From The Elements of Style by William Strunk and E.B. White. Illustrated by Maira Kalman. Penguin Press, 2005.
Category: Art
Nude with Dark Hair — Fernand Khnopff
The Twins — Boris Grigoriev
Netherlandish Proverbs (detail) — Pieter Bruegel the Elder
Winged Old Man with a Long White Beard — Odilon Redon
Netherlandish Proverbs (detail) — Pieter Bruegel the Elder
Same
Three Books
Expelled from Eden: A William T. Vollmann Reader by William T. Vollmann. Edited by Larry McCaffery and Michael Hemmingson. 2004 trade paperback from Thunder’s Mouth Press/Avalon Publishing. Cover design by David Riedy; cover art by Moira Brown.
This book features an illustration of its author on the cover. It is also a book I can dip into at any time.
Diaries by Franz Kafka. English translation by Joseph Kresh and Martin Greenberg (with Hannah Arendt). Trade paperback by Schocken, 1988. Cover design by Louise Fili. Cover illustration by Anthony Russo.
This book features an illustration of its author on the cover. It is also a book I can dip into at any time.
Hawthorne’s Short Stories by Nathaniel Hawthorne. Edited by Newton Arvin. Mass market paperback by Vintage. No designer/artist credited, and I can’t make out the signature over Hawthorne’s left shoulder. But this blog’s readers are smart and have good taste and identified the artist as Ben Shanh (I should’ve recognized the signature, after posting Shanh’s painting Peter and the Wolf on this blog a few years ago). This book is close to falling apart.
This book features an illustration of its author on the cover. It is also a book I can dip into at any time.
Jupiter and Semele (detail) — Gustave Moreau
Steal Your Logo — Ryan Travis Christian
Film poster for Terrence Malick’s The Tree of Life — Tomer Hanuka
Netherlandish Proverbs (detail) — Pieter Bruegel the Elder
Minnie Cunningham at the Old Bedford — Walter Sickert
Jupiter and Semele (detail) — Gustave Moreau
Poet (Tribute to Rimbaud) — Francis Gruber
“Herman Melville” — Jorge Luis Borges
“Herman Melville”
by
Jorge Luis Borges
He was always surrounded by the sea of his elders,
The Saxons, who named the ocean
The Whale-Road, thereby uniting
The two immense things, the whale
And the seas it endlessly ploughs.
The sea was always his. By the time his eyes
First took in the great waters of the high seas
He had already longed for and possessed it
On that other ocean, which is Writing,
And in the outline of the archetypes.
A man, he gave himself to the earth’s oceans
And to the exhausting days at sea
And he came to know the harpoon reddened
By Leviathan and he rippled sand
And the smells of nights and mornings
And chance on the horizon waiting in ambush
And the happiness of being brave
And the pleasure, at last, of spying Ithaca.
The ocean’s conqueror, he strode the solid
Earth out of which mountains grow
And on which he charts an imprecise course
As with a sleeping compass, motionless in time.
In the inherited shadows of the gardens
Melville moves through New England evenings,
But the sea possesses him. It is the shame
Of the Pequod’s mutilated captain,
The unreadable ocean with its furious squalls
And the abomination of the whiteness.
It is the great book. It is blue Proteus.
(English translation by Stephen Kessler)
Chevalier aux Roses — Lajos Gulacsy
Biblioklept 