Tower of Joy, 1920 by Wassili Luckhardt (1889-1972)
Category: Art
The Cushion — Max Kurzweil


The Cushion, 1903 by Max Kurzweil (1867-1916)
Time of Change – Morris Graves

Time of Change, 1943 by Morris Graves (1910-2001)
Over and Above #14 — Clarence Holbrook Carter

Over and Above #14, 1964 by Clarence Holbrook Carter (1904-2000)
Measure of Time — Samuel Bak

Measure of Time, 2006 by Samuel Bak (b. 1933)
Cain and Abel — Frederic Leighton

Cain and Abel, 1881 by Frederic Leighton, (1830–1896)
Dalvaux — Leonora Carrington

Dalvaux, 1952 by Leonora Carrington (1917-2011)
Creepo (The Dog) — Fairfield Porter

Creepo (The Dog), 1973 by Fairfield Porter (1907-1975)
Salomè — Riccardo Tommasi Ferroni





Salomè, 1976 by Riccardo Tommasi Ferroni (1934-2000)
Frontispiece for The Song of Los — William Blake

The Song of Los (frontispiece), 1794 by William Blake (1757–1827)
Blue Eclipse — Albert Bloch

Blue Eclipse, 1955 by Albert Bloch (1882-1961)
Deimos — Dragan Bibin

Deimos, 2015 by Dragan Bibin (b. 1984)
On the Sofa — Berthe Morisot

On the Sofa, 1871 by Berthe Morisot (1841-1895)
Two or three Barry Hannahs, depending on how you look at it (Books acquired, 14 and 18 Aug. 2017)

Earlier this summer I visited Alias East Books East in Los Angeles, where the clerk kindly let me handle a signed first edition of Barry Hannah’s novel Ray. It was like sixty bucks, so I didn’t handle it too fondly. But somehow the image of the signature rattled around in my silly skull all summer—probably because I spent a big chunk of July slurping up Long, Last, Happy. I wanted to find out some info about Hannah’s last quartet of stories—the last four stories in L, L, H—and doing a search of his name in Twitter led me to a link for a signed first-edition hardback copy of his slim 1985 collection Captain Maximus. (The title is a joke on his then-editor, Gordon “Captain Fiction” Lish, who apparently Hannah referred to as “Captain Minimus” in some of their letters). I might have had a scotch or two, but I bid on the book (eighteen bucks). No one else bid on it, so it’s mine now.
The cover is lovely, purple and orange, designed by Fred Marcellino, and under the bright shiny jacket is this:

I love the reserved arrogance of those initials!
And of course the signature, dated five years after the book’s publication and geographically anchored to the town my grandfather and namesake attended college in—

I didn’t actually own a copy of Captain Maximus beforehand, and I think the only stories from it included in Long, Last, Happy (which, by the way is a great starting place for Hannah) are “Fans,” “Ride, Fly, Penetrate, Loiter” and “Even Greenland” (you can read “Even Greenland” at Ben Marcus’s website). This particular copy has clearly never been read. Which leads me to this afternoon. I went to my favorite used bookstore to pick up a copy of Ishmael Reed’s The Terrible Threes—I just finished The Terrible Twos, a novel that is too prescient and too funny and too cruel and you should read it read it read it—and well anyway, I went to see if maybe they had a copy of Yonder Stands Your Orphan, which they didn’t the last time I was there, but they did today. Under it was a well-thumbed 1986 Penguin paperback edition of Captain Maximus. I need to read Yonder (which hell by the way my god what a bad cover c’mon people) before I can write the Thing I want to write on the final stories in Long, Last, Happy (or at least I think I need to read it, or anyway, I want to). And the second copy of Captain Maximus, at three dollars in store credit, is something I don’t have to worry about cramming into a pocket or dropping into a bathtub or eventually giving away to a friend.
Kronos and Kairos — Carmen Chami

Kronos and Kairos by Carmen Chami (b. 1974)
Mother with Two Children — Egon Schiele


Mother with Two Children, 1917 by Egon Schiele (1890-1918)
Diomedes Devoured by His Horses (After Moreau) — Sandra Yagi

Diomedes Devoured by His Horses (after Moreau), 2009 by Sandra Yagi
