Quería ser Pájaro (I Wanted to Be a Bird), 1960 by Leonora Carrington (1917–2011)
Author: Biblioklept
Sunday Comics
Disinformation (Philip K. Dick)
It is like information theory; it is noise driving out signal. But it is noise posing as signal so you do not even recognize it as noise. The intelligence agencies call it disinformation, something the Soviet Bloc relies on heavily. If you can float enough disinformation into circulation you will totally abolish everyone’s contact with reality, probably your own included.
From Philip K. Dick’s 1982 novel The Transmigration of Timothy Archer.
“A Poem About Baseballs” by Denis Johnson
for years the scenes bustledthrough him as he dreamed he wasalive. then he felt real, and slammedawake in the wet sheets screamingtoo fast, everything movestoo fast, and the edges of thingsare gone. four blocks awaya baseball was a dot againstthe sky, and he thought, myglove is too big, i willdrop the ball and it will bea home run. the snow fallstoo fast from the clouds,and night is dropped andsnatched back like a hugejoke. is that the ball, or isit just a bird, and the ball issomewhere else, and i willmiss it? and the edges are gone, myhands melt into the walls, myhands do not end where the wallbegins. should i moveforward, or back, or will the ballcome right to me? i know i willmiss, because i always miss when ittakes so long. the wall has nosurface, no edge, the wallfades into the air and the air ismy hand, and i am the wall. myarm is the syringe and thus ibecome the nurse, i am you,nurse. if he getsaround the bases before theball comes down, is it a homerun, even if i catch it? if we couldslow down, and stop, wewould be one fused mass careeningat too great a speed throughthe emptiness. if i catchthe ball, our side willbe up, and i will have to bat,and i might strike out.
The Exiled — Arturo Nathan
“Quickly Aging Here,” a poem by Denis Johnson
“Quickly Aging Here,” a poem by Denis Johnson—
1nothing to drink inthe refrigerator but juice fromthe pickles come backlong dead, or thincatsup. i feel i am oldnow, though surely iam young enough? i feel that i have hadwinters, too many heaped coldand dry as reptiles into my slack skin.i am not the kind to winand win.no i am not that kind, i can hearmy wife yelling, “goddamnit, quitrunning over,” talking tothe stove, yelling, “imean it, just stop,” and i am old and2i wonder about everything: birdsclamber south, your carkaputs in a blazing, dustynowhere, things happen, and constantly youwish for your slight home, foryour wife’s rustedvoice slamming around the kitchen. so fewof us wonder whywe crowded, as strange,monstrous bodies, blindly into oneanother till the bedchoked, and our rangeof impossible maneuvers was gone,but isn’t it because by dissolving like somuch dust into the sheets we are crowdingsouth, into the kitchen, intonowhere?
RIP Denis Johnson

Denis Johnson, one of the greatest American writers of the latter half of the 20th century, has died at the age of 67.
In books including Jesus’ Son, Angels, Tree of Smoke, and Fiskadoro, Johnson created vibrant, intense worlds, simultaneously tragic and hilarious, peopled with weirdos and druggies, criminals and soldiers, those who harm and those who cure. Describing Johnson’s prose style requires employing paradox: His prose seems spare, but it’s also incredibly rich; his narratives dwell in rough realism, but this description belies the refined magic of his writing. Johnson painted a damned and fallen world again and again in his novels, but made a space for his characters to earn redemption. His characters, in the hands of a lesser writer, might come off as cartoonish grotesques, but Johnson’s realism extended into their psyches. The man could create souls.
I cannot understate the impact Johnson’s writing made on my development as a reader. I think I first read Johnson’s story “Emergency” in a collection of stories edited by Tobias Wolff; it was on the reading list for a creative writing class I was taking my first semester of college, and I learned more from analyzing the way Johnson put sentences together than I did from anything else. I made a friend read the story; told another friend about it and he said, “Of course,” and made the mistake of loaning me his first edition hardback copy of Jesus’ Son, which had been out for maybe four or five years at the time. I never gave it back, and it remains one of the books I’ve read the most times over the past 20 years.

Johnson’s novel-in-stories Jesus’ Son is the perfect gateway drug to hook 18-year olds on a particular kind of American literature forever. Those interested in Johnson should also check out his debut 1983 novel Angels, his perfect novella Train Dreams, or his Vietnam War opus, Tree of Smoke: All make excellent starting places.
I’ll close with one of my favorite paragraphs, the last lines of “Beverly Home,” the last story in Jesus’ Son. The lines encapsulate Johnson’s vision of his world, his characters’ place in that world, and the redemptive spirit that might guide us to create a place for people like us:
All these weirdos, and me getting a little better every day right in the midst of them. I had never known, never even imagined for a heartbeat, that there might be a place for people like us.
I’ll be reposting some of the stuff I’ve written on this blog about Johnson’s books all day today, but for anyone interested, here are a bunch of links:
A very short review of Denis Johnson’s new novel The Laughing Monsters
Denis Johnson’s Train Dreams Is a Perfect Audiobook
Denis Johnson’s Train Dreams Is a Perfect Novella
Denis Johnson’s Nobody Move and the Pleasures of Postmodern Crime Fiction
Tree of Smoke — Denis Johnson (second review)
Essential Short Story Collections: Jesus’ Son
Tree of Smoke–Denis Johnson (first review)
Swampangel — Max Ernst

Swampangel, 1940 by Max Ernst (1891-1976)
“Bonebreaker,” a new short story by Nell Zink
The newest issue of Harper’s features a new story from Nell Zink called “Bonebreaker.” You can read it online for free. First few paragraphs:
Jed came downstairs. He worked mostly in the sleeping loft, writing serious journalism. His current project was about a friend’s imprisonment on charges related to terrorism. He said, “Laurie.”
“What?” She was sitting at the table, eating cereal and using the Tor browser on her encrypted laptop to read a friend’s personal newsletter. This week it was a funny-unfunny story about breastfeeding in a parking lot.
“We have to go.”
He had already counted their money in his head: $15,000 in cash, a premature inheritance from Laurie’s mother; $40 in fungible drugs; $200 in a PayPal account he couldn’t access. Getting locked out is what had told him it was time to go. They were renters in Detroit and owed $8,000 on the lease. They had $17,000 in credit card debt and $90,000 in student loans. None of it mattered but the cash.
They took a walk by the lake and talked about how to go.
Nonstop to London, obviously. Europe and Canada had great liberal reputations, but no borders. Any agent of any government could just come and get you.
Angel of the Annunciation (detail) Giovanni Bellini

Angel of the Annunciation (detail), c. 1500 by by Giovanni Bellini and workshop (c. 1430-1516)

Still Life with a Figure — Balthus

Still Life with a Figure 1940 by Balthus (1908–2001)
Eve Tempted — John Roddam Spencer Stanhope

Eve Tempted by John Roddam Spencer Stanhope (1829–1908)
The Achievements of Capitalism (Donald Barthelme)
The Achievements of Capitalism:
- The curtain wall
- Artificial rain
- Rockefeller Center
- Canals
- Mystification
From “The Rise of Capitalism” by Donald Barthelme, which you can read in full here. (Or in Sixty Stories, a perfect book).
Falsehood — Giovanni Bellini

Falsehood (or Wisdom) from Four Allegories, c. 1490 by Giovanni Bellini (c. 1430-1516)
Memory of Past Fragrments — Leonor Fini
“All art constantly aspires towards the condition of music”
Breakfast Piece — Herbert Badham

Breakfast Piece, 1936 by Herbert Badham (1899-1961)









