Nathaniel Hawthorne’s journal entry for September 5th, 1838

September 5th.–I took a walk of three miles from the village, which brought me into Vermont. The line runs athwart a bridge,–a rude bridge, which crosses a mountain stream. The stream runs deep at the bottom of a gorge, plashing downward, with rapids and pools, and bestrewn with large rocks, deep and shady, not to be reached by the sun except in its meridian, as well on account of the depth of the gorgeas of the arch of wilderness trees above it. There was a stumpy clearing beyond the bridge, where some men were building a house. I went to them, and inquired if I were in Massachusetts or Vermont, and asked for some water. Whereupon they showed great hospitality, and the master-workman went to the spring, and brought delicious water in a tin basin, and produced another jug containing “new rum, and very good; and rum does nobody any harm if they make a good use of it,” quoth he. I invited them to call on me at the hotel, if they should come to the village within two or three days. Then I took my way back through the forest, for this is a by-road, and is, much of its course, a sequestrated and wild one, with an unseen torrent roaring at an unseen depth, along the roadside.

My walk forth had been an almost continued ascent, and, returning, I had an excellent view of Graylock and the adjacent mountains, at such a distance that they were all brought into one group, and comprehended at one view, as belonging to the same company,–all mighty, with a mightier chief. As I drew nearer home, they separated, and the unity of effect was lost. The more distant then disappeared behind the nearer ones, and finally Graylock itself was lost behind the hill which immediately shuts in the village. There was a warm, autumnal haze, which, I think, seemed to throw the mountains farther off, and both to enlarge and soften them.

To imagine the gorges and deep hollows in among the group of mountains,–their huge shoulders and protrusions.

“They were just beginning to pitch over the mountains, as I came along,”–stage-driver’s expression about the caravan.

A fantastic figure of a village coxcomb, striding through the bar-room, and standing with folded arms to survey the caravan men. There is much exaggeration and rattle-brain about this fellow.

A mad girl leaped from the top of a tremendous precipice in Pownall, hundreds of feet high, if the tale be true, and, being buoyed up by her clothes, came safely to the bottom.

Inquiries about the coming of the caravan, and whether the elephant had got to town, and reports that he had.

A smart, plump, crimson-faced gentleman, with a travelling-portmanteau of peculiar neatness and convenience. He criticises the road over the mountain, having come in the Greenfleld stage; perhaps an engineer.

Bears still inhabit Saddleback and the neighboring mountains and forests. Six were taken in Pownall last year, and two hundred foxes. Sometimes they appear on the hills, in close proximity to this village.

Nathaniel Hawthorne’s journal entry of September 5th, 1838.

The Awakening of the Arts — Frans Floris

Still Life with Orange Peel — Richard Diebenkorn

“Would Be Her 50th Wedding Anniversary Today” — Anne Carson

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Daydream — Peter Ferguson

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Solitary Figure in a Theater — Edward Hopper

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The Beginning of Magick II — Fredrik Söderberg

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Who are the great American writers Nabokov most admired?

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From a 1966 interview between Vladimir Nabokov and Alfred Appel, Jr., originally published in Wisconsin Studies in Contemporary Literature and reprinted in Strong Opinions. 

Warning! — Katsuhiro Otomo

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Shojo Parakeet and Plum — Totoya Hokkei

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The Beginning of Time — Gérard Willemenot

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Blanket — Boris Kustodiev

It was September now (Cormac McCarthy’s Suttree)

It was September now, a season of rains. The gray sky above the city washed with darker scud like ink curling in a squid’s wake. The blacks can see the boy’s fire at night and glimpses of his veering silhouette slotted in the high nave, outsized among the arches. All night a ruby glow suffuses the underbridge from his garish chancel lamps. The city’s bridges all betrolled now what with old ventriloquists and young melonfanciers. The smoke from their fires issues up unseen among the soot and dust of the city’s right commerce.

Sometimes in the evening Suttree would bring beers and they’d sit there under the viaduct and drink them. Harrogate with questions of city life.

You ever get so drunk you kissed a nigger?

Suttree looked at him. Harrogate with one eye narrowed on him to tell the truth. I’ve been a whole lot drunker than that, he said.

Worst thing I ever done was to burn down old lady Arwood’s house.”

“You burned down an old lady’s house?

Like to of burnt her down in it. I was put up to it. I wasnt but ten year old.

Not old enough to know what you were doing.

Yeah.–Hell no that’s a lie. I knowed it and done it anyways.

Did it burn completely down?

Plumb to the ground. Left the chimbley standin was all. It burnt for a long time fore she come out.

Did you not know she was in there?

I disremember. I dont know what I was thinkin. She come out and run to the well and drawed a bucket of water and thowed it at the side of the house and then just walked on off towards the road. I never got such a whippin in my life. The old man like to of killed me.

Your daddy?

Yeah. He was alive then. My sister told them deputies when they come out to the house, they come out there to tell her I was in the hospital over them watermelons, she told em I didnt have no daddy was how come I got in trouble. But shit fire I was mean when I did have one. It didnt make no difference.

Were you sorry about it? The old lady’s house I mean.

Sorry I got caught.

Suttree nodded and tilted his beer. It occurred to him that other than the melon caper he’d never heard the city rat tell anything but naked truth.

Another vignette from Cormac McCarthy’s Suttree—a transition scene perhaps, but one that draws Suttree and Harrogate closer, even as it underlines their differences.

In my review of Suttree a few years back, I argued that the novel is a grand synthesis of American literature, brimming with literary allusions. I singled out Faulkner’s “A Rose for Emily” as the basis for a later scene with Harrogate, so I can’t help but think of Faulkner’s “Barn Burning” here.

Depresses me (Peanuts)

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The honest critic (Ezra Pound)

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From ABC of Reading. 

Fried Egg — Tjalf Sparnaay

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Nathaniel Hawthorne’s journal entry for September 1st, 1838

September 1st.–Last evening, during a walk, Graylock and the whole of Saddleback were at first imbued with a mild, half-sunshiny tinge, then grew almost black,–a huge, dark mass lying on the back of the earth and encumbering it. Stretching up from behind the black mountain, over a third or more of the sky, there was a heavy, sombre blue heap or ledge of clouds, looking almost as solid as rocks. The volumes of which it was composed were perceptible by translucent lines and fissures; but the mass, as a whole, seemed as solid, bulky, and ponderous in the cloud-world as the mountain was on earth. The mountain and cloud together had an indescribably stern and majestic aspect. Beneath this heavy cloud, there was a fleet or flock of light, vapory mists, flitting in middle air; and these were tinted, from the vanished sun, with the most gorgeous and living purple that can be conceived,–a fringe upon the stern blue. In the opposite quarter of the heavens, a rose-light was reflected, whence I know not, which colored the clouds around the moon, then well above the horizon, so that the nearly round and silver moon appeared strangely among roseate clouds,–sometimes half obscured by them.

A man with a smart horse, upon which the landlord makes laudatory remarks. He replies that he has “a better at home.” Dressed in a brown, bright-buttoned coat, smartly cut. He immediately becomes familiar, and begins to talk of the license law, and other similar topics, making himself at home, as one who, being much of his time upon the road, finds himself at ease at any tavern. He inquired after a stage agent, named Brigham, who formerly resided here, but nowhas gone to the West. He himself was probably a horse-jockey.

An old lady, stopping here over the Sabbath, waiting for to-morrow’s stage for Greenfield, having been deceived by the idea that she could proceed on her journey without delay. Quiet, making herself comfortable, taken into the society of the women of the house.

Nathaniel Hawthorne’s journal entry for September 1st, 1838. From Passages from the American Note-Books.