Three Books

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Crash by J.G. Ballard. 1994 trade paperback by Noonday (FS&G). Cover design by Michael Ian Kaye and Melissa Hayden.

I had a redneckish college roommate who was way into cars, so I encouraged him to watch Cronenberg’s adaptation of Crash with me, which he did. He was a nice guy. He watched all of it with me and our other roommate. The rest of the year he would joke, “Hey, let’s go crash this car and have sex!”

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Marketa Lazarova by Vladislav Vančura. (First) English translation by Carleton Bulkin. First edition hardback by Twisted Spoon Press, 2016. Cover by Dan Mayer. A strange and often violent tale of multiple kidnappings and medieval intrigues, Marketa Lazarova reminds me of Le Morte D’Arthur, Nanni Balestrini’s Sandokan (both in its evocations of brutality and in its marvelous poetic prose), Aleksei German’s film Hard to Be a God, Bergman’s film The Virgin Spring, Bolaño’s sweetly ironic narrators, and, uh, Game of Thrones.

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Masquerade by Kit Wiliams. Eighth edition hardback from Shocken, 1981. While no designer is credited, the cover is obviously one of Williams’s lovely paintings. A puzzle book, a treasure hunt.

Netherlandish Proverbs (detail) — Pieter Bruegel the Elder

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RIP Alan Vega

Nostalgia for a past that never existed

The empty frame where the image of the author is supposed to be (Elena Ferrante)

Evidently, in a world where philological education has almost completely disappeared, where critics are no longer attentive to style, the decision not to be present as an author generates ill will and this type of fantasy. The experts stare at the empty frame where the image of the author is supposed to be and they don’t have the technical tools, or, more simply, the true passion and sensitivity as readers, to fill that space with the works. So they forget that every individual work has its own story. Only the label of the name or a rigorous philological examination allows us to take for granted that the author of Dubliners is the same person who wrote Ulysses andFinnegans Wake. The cultural education of any high school student should include the idea that a writer adapts depending on what he or she needs to express. Instead, most people think anyone literate can write a story. They don’t understand that a writer works hard to be flexible, to face many different trials, and without ever knowing what the outcome will be.

Elena Ferrante in her Paris Review interview, 2015.

The Drinker — Albert Anker

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Nude — Edward Weston

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Netherlandish Proverbs (detail) — Pieter Bruegel the Elder

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Catrina — Nicolae Tonitza

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The quest is fun, the walking in the dark is fun | Yuri Herrera interviewed at 3:AM Magazine

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Yuri Herrera was interviewed by Tristan Foster at 3:AM Magazine a few weeks ago. Herrera’s new novella (or “new” in English translation by Lisa Dilman, anyway) is The Transmigration of Bodies and it’s really, really good. I read most of it in one sitting a few months back, and I owe it a proper review. Herrera’s previous novella, Signs Preceding the End of the World, was one of my favorite books published last year.

From the interview:

3:AM: Despite both the seriousness of its themes and the apocalyptic backdrop, Transmigration is full of an absurd kind of fun. I’m thinking here, for instance, of the scene at the strip club; the strippers have taken off everything except for their facemasks, but they use the allure of removing the masks to excite the men watching. Is this writing fun? Is fun crucial to this kind of writing?

YH: The quest is fun, the walking in the dark is fun. To create your own paths in a room without light. Of course, this sometimes is also frustrating, when you just keep bumping into things, most commonly into my own very clumsy self. Eventually you discover that you have not been walking completely in the dark but with some sort of intuitive sense of direction, some creative spine. But until you discover that, you alternate between the joy and the anxiety and puzzling with words.

Americana — Charles Sheeler

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Books acquired, 7.13.2016

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Four review copies in yesterday’s mail (solicited and unsolicited). I get behind on these books acquired posts, so I’ll lump the books in all at once and quickly.

First and foremost: Lucia Berlin’s collection A Manual for Cleaning Women is new in trade paperback from Picador. The book got a ton of buzz last year when it came out in hardback last year, and I didn’t read it then, but I did read the Black Sparrow-published collection HomesickMany of the stories in Manual were first published in Homesick. They are very good stories—funny and gritty and elegant and sad and real. Full review forthcoming; in the meantime here’s Lydia Davis, who wrote the intro to Manual:

I have always had faith that the best writers will rise to the top, like cream, sooner or later, and will become exactly as well-known as they should be-their work talked about, quoted, taught, performed, filmed, set to music, anthologized. Perhaps, with the present collection, Lucia Berlin will begin to gain the attention she deserves.

Continue reading “Books acquired, 7.13.2016”

Nathaniel Hawthorne’s journal entry for July 13th, 1837

Thursday, July 13th.–Two small Canadian boys came to our house yesterday, with strawberries to sell. It sounds strangely to hear children bargaining in French on the borders of Yankee-land. Among other languages spoken hereabouts must be reckoned the wild Irish. Some of the laborers on the mill-dam can speak nothing else. The intermixture of foreigners sometimes gives rise to quarrels between them and the natives. As we were going to the village yesterday afternoon, we witnessed the beginning of a quarrel between a Canadian and a Yankee,–the latter accusing the former of striking his oxen. B—- thrust himself between and parted them; but they afterwards renewed their fray, and the Canadian, I believe, thrashed the Yankee soundly–for which he had to pay twelve dollars. Yet he was but a little fellow.

Coming to the Mansion House about supper-time, we found somewhat of a concourse of people, the Governor and Council being in session on the subject of the disputed territory. The British have lately imprisoned a man who was sent to take the census; and the Mainiacs are much excited on the subject. They wish the Governor to order out the militia at once and take possession of the territory with the strong hand. There was a British army-captain at the Mansion House; and an idea was thrown out that it would be as well to seize upon him as a hostage. I would, for the joke’s sake, that it had been done. Personages at the tavern: the Governor, somewhat stared after as he walked through the bar-room; Councillors seated about, sitting on benches near the bar, or on the stoop along the front of the house; the Adjutant-General of the State; two young Blue-Noses, from Canada or the Provinces; a gentleman “thumbing his hat” for liquor, or perhaps playing off the trick of the “honest landlord” on some stranger. The decanters and wine-bottles on the move, and the beer and soda founts pouring out continual streams, with a whiz. Stage-drivers, etc., asked to drink with the aristocracy, and my host treating and being treated. Rubicund faces; breaths odorous of brandy-and-water. Occasionally the pop of a champagne cork.

Returned home, and took a lesson in French of Mons. S—- . I like him very much, and have seldom met with a more honest, simple, and apparently so well-principled a man; which good qualities I impute to his being, by the father’s side, of German blood. He looks more like a German–or, as he says, like a Swiss–than a Frenchman, having very light hair and a light complexion, and not a French expression. He is a vivacious little fellow, and wonderfully excitable to mirth; and it is truly a sight to see him laugh;–every feature partakes of his movement, and even his whole body shares in it, as he rises and dances about the room. He has great variety of conversation, commensurate with his experiences in life, and sometimes will talk Spanish, ore rotundo, sometimes imitate the Catholic priests, chanting Latin songs for the dead, in deep, gruff, awful tones, producing really a very strong impression,–then he will break out into a light, French song, perhaps of love, perhaps of war, acting it out, as if on the stage of a theatre: all this intermingled with continual fun, excited by the incidents of the passing moment. He has Frenchified all our names, calling B—- Monsieur Du Pont, myself M. de L’Aubépine, and himself M. le Berger, and all, Knights of the Round-Table. And we live in great harmony and brotherhood, as queer a life as anybody leads, and as queer a set as may be found anywhere. In his more serious intervals, he talks philosophy and deism, and preaches obedience to the law of reason and morality; which law he says (and I believe him) he has so well observed, that, notwithstanding his residence in dissolute countries, he has never yet been sinful. He wishes me, eight or nine weeks hence, to accompany him on foot to Quebec, and then to Niagara and New York. I should like it well, if my circumstances and other considerations would permit. What pleases much in Mons. S—- is the simple and childlike enjoyment he finds in trifles, and the joy with which he speaks of going back to his own country, away from the dull Yankees, who here misunderstand and despise him. Yet I have never heard him speak harshly of them. I rather think that B—- and I will be remembered by him with more pleasure than anybody else in the country; for we have sympathized with him, and treated him kindly, and like a gentleman and an equal; and he comes to us at night as to home and friends.

I went down to the river to-day to see B—- fish for salmon with a fly,–a hopeless business; for he says that only one instance has been known in the United States of salmon being taken otherwise than with a net. A few chubs were all the fruit of his piscatory efforts. But while looking at the rushing and rippling stream, I saw a great fish, some six feet long and thick in proportion, suddenly emerge at whole length, turn a somerset, and then vanish again beneath the water. It was of a glistening, yellowish brown, with its fins all spread, and looking very strange and startling, darting out so lifelike from the black water, throwing itself fully into the bright sunshine, and then lost to sight and to pursuit. I saw also a long, flat-bottomed boat go up the river, with a brisk wind, and against a strong stream. Its sails were of curious construction: a long mast, with two sails below, one on each side of the boat, and a broader one surmounting them. The sails were colored brown, and appeared like leather or skins, but were really cloth. At a distance, the vessel looked like, or at least I compared it to, a monstrous water-insect skimming along the river. If the sails had been crimson or yellow, the resemblance would have been much closer. There was a pretty spacious raised cabin in the after part of the boat. It moved along lightly, and disappeared between the woody banks. These boats have the two parallel sails attached to the same yard, and some have two sails, one surmounting the other. They trade to Waterville and thereabouts,–names, as “Paul Pry,” on their sails.

Nathaniel Hawthorne’s journal entry for July 13th, 1837. From Passages from the American Note-Books.

Netherlandish Proverbs (detail) — Pieter Bruegel the Elder

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Nude on Checked Cloth (detail) — Egon Schiele

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