Strange Stories for Strange Kids is a collection of comix (and other oddities) for kids, edited by Art Spiegelman and his wife artist/publisher Françoise Mouly. I saw at random and picked it up for my daughter, whose birthday was the next day. She loves, loves, loves this book, spending hours poring over all its weird images and picture games. Cover is by the great Charles Burns; there are also comics by Spiegelman, the late great Maurice Sendak—

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—a weird search picture by Martin Handford (here’s a detail)—-

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—and comics by other notables like David Sedaris, Paul Auster, Claude Ponti, Jules Feiffer, and Kim Deitch. The endpapers — “Strange Cartoon Lessons” are by Kaz:

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I also picked up Burning Your Boats, which collects all of Angela Carter’s short stories:

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I was looking for her dystopian novel The Passion of New Eve, but no go. Of course, I couldn’t pass up this volume, which comprises four collections, as well as early and uncollected stuff.

Nausicaä of The Valley of the Wind, Vol. 7 (Book Acquired, 6.07.2012)

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A birthday gift from my daughter. I got volumes 4-6 for Valentine’s Day from my darling wife, but have held off on reading them because I didn’t have the final volume, which is this one, volume 7.

Book Shelves #24, 6.10.2012

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Book shelves series #24, twenty-fourth Sunday of 2012: In which we glance at canonical comics.

So we’ve hit the last shelf in a series of triplets; next week: new room.

This shelf holds graphic novels, including stuff by Alan Moore, Marjane Satrapi, David Mazzucchelli, Jeff Smith, Art Spiegelman, and Chris Ware. There’s also most of Dave Sim’s epic series Cerebus here.

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I wrote about Dave Sim and Cerebus back in week 6 of this project, when I looked at the actual comic books I owned in the series. From that post:

 I bought issues of Cerebus intermittently for years at a time, usually getting frustrated and then waiting for the “phone book” graphic novel editions of the series. Sim, along with background artist Gerhard, produced 300 issues of Cerebus over 25 years. The issues from the early ’80s to the early ’90s are brilliant; eventually Sim cracked though and went on an insane, reactionary (and arguably deeply misogynistic) bent. He created his own religion, a mix of hardline Judaism, Islam, and Christianity, and the later books in the series suffered greatly, as the book detoured to chronicle projects that seemed far outside its original scope (including strange, long satires of Hemingway and Fitzgerald).

These are the phone books I referenced. Looking over them again, I keep reminding myself to try and reread the last two books to see if I missed anything.

Somewhat at random, I opened Reads, the novel that signaled the beginning of Sim’s estrangement from sanity. It opened to this page, part of a climactic scene between Cerebus and Cirin, leader of the matriarchy that will rule Iest (don’t ask):

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The St. Louis Refugee Ship Blues — Art Spiegelman

Book Shelves #18, 4.29.2012

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Book shelves series #18, eighteenth Sunday of 2012.

Lots of issues of McSweeney’s on this shelf. I abandoned The InstructionsSome Tintin omnibuses. Crumb-illustrated Kafka bio. Bookended by Will Eisner’s masterwork A Contract with God:

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A Chris Ware comic from McSweeney’s #13:

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Diogenes and Plato — Paul Ollswang

(Read Paul Ollswang’s fantastic comic Cynicism here)

The Head Drifts Toward the Bottom (Fletcher Hanks)

(More/via).

Dr. Seuss Portrait — Bill Sienkiewicz

(Via Hey Oscar Wilde!)

Moebius Penciling and Inking Blueberry (Video)

RIP Jean Giraud aka Moebius

French comic book legend Jean Giraud, also known as Moebius, died today in Paris at 73.

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Although Giraud’s work is more famous in Europe, and particularly France and Belgium, where comics tend to get more of the artistic esteem they deserve, his influence on contemporary American comics and sci-fi film design should not be underestimated.

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His take on Wild West culture is exemplified in what is likely his largest body of work Blueberry, but folks new to Giraud might wish to start with The Airtight Garage (or just check out this cool gallery).

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Giraud/Moebius was never simply a genre artist; instead, his work taps into the mythological, exploring themes that seem at once both strangely familiar but also wildly divergent from our expectations. His imaginative disruptions made him a key partner for film directors like Alejandro Jodorowsky; he also worked on the art team behind Alien, among other films, like The Abyss, Willow, and Tron. Giraud was also close friends with Hayao Miyazaki.

Giraud leaves a rich, vibrant legacy. The imaginative spaces of his worlds will undoubtedly captivate generations to come.

 

Alan Moore Talks Apocalypse (Video)

Happy President’s Day from Basil Wolverton

Book Shelves #6, 2.05.2012

Book shelves series #6, sixth Sunday of 2012: In which we dig into the comix inside the book shelf we looked at last week.

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When I was 13, I sold a fairly large collection of superhero comic books and earned enough money to buy an electric guitar—a weird mutant by Fender called the Bullet—and a small practice amp. It was the early nineties, and Marvel was about to burst the comic book bubble big time by flooding the market with gimmicky covers, hologram cards, and other nonsense.

I continued to buy comics (or comix, if you prefer) over the years, although eventually economic concerns led me to just wait for graphic novel editions. Anyway, the book shelf above now contains most of the “underground” comix that I own. A few samples:

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Most of the comix in this unit though are issues of Dave Sim’s epic (and insane) series Cerebus. I bought issues of Cerebus intermittently for years at a time, usually getting frustrated and then waiting for the “phone book” graphic novel editions of the series. Sim, along with background artist Gerhard, produced 300 issues of Cerebus over 25 years. The issues from the early ’80s to the early ’90s are brilliant; eventually Sim cracked though and went on an insane, reactionary (and arguably deeply misogynistic) bent. He created his own religion, a mix of hardline Judaism, Islam, and Christianity, and the later books in the series suffered greatly, as the book detoured to chronicle projects that seemed far outside its original scope (including strange, long satires of Hemingway and Fitzgerald). Anyway, some issues:

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Cerebus Jam, a one-off collaboration with a cover by one of my favorite artists Bill Sienkiewicz (I still have his entire run on Marvel’s The New Mutants in a box somewhere):

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A panel from the issue’s collaboration with comic book legend Will Eisner, featuring his seminal character The Spirit:

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The Last Supper — Joe Simon

RIP Joe Simon

Early Captain America Design Sketch by Joe Simon

RIP comic book legend Joe Simon.

Übermensch Comics #3