A video essay on the music of Nic Roeg’s film The Man Who Fell to Earth

(Via).

The Eye of Lorca — Martin Springett

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Nathaniel Hawthorne’s journal entry for September 26th, 1841

Brook Farm, September 26th.–A walk this morning along the Needham road. A clear, breezy morning, after nearly a week of cloudy and showery weather. The grass is much more fresh and vivid than it was last month, and trees still retain much of their verdure, though here and there is a shrub or a bough arrayed in scarlet and gold. Along the road, in the midst of a beaten track, I saw mushrooms or toad-stools which had sprung up probably during the night.

The houses in this vicinity are, many of them, quite antique, with long, sloping roofs, commencing at a few feet from the ground, and ending in a lofty peak. Some of them have huge old elms overshadowing the yard. One may see the family sleigh near the door, it having stood there all through the summer sunshine, and perhaps with weeds sprouting through the crevices of its bottom, the growth of the months since snow departed. Old barns, patched and supportedby timbers leaning against the sides, and stained with the excrement of past ages.

In the forenoon I walked along the edge of the meadow towards Cow Island. Large trees, almost a wood, principally of pine with the green pasture-glades intermixed, and cattle feeding. They cease grazing when an intruder appears, and look at him with long and wary observation, then bend their heads to the pasture again. Where the firm ground of the pasture ceases, the meadow begins,–loose, spongy, yielding to the tread, sometimes permitting the foot to sink into black mud, or perhaps over ankles in water. Cattle-paths, somewhat firmer than the general surface, traverse the dense shrubbery which has overgrown the meadow. This shrubbery consists of small birch, elders, maples, and other trees, with here and there white-pines of larger growth. The whole is tangled and wild and thick-set, so that it is necessary to part the nestling stems and branches, and go crashing through. There are creeping plants of various sorts which clamber up the trees; and some of them have changed color in the slight frosts which already have befallen these low grounds, so that one sees a spiral wreath of scarlet leaves twining up to the top of a green tree, intermingling its bright hues with their verdure, as if all were of one piece. Sometimes, instead of scarlet, the spiral wreath is of a golden yellow.

Within the verge of the meadow, mostly near the firm shore of pasture ground, I found several grapevines, hung with an abundance of large purple grapes. The vines had caught hold of maples and alders, and climbed to the summit, curling round about and interwreathing their twisted folds in so intimate amanner that it was not easy to tell the parasite from the supporting tree or shrub. Sometimes the same vine had enveloped several shrubs, and caused a strange, tangled confusion, converting all these poor plants to the purpose of its own support, and hindering their growing to their own benefit and convenience. The broad vine-leaves, some of them yellow or yellowish-tinged, were seen apparently growing on the same stems with the silver-mapled leaves, and those of the other shrubs, thus married against their will by the conjugal twine; and the purple clusters of grapes hung down from above and in the midst, so that one might “gather grapes,” if not “of thorns,” yet of as alien bushes.

One vine had ascended almost to the tip of a large white-pine, spreading its leaves and hanging its purple clusters among all its boughs,–still climbing and clambering, as if it would not be content till it had crowned the very summit with a wreath of its own foliage and bunches of grapes. I mounted high into the tree, and ate the fruit there, while the vine wreathed still higher into the depths above my head. The grapes were sour, being not yet fully ripe. Some of them, however, were sweet and pleasant.

Nathaniel Hawthorne’s journal entry for September 26th, 1841. From Passages from the American Note-Books.

Mythological Story with Red Figures — David Burliuk

Merlin Lured by Vivien — Arthur Rackham

Inversions without end (Blood Meridian)

As they rode that night upon the mesa they saw come toward them much like their own image a party of riders pieced out of the darkness by the intermittent flare of the dry lightning to the north. Glanton halted and sat his horse and the company halted behind him. The silent riders hove on. When they were a hundred yards out they too halted and all sat in silent speculation at this encounter.

Who are you? called Glanton.

Amigos, somos amigos.

They were counting each the other’s number.

De donde viene? called the strangers.

A donde va? called the judge.

They were ciboleros down from the north, their packhorses laden with dried meat. They were dressed in skins sewn with the ligaments of beasts and they sat their animals in the way of men seldom off them. They carried lances with which they hunted the wild buffalo on the plains and these weapons were dressed with tassels of feathers and colored cloth and some carried bows and some carried old fusils with tasseled stoppers in their bores. The dried meat was packed in hides and other than the few arms among them they were innocent of civilized device as the rawest savage of that land.

They parleyed without dismounting and the ciboleros lighted their small cigarillos and told that they were bound for the markets at Mesilla. The Americans might have traded for some of the meat but they carried no tantamount goods and the disposition to exchange was foreign to them. And so these parties divided upon that midnight plain, each passing back the way the other had come, pursuing as all travelers must inversions without end upon other men’s journeys.

The last few paragraphs of Ch. IX of Cormac McCarthy’s novel Blood Meridian. The inversion here points towards the novel’s palindromic structure (I would link that phrase “palindromic structure” to Christopher Forbis’s essay “Of Judge Holden’s Hats; Or, the Palindrome in Cormac McCarthy’s Blood Meridian“—only I can’t seem to find it online anymore).

Voyage d’Hermès — Moebius

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“The Human Abstract” — William Blake

“The Human Abstract”

by William Blake


Pity would be no more,
If we did not make somebody Poor:
And Mercy no more could be,
If all were as happy as we;

And mutual fear brings peace;
Till the selfish loves increase.
Then Cruelty knits a snare,
And spreads his baits with care.

He sits down with holy fears,
And waters the ground with tears:
Then Humility takes its root
Underneath his foot.

Soon spreads the dismal shade
Of Mystery over his head;
And the Catterpillar and Fly,
Feed on the Mystery.

And it bears the fruit of Deceit,
Ruddy and sweet to eat;
And the Raven his nest has made
In its thickest shade.

The Gods of the earth and sea
Sought thro’ Nature to find this Tree
But their search was all in vain:
There grows one in the Human Brain

Two Women Embracing — Egon Schiele

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“On my volcano grows the grass” — Emily Dickinson

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Portrait of a Girl Reading — Thomas Sully

“My husband met some women online and I found out” | Read Joanna Walsh’s story “Online”

Electric Literature has published “Online,” a story from Joanna Walsh’s forthcoming collection VertigoYou can buy Vertigo now from the indie imprint Dorothy (I ordered Vertigo along with Marianne Fritz’s The Weight of Things), the publisher who brought us Nell Zink’s The Wallcreeper.

The first few paragraphs of Walsh’s “Online”:

My husband met some women online and I found out.

His women were young, witty, and charming, and they had good jobs—at least I ignored the women he had met online who were not young, witty, and charming, and who did not have good jobs—and so I fell more in love with my husband, reflected as he was, in the words of these universally young, witty, and charming women.

I had neglected my husband.

Now I wanted him back.

So I tried to be as witty and charming as the women my husband had met online.

I tried to take an interest.

At breakfast, I said to him, “How is your breakfast?”

He said to me, “Fine, thanks.”

I said to him, “What do you like for breakfast?”

(Having lived with him for a number of years, I already know what my husband likes for breakfast, and this is where the women online have the advantage of me: they do not yet know what my husband likes for breakfast and so they can ask him what he likes for breakfast and, in that way, begin a conversation.)

He did not answer my question.

Read the rest of “Online” at Electric Literature.

Mulholland Drive film posters by Kevin Tong

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Cockerel, Ivy, and Drum — Utagawa Yoshimori

RISDM 34-289

Faces of Don Rumata (Hard to Be a God)

IMG_0343 IMG_0336 IMG_0338 IMG_0340 Continue reading “Faces of Don Rumata (Hard to Be a God)”

“The History of the Apple Tree” — Henry David Thoreau

“The History of the Apple Tree”

by

Henry David Thoreau

from “Wild Apples.”


It is remarkable how closely the history of the Apple-tree is connected with that of man. The geologist tells us that the order of the Rosaceae, which includes the Apple, also the true Grasses, and the Labiatae or Mints, were introduced only a short time previous to the appearance of man on the globe.

It appears that apples made a part of the food of that unknown primitive people whose traces have lately been found at the bottom of the Swiss lakes, supposed to be older than the foundation of Rome, so old that they had no metallic implements. An entire black and shrivelled Crab-Apple has been recovered from their stores.

Tacitus says of the ancient Germans, that they satisfied their hunger with wild apples (agrestia poma) among other things.

Niebuhr observes that “the words for a house, a field, a plough, ploughing, wine, oil, milk, sheep, apples, and others relating to agriculture and the gentler way of life, agree in Latin and Greek, while the Latin words for all objects pertaining to war or the chase are utterly alien from the Greek.” Thus the apple-tree may be considered a symbol of peace no less than the olive.

The apple was early so important, and generally distributed, that its name traced to its root in many languages signifies fruit in general. [Greek: Maelon], in Greek, means an apple, also the fruit of other trees, also a sheep and any cattle, and finally riches in general.

The apple-tree has been celebrated by the Hebrews, Greeks, Romans, and Scandinavians. Some have thought that the first human pair were tempted by its fruit. Goddesses are fabled to have contended for it, dragons were set to watch it, and heroes were employed to pluck it.

The tree is mentioned in at least three places in the Old Testament, and its fruit in two or three more. Solomon sings,—”As the apple-tree among the trees of the wood, so is my beloved among the sons.” And again,—”Stay me with flagons, comfort me with apples.” The noblest part of man’s noblest feature is named from this fruit, “the apple of the eye.”

The apple-tree is also mentioned by Homer and Herodotus. Ulysses saw in the glorious garden of Alcinous “pears and pomegranates, and apple-trees bearing beautiful fruit” (kai maeleui aglaokarpoi). And according to Homer, apples were among the fruits which Tantalus could not pluck, the wind ever blowing their boughs away from him. Theophrastus knew and described the apple-tree as a botanist.

According to the Prose Edda, “Iduna keeps in a box the apples which the gods, when they feel old age approaching, have only to taste of to become young again. It is in this manner that they will be kept in renovated youth until Ragnarök” (or the destruction of the gods).

I learn from Loudon that “the ancient Welsh bards were rewarded for excelling in song by the token of the apple-spray;” and “in the Highlands of Scotland the apple-tree is the badge of the-clan Lamont.” Continue reading ““The History of the Apple Tree” — Henry David Thoreau”