I Wanted to Be a Bird — Leonora Carrington

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Quería ser Pájaro (I Wanted to Be a Bird), 1960 by Leonora Carrington (1917–2011)

Sunday Comics 

“Dead Dick” by Art Spiegelman, 1989. From The Best Comics of the Decade: 1980-1990, Vol. 1, Fantagraphics Books, 1990. Originally published in RAW vol. 2, #1, 1989.

Disinformation (Philip K. Dick)

 It is like information theory; it is noise driving out signal. But it is noise posing as signal so you do not even recognize it as noise. The intelligence agencies call it disinformation, something the Soviet Bloc relies on heavily. If you can float enough disinformation into circulation you will totally abolish everyone’s contact with reality, probably your own included.

From Philip K. Dick’s 1982 novel The Transmigration of Timothy Archer.

“A Poem About Baseballs” by Denis Johnson

“A Poem About Baseballs” by Denis Johnson–
 
for years the scenes bustled
through him as he dreamed he was
alive. then he felt real, and slammed
awake in the wet sheets screaming
too fast, everything moves
too fast, and the edges of things
are gone. four blocks away
a baseball was a dot against
the sky, and he thought, my
glove is too big, i will
drop the ball and it will be
a home run. the snow falls
too fast from the clouds,
and night is dropped and
snatched back like a huge
joke. is that the ball, or is
it just a bird, and the ball is
somewhere else, and i will
miss it? and the edges are gone, my
hands melt into the walls, my
hands do not end where the wall
begins. should i move
forward, or back, or will the ball
come right to me? i know i will
miss, because i always miss when it
takes so long. the wall has no
surface, no edge, the wall
fades into the air and the air is
my hand, and i am the wall. my
arm is the syringe and thus i
become the nurse, i am you,
nurse. if he gets
around the bases before the
ball comes down, is it a home
run, even if i catch it? if we could
slow down, and stop, we
would be one fused mass careening
at too great a speed through
the emptiness. if i catch
the ball, our side will
be up, and i will have to bat,
and i might strike out.

The Exiled — Arturo Nathan

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L’esiliato (The Exiled), 1928 by Arturo Nathan (1891-1944)

“Quickly Aging Here,” a poem by Denis Johnson

“Quickly Aging Here,” a poem by Denis Johnson—

1
nothing to drink in
the refrigerator but juice from
the pickles come back
long dead, or thin
catsup. i feel i am old
now, though surely i
am young enough? i feel that i have had
winters, too many heaped cold
and dry as reptiles into my slack skin.
i am not the kind to win
and win.
no i am not that kind, i can hear
my wife yelling, “goddamnit, quit
running over,” talking to
the stove, yelling, “i
mean it, just stop,” and i am old and
2
i wonder about everything: birds
clamber south, your car
kaputs in a blazing, dusty
nowhere, things happen, and constantly you
wish for your slight home, for
your wife’s rusted
voice slamming around the kitchen. so few
of us wonder why
we crowded, as strange,
monstrous bodies, blindly into one
another till the bed
choked, and our range
of impossible maneuvers was gone,
but isn’t it because by dissolving like so
much dust into the sheets we are crowding
south, into the kitchen, into
nowhere?

RIP Denis Johnson

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Denis Johnson, one of the greatest American writers of the latter half of the 20th century, has died at the age of 67.

In books including Jesus’ Son, Angels, Tree of Smoke, and Fiskadoro, Johnson created vibrant, intense worlds, simultaneously tragic and hilarious, peopled with weirdos and druggies, criminals and soldiers, those who harm and those who cure. Describing Johnson’s prose style requires employing paradox: His prose seems spare, but it’s also incredibly rich; his narratives dwell in rough realism, but this description belies the refined magic of his writing. Johnson painted a damned and fallen world again and again in his novels, but made a space for his characters to earn redemption. His characters, in the hands of a lesser writer, might come off as cartoonish grotesques, but Johnson’s realism extended into their psyches. The man could create souls.

I cannot understate the impact Johnson’s writing made on my development as a reader. I think I first read Johnson’s story “Emergency” in a collection of stories edited by Tobias Wolff; it was on the reading list for a creative writing class I was taking my first semester of college, and I learned more from analyzing the way Johnson put sentences together than I did from anything else. I made a friend read the story; told another friend about it and he said, “Of course,” and made the mistake of loaning me his first edition hardback copy of Jesus’ Son, which had been out for maybe four or five years at the time. I never gave it back, and it remains one of the books I’ve read the most times over the past 20 years.

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Johnson’s novel-in-stories Jesus’ Son is the perfect gateway drug to hook 18-year olds on a particular kind of American literature forever. Those interested in Johnson should also check out his debut 1983 novel Angels, his perfect novella Train Dreams, or his Vietnam War opus, Tree of Smoke: All make excellent starting places.

I’ll close with one of my favorite paragraphs, the last lines of “Beverly Home,” the last story in Jesus’ Son. The lines encapsulate Johnson’s vision of his world, his characters’ place in that world, and the redemptive spirit that might guide us to create a place for people like us:

All these weirdos, and me getting a little better every day right in the midst of them. I had never known, never even imagined for a heartbeat, that there might be a place for people like us.


 

I’ll be reposting some of the stuff I’ve written on this blog about Johnson’s books all day today, but for anyone interested, here are a bunch of links:

A very short review of Denis Johnson’s new novel The Laughing Monsters

Denis Johnson’s Train Dreams Is a Perfect Audiobook

Denis Johnson’s Train Dreams Is a Perfect Novella

Angels — Denis Johnson

Denis Johnson’s Nobody Move and the Pleasures of Postmodern Crime Fiction

Tree of Smoke — Denis Johnson (second review)

Essential Short Story Collections: Jesus’ Son

Tree of Smoke–Denis Johnson (first review)

Swampangel — Max Ernst

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Swampangel, 1940 by Max Ernst (1891-1976)

“Bonebreaker,” a new short story by Nell Zink

The newest issue of Harper’s features a new story from Nell Zink called “Bonebreaker.” You can read it online for free. First few paragraphs:

Jed came downstairs. He worked mostly in the sleeping loft, writing serious journalism. His current project was about a friend’s imprisonment on charges related to terrorism. He said, “Laurie.”

“What?” She was sitting at the table, eating cereal and using the Tor browser on her encrypted laptop to read a friend’s personal newsletter. This week it was a funny-unfunny story about breastfeeding in a parking lot.

“We have to go.”

He had already counted their money in his head: $15,000 in cash, a premature inheritance from Laurie’s mother; $40 in fungible drugs; $200 in a PayPal account he couldn’t access. Getting locked out is what had told him it was time to go. They were renters in Detroit and owed $8,000 on the lease. They had $17,000 in credit card debt and $90,000 in student loans. None of it mattered but the cash.

They took a walk by the lake and talked about how to go.

Nonstop to London, obviously. Europe and Canada had great liberal reputations, but no borders. Any agent of any government could just come and get you.

 Read the rest of Zink’s story “Bonebreaker” at Harper’s.

Angel of the Annunciation (detail) Giovanni Bellini

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 Angel of the Annunciation (detail), c. 1500 by by Giovanni Bellini and workshop (c. 1430-1516)

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Still Life with a Figure — Balthus

Still Life with a Figure 1940 by Balthus (Balthasar Klossowski de Rola) 1908-2001

Still Life with a Figure 1940 by Balthus (1908–2001)

Eve Tempted — John Roddam Spencer Stanhope

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Eve Tempted  by John Roddam Spencer Stanhope (1829–1908)

The Achievements of Capitalism (Donald Barthelme)

The Achievements of Capitalism:

  1. The curtain wall
  2. Artificial rain
  3. Rockefeller Center
  4. Canals
  5. Mystification

From “The Rise of Capitalism” by Donald Barthelme, which you can read in full here. (Or in Sixty Stories, a perfect book).

Falsehood — Giovanni Bellini

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Falsehood (or Wisdom) from Four Allegories, c. 1490 by Giovanni Bellini (c. 1430-1516)

Memory of Past Fragrments — Leonor Fini

Mémoire Des Fragments Passés (Memory of Past Fragments), 1984 by Leonor Fini (1908-1996)

“All art constantly aspires towards the condition of music”

Breakfast Piece — Herbert Badham

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Breakfast Piece, 1936 by Herbert Badham (1899-1961)