Concord, August 5th.–A rainy day,–a rainy day. I am commanded to take pen in hand, and I am therefore banished to the little ten-foot-square apartment misnamed my study; but perhaps the dismalness of the day and the dulness of my solitude will be the prominent characteristics of what I write. And what is there to write about? Happiness has no succession of events, because it is a part of eternity; and we have been living in eternity ever since we came to this old manse. Like Enoch, we seem to have been translated to the other state of being without having passed through death. Our spirits must have flitted away unconsciously, and we can only perceive that we have cast off our mortal part by the more real and earnest life of our souls. Externally, our Paradise has very much the aspect of a pleasant old domicile on earth. This antique house–for it looks antique, though it was created by Providence expressly for our use, and at the precise time when we wanted it–stands behind a noble avenue of balm-of-Gilead trees; and when we chance to observe a passing traveller through the sunshine and the shadow of this long avenue, his figure appears too dim and remote to disturb the sense of blissful seclusion. Few, indeed, are the mortals who venture within our sacred precincts. George Prescott, who has not yet grown earthly enough, I suppose, to be debarred from occasional visits to Paradise, comes daily to bring three pints of milk from some ambrosial cow; occasionally, also, he makes an offering of mortal flowers. Mr. Emerson comes sometimes, and has been feasted on our nectar and ambrosia. Mr. Thoreau has twice listened to the music of the spheres, which, for our private convenience, we have packed into a musical-box. E—- H—- , who is much more at home among spirits than among fleshly bodies, came hither a few times merely to welcome us to the ethereal world; but latterly she has vanished into some other region of infinite space. One rash mortal, on the second Sunday after our arrival, obtruded himself upon us in a gig. There have since been three or four callers, who preposterously think that the courtesies of the lower world are to be responded to by people whose home is in Paradise. I must not forget to mention that the butcher conies twice or thrice a week; and we have so far improved upon the custom of Adam and Eve, that we generally furnish forth our feasts with portions of some delicate calf or lamb, whose unspotted innocence entitles them to the happiness of becoming our sustenance. Would that I were permitted to record the celestial dainties that kind Heaven provided for us on the first day of our arrival! Never, surely, was such food heard of on earth,–at least, not by me. Well, the above-mentioned persons are nearly all that have entered into the hallowed shade of our avenue; except, indeed, a certain sinner who came to bargain for the grass in our orchard, and another who came with a new cistern. For it is one of the drawbacks upon our Eden that it contains no water fit either to drink or to bathe in; so that the showers have become, in good truth, a godsend. I wonder why Providence does not cause a clear, cold fountain to bubble up at our doorstep; methinks it would not be unreasonable to pray for such a favor. At present we are under the ridiculous necessity of sending to the outer world for water. Only imagine Adam trudging out of Paradise with a bucket in each hand, to get water to drink, or for Eve to bathe in! Intolerable! (though our stout handmaiden really fetches our water.) In other respects Providence has treated us pretty tolerably well; but here I shall expect something further to be done. Also, in the way of future favors, a kitten would be very acceptable. Animals (except, perhaps, a pig) seem never out of place, even in the most paradisiacal spheres. And, by the way, a young colt comes up our avenue, now and then, to crop the seldom-trodden herbage; and so does a company of cows, whose sweet breath well repays us for the food which they obtain. There are likewise a few hens, whose quiet cluck is heard pleasantly about the house. A black dog sometimes stands at the farther extremity of the avenue, and looks wistfully hitherward; but when I whistle to him, he puts his tail between his legs, and trots away. Foolish dog! if he had more faith, he should have bones enough.
Blessed Art Thou among Women — Gertrude Käsebier

The Abduction of Ganymede — Gustave Moreau

In the beginning Dardanus was the son of Jove, and founded Dardania, for Ilius was not yet stablished on the plain for men to dwell in, and her people still abode on the spurs of many-fountained Ida. Dardanus had a son, king Erichthonius, who was wealthiest of all men living; he had three thousand mares that fed by the water-meadows, they and their foals with them. Boreas was enamoured of them as they were feeding, and covered them in the semblance of a dark-maned stallion. Twelve filly foals did they conceive and bear him, and these, as they sped over the rich plain, would go bounding on over the ripe ears of corn and not break them; or again when they would disport themselves on the broad back of Ocean they could gallop on the crest of a breaker. Erichthonius begat Tros, king of the Trojans, and Tros had three noble sons, Ilus, Assaracus, and Ganymede who was comeliest of mortal men; wherefore the gods carried him off to be Jove’s cupbearer, for his beauty’s sake, that he might dwell among the immortals.
From Book XX of The Iliad (translation by Samuel Butler).
Witch’s Head — August Natterer

Putney Swope

Lucia — László Moholy-Nagy

Selections from One-Star Amazon Reviews of William Faulkner’s The Sound and the Fury
[Editorial note: The following citations come from one-star Amazon reviews William Faulkner’s novel The Sound and the Fury. I’ve preserved the reviewers’ original punctuation and spelling. I reviewed the book (favorably) on this blog seven years ago. More one-star Amazon reviews].
unreadable
the biggest muddle
a bad ear for dialog
This is a strange book
so-called literary experts
I am an aficionado of classic literature
Faulkner was a Jamnes Joyce wannabe
a bunch of people 100 years ago thought it was good
Symbolism is one of the worst literary techniques of all time
doesn’t even began to tell a good story
It is the worst book I have ever read
Please, don’t insult my intelligence
Morals don’t decaying!
punchless dialogue
overdone prose
non-existent suspense
I have a degree in literature
no longer appropriate to the times
long-winded sentences that go nowhere
Only perverts think as these characters do
characters are poorly-educated, racist and revolting
Eitther he had too much gin or I did not have enpugh
I hate it when characters are given the same name, especially when one is male and the other is female
It has no place in our current American way of life or desire for good reading
Both Dashiell Hammett and Jack Kerouac could write rings around Faulkner
akin to abstract art, in that it is really not art at all
random run-on sentences spewed out on paper
if it weren’t for online Cliff’s Notes
I relish in classical literature
nothing but small talk
adolescent nastiness
signifying nothing
no commas
incest
Dreadful
no periods
people in ivory towers
suggested by a book club
I must be odd or poorly-educated (or both)
the book was a ‘lengthy companion to literary aids’
all of the white characters in this novel are disgusting
The style was so challenging, I found it hard to enjoy the reading process
I fear that William Faulkner and his works, especially this one, have got The South a bad name
Faulkner attempted an experiment with storytelling no one had never done before
a somewhat kinky description of looking up at the girl Caddy’s muddy panties
a novel of stereotypes and pitiful prose
I must need a translator from the South
I choose Hemingway
a despicable trollop
incorrect grammar
No capitalization
So inaccessible
Jackson Pollack
Virginia Wolfe
Cliff’s Notes
unedited
It has no plot
so unsatisfying
I enjoy good books
self-contradictions
borderline suicidal despair
page after page of sheer boredom
He was drunk, as well as over-rated
Like being on a three-week drunken spree
This is not entertainment, this is tediousnes
and what was up with all the words in italics?
nonsensical, grammatically-butchered ramblings
written by either a drug addict or someone with ADHD
it earned bleeding-heart points for having a simpleton for a character
still not completely sure whether or not the male Quentin had sex with his sister Caddy
I wish Faulkner had never “written” it and had instead pursued a career as a lumberjack, or stevedore, and served humanity in some noble fashion
I would like to build a time machine for the sole purpose of traveling back in time to kick Faulkner in the nuts
an endless stream of strangers sneaking up on him and kicking him in the nuts
427 pages of incomprehensible jibberish
NO PUNCTUATION WHATSOEVER
My entire book club scrapped this
undergraduate postmodernism
like an ungreatful girlfriend
I enjoy reading the masters
logical non-sequiturs
supposedly a classic
deliberately bad
Yuck
Broken Eggs — Jean-Baptiste Greuze

“Macadam” — Lucia Berlin
“Macadam” by Lucia Berlin
from A Manual for Cleaning Women
When fresh it looks like caviar, sounds like broken glass, like someone chewing ice.
I’d chew ice when the lemonade was finished, swaying with my grandmother on the porch swing. We gazed down upon the chain gang paving Upson Street. A foreman poured the macadam; the convicts stomped it down with a heavy rhythmic beat. The chains rang; the macadam made the sound of applause.
The three of us said the word often. My mother because she hated where we lived, in squalor, and at least now we would have a macadam street. My grandmother just so wanted things clean — it would hold down the dust. Red Texan dust that blew in with gray tailings from the smelter, sifting into dunes on the polished hall floor, onto her mahogany table.
I used to say macadam out loud, to myself, because it sounded like the name for a friend.
I Will Send Rain (Book acquired, some time at the end of July, 2016)

I Will Send Rain by Rae Meadows is new in hardback from Henry Holt & Co. Their blurb:
Annie Bell can’t escape the dust. It’s in her hair, covering the windowsills, coating the animals in the barn, in the corners of her children’s dry, cracked lips. It’s 1934 and the Bell farm in Mulehead, Oklahoma is struggling as the earliest storms of The Dust Bowl descend. All around them the wheat harvests are drying out and people are packing up their belongings as storms lay waste to the Great Plains. As the Bells wait for the rains to come, Annie and each member of her family are pulled in different directions. Annie’s fragile young son, Fred, suffers from dust pneumonia; her headstrong daughter, Birdie, flush with first love, is choosing a dangerous path out of Mulehead; and Samuel, her husband, is plagued by disturbing dreams of rain.
As Annie, desperate for an escape of her own, flirts with the affections of an unlikely admirer, she must choose who she is going to become. With her warm storytelling and beautiful prose, Rae Meadows brings to life an unforgettable family that faces hardship with rare grit and determination. Rich in detail and epic in scope, I Will Send Rain is a powerful novel of upheaval and resilience, filled with hope, morality, and love.
Woman with Three Arms — Jean-Auguste-Dominique Ingres
August — Alex Colville

Giraffe — Michael Sowa

Netherlandish Proverbs (detail) — Pieter Bruegel the Elder
August Morning — Kazuo Nakamura

Cariatide Délivrée — Leonor Fini

Reviews, riffs, etc. of June-July, 2016 (and an unrelated pig)
I read a lot of great books over the past few months and failed to write proper reviews for some of them, including two by Stanley Elkin—The Franchiser and The Dick Gibson Show—a double feature of two novellas by W.D. Clarke called White Mythology, and Marketa Lazarova by Vladislav Vančura. But I did riff on other books.
One of the best books I’ve read in ages is Brazilian writer João Gilberto Noll’s 1991 novella Quiet Creature on the Corner (new in English translation (by Adam Morris) from Two Lines Press). I reviewed the book, but also noted—
The book is probably best read without any kind of foregrounding or forewarning.
Forewarning (and enthusiastic endorsement): Quiet Creature on the Corner is a nightmarish, abject, kinetic, surreal, picaresque read, a mysterious prose-poem that resists allegorical interpretation. I read it and then I read it again. It’s a puzzle. I enjoyed it tremendously.

Frequent answers (both on the blog, on Twitter, and via email) included lots of “big” books, especially Gravity’s Rainbow, War and Peace, Moby-Dick, and Infinite Jest. I was also surprised at how many readers cited Dostoevksy’s novel The Idiot, a book I’ve started at least four times without success.
Readers also told me that I needed to stick it out with The Charterhouse of Parma, which I did. I wrote about French Stendhal’s “Italian” novel here and here. Short version: Parts were great but the novel was often exhausting—Charterhouse is a novel about boredom that is frequently boring. But the fault is mine.
Another French novel I got bored with was Hell, Henri Barbusse’s 1908 novel of voyeurism (I read (and often just skimmed, to be honest) 1966 English translation by Robert Baldick. (As an aside, I think my boredom and comprehension of the novel made it easy to write about—whereas I sometimes have difficulty writing about a novel that I find perplexing and which I feel a passion for, like Vančura’s Marketa Lazarova).
I was very passionate about an Italian “Italian” novel (or set of novels, I suppose), Elena Ferrante’s so-called Neapolitan Novels. I wrote about Ferrante’s powers of abjection, stating—
From the earliest pages of the first novel, My Brilliant Friend, Ferrante crafts a world—a brutal neighborhood in Naples—which seems real, full, squirming with dirty bloody life. The novel also reminded me of 2666, although I couldn’t figure out why at first (my friend had not suggested a connection). A simple answer is that both novels are propulsive, addictive, impossibly rich, and evocative of specific and real worlds, real worlds anchored in dreams and nightmares.
But it’s also the horror. Ferrante, like Bolaño, captures the horrific violence under the veneer of civilization. While My Brilliant Friend and its three “sequels” (they are one novel, to be sure) undertake to show the joys and triumphs and sadnesses of a life (and more than one life), they also reverberate with the sinister specter of abjection—the abjection of violence, of history, and of the body itself. The novels are messy, bloody, and tangled, their plot trajectories belying conventional expectations (in the same way that the novels’ awful covers belie their internal excellence—kitschy romantic smears glossing over tumult).
I’m glad I finished the quartet.
As a sort of sequel or answer or rejoinder or whatever to my question posing post about books I’ve attempted the most without ever finishing, I wrote about the novels I’m always dipping into without ever hoping to really finish.

I also recycled two older posts: A thing I wrote about The BFG as a love letter Dahl wrote to his deceased daughter (recycled for the Spielberg film) and a review of Hemingway’s overlooked novel of doomed polyamory, The Garden of Eden (recycled for the man’s birthday).
I also spent a fun Friday afternoon browsing old sci-fi covers.
Also: Derek Pyle, of Waywords and Meansigns, interviewed novelist Brian Hall about a bunch of stuff, including his work adapting Finnegans Wake, a novel on my “I probably will never really read this all the way through, but…” list.
Promised pig: Jamie Wyeth’s Winter Pig, 1975–


