“The Birth of Bran” — An Irish Fairy Tale, Retold James Stephens

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“The Birth of Bran”

An Irish Fairy Tale, Retold James Stephens

CHAPTER I

There are people who do not like dogs a bit—they are usually women—but in this story there is a man who did not like dogs. In fact, he hated them. When he saw one he used to go black in the face, and he threw rocks at it until it got out of sight. But the Power that protects all creatures had put a squint into this man’s eye, so that he always threw crooked.

This gentleman’s name was Fergus Fionnliath, and his stronghold was near the harbour of Galway. Whenever a dog barked he would leap out of his seat, and he would throw everything that he owned out of the window in the direction of the bark. He gave prizes to servants who disliked dogs, and when he heard that a man had drowned a litter of pups he used to visit that person and try to marry his daughter.

Now Fionn, the son of Uail, was the reverse of Fergus Fionnliath in this matter, for he delighted in dogs, and he knew everything about them from the setting of the first little white tooth to the rocking of the last long yellow one. He knew the affections and antipathies which are proper in a dog; the degree of obedience to which dogs may be trained without losing their honourable qualities or becoming servile and suspicious; he knew the hopes that animate them, the apprehensions which tingle in their blood, and all that is to be demanded from, or forgiven in, a paw, an ear, a nose, an eye, or a tooth; and he understood these things because he loved dogs, for it is by love alone that we understand anything.

Among the three hundred dogs which Fionn owned there were two to whom he gave an especial tenderness, and who were his daily and nightly companions. These two were Bran and Sceo’lan, but if a person were to guess for twenty years he would not find out why Fionn loved these two dogs and why he would never be separated from them.

Fionn’s mother, Muirne, went to wide Allen of Leinster to visit her son, and she brought her young sister Tuiren with her. The mother and aunt of the great captain were well treated among the Fianna, first, because they were parents to Fionn, and second, because they were beautiful and noble women.

No words can describe how delightful Muirne was—she took the branch; and as to Tuiren, a man could not look at her without becoming angry or dejected. Her face was fresh as a spring morning; her voice more cheerful than the cuckoo calling from the branch that is highest in the hedge; and her form swayed like a reed and flowed like a river, so that each person thought she would surely flow to him.

Men who had wives of their own grew moody and downcast because they could not hope to marry her, while the bachelors of the Fianna stared at each other with truculent, bloodshot eyes, and then they gazed on Tuiren so gently that she may have imagined she was being beamed on by the mild eyes of the dawn.

It was to an Ulster gentleman, Iollan Eachtach, that she gave her love, and this chief stated his rights and qualities and asked for her in marriage.

Now Fionn did not dislike the man of Ulster, but either he did not know them well or else he knew them too well, for he made a curious stipulation before consenting to the marriage. He bound Iollan to return the lady if there should be occasion to think her unhappy, and Iollan agreed to do so. The sureties to this bargain were Caelte mac Ronan, Goll mac Morna, and Lugaidh. Lugaidh himself gave the bride away, but it was not a pleasant ceremony for him, because he also was in love with the lady, and he would have preferred keeping her to giving her away. When she had gone he made a poem about her, beginning:

       "There is no more light in the sky—"

And hundreds of sad people learned the poem by heart. Continue reading ““The Birth of Bran” — An Irish Fairy Tale, Retold James Stephens” →

Woman Reading — Teodoro Núñez Ureta

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Stalker — Andrei Tarkovsky (Full Film with English Subtitles)

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Portrait of Nico — Ivan Brunetti

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Snail Love (Microcosmos)

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In the House Upon the Dirt Between the Lake and the Woods (Book Acquired 3.08.2013)

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I was happy to get an advance copy of Matt Bell’s forthcoming novel In the House upon the Dirt Between the Lake and the Woods, because I like titles with lots of prepositions. No, actually, Bell’s novella-in-vignette’s Cataclysm Baby was one of my favorite new books of 2012. Here’s the pub blurb for House:

In this epic, mythical debut novel, a newly-wed couple escapes the busy confusion of their homeland for a distant and almost-uninhabited lakeshore. They plan to live there simply, to fish the lake, to trap the nearby woods, and build a house upon the dirt between where they can raise a family. But as their every pregnancy fails, the child-obsessed husband begins to rage at this new world: the song-spun objects somehow created by his wife’s beautiful singing voice, the giant and sentient bear that rules the beasts of the woods, the second moon weighing down the fabric of their starless sky, and the labyrinth of memory dug into the earth beneath their house.

This novel, from one of our most exciting young writers, is a powerful exploration of the limits of parenthood and marriage—and of what happens when a marriage’s success is measured solely by the children it produces, or else the sorrow that marks their absence.

You can read my interview with Matt here and excerpts from House at Matt’s site.

Hemingway Shilling for Ballantine Ale

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Ernest Hemingway - Advertisement From P. Ballantine & Sons, Newark (1951)

(Via/about).

“Darwinism” — Walt Whitman

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“Darwinism” by Walt Whitman

Running through prehistoric ages—coming down from them into the daybreak of our records, founding theology, suffusing literature, and so brought onward—(a sort of verteber and marrow to all the antique races and lands, Egypt, India, Greece, Rome, the Chinese, the Jews, &c., and giving cast and complexion to their art, poems, and their politics as well as ecclesiasticism, all of which we more or less inherit,) appear those venerable claims to origin from God himself, or from gods and goddesses—ancestry from divine beings of vaster beauty, size, and power than ours. But in current and latest times, the theory of human origin that seems to have most made its mark, (curiously reversing the antique,) is that we have come on, originated, developt, from monkeys, baboons—a theory more significant perhaps in its indirections, or what it necessitates, than it is even in itself. (Of the twain, far apart as they seem, and angrily as their conflicting advocates to-day oppose each other, are not both theories to be possibly reconcil’d, and even blended? Can we, indeed, spare either of them? Better still, out of them is not a third theory, the real one, or suggesting the real one, to arise?)

Of this old theory, evolution, as broach’d anew, trebled, with indeed all-devouring claims, by Darwin, it has so much in it, and is so needed as a counterpoise to yet widely prevailing and unspeakably tenacious, enfeebling superstitions—is fused, by the new man, into such grand, modest, truly scientific accompaniments—that the world of erudition, both moral and physical, cannot but be eventually better’d and broaden’d in its speculations, from the advent of Darwinism. Nevertheless, the problem of origins, human and other, is not the least whit nearer its solution. In due time the Evolution theory will have to abate its vehemence, cannot be allow’d to dominate every thing else, and will have to take its place as a segment of the circle, the cluster—as but one of many theories, many thoughts, of profoundest value—and re-adjusting and differentiating much, yet leaving the divine secrets just as inexplicable and unreachable as before—maybe more so.

Then furthermore—What is finally to be done by priest or poet—and by priest or poet only—amid all the stupendous and dazzling novelties of our century, with the advent of America, and of science and democracy—remains just as indispensable, after all the work of the grand astronomers, chemists, linguists, historians, and explorers of the last hundred years—and the wondrous German and other metaphysicians of that time—and will continue to remain, needed, America and here, just the same as in the world of Europe, or Asia, of a hundred, or a thousand, or several thousand years ago. I think indeed more needed, to furnish statements from the present points, the added arriere, and the unspeakably immenser vistas of to-day. Only, the priests and poets of the modern, at least as exalted as any in the past, fully absorbing and appreciating the results of the past, in the commonalty of all humanity, all time, (the main results already, for there is perhaps nothing more, or at any rate not much, strictly new, only more important modern combinations, and new relative adjustments,) must indeed recast the old metal, the already achiev’d material, into and through new moulds, current forms.

Meantime, the highest and subtlest and broadest truths of modern science wait for their true assignment and last vivid flashes of light—as Democracy waits for it’s—through first-class metaphysicians and speculative philosophs—laying the basements and foundations for those new, more expanded, more harmonious, more melodious, freer American poems.

Alexander Serebryakov Reading a Book — Zinaida Serebriakova

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Group of Victims — Hieronymus Bosch

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Lydia Davis: “I don’t want to be bored by someone’s imagination”

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I’m not tired of all good books, I’m just tired of novels and stories, even good ones, or ones that are supposed to be good. These days, I prefer books that contain something real. I don’t want to be bored by someone’s imagination. Most people’s imaginations just aren’t very interesting—you can guess where the author got this idea and that idea. You can predict what will come next before you finish reading the sentence. It all seems so arbitrary.

From Lydia Davis’s story “Not Interested,” published in this month’s Harper’s and originally published in NOON.

 

George Saunders on Jangly Sentences and the Intentional Fallacy

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Beware

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Ides of March — Cy Twombly

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“The Lightning-Rod Man” — Herman Melville

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What grand irregular thunder, thought I, standing on my hearth-stone among the Acroceraunian hills, as the scattered bolts boomed overhead, and crashed down among the valleys, every bolt followed by zigzag irradiations, and swift slants of sharp rain, which audibly rang, like a charge of spear-points, on my low shingled roof. I suppose, though, that the mountains hereabouts break and churn up the thunder, so that it is far more glorious here than on the plain. Hark!–someone at the door. Who is this that chooses a time of thunder for making calls? And why don’t he, man-fashion, use the knocker, instead of making that doleful undertaker’s clatter with his fist against the hollow panel? But let him in. Ah, here he comes. “Good day, sir:” an entire stranger. “Pray be seated.” What is that strange-looking walking-stick he carries: “A fine thunder-storm, sir.”

“Fine?–Awful!”

“You are wet. Stand here on the hearth before the fire.”

“Not for worlds!”

The stranger still stood in the exact middle of the cottage, where he had first planted himself. His singularity impelled a closer scrutiny. A lean, gloomy figure. Hair dark and lank, mattedly streaked over his brow. His sunken pitfalls of eyes were ringed by indigo halos, and played with an innocuous sort of lightning: the gleam without the bolt. The whole man was dripping. He stood in a puddle on the bare oak floor: his strange walking-stick vertically resting at his side. Continue reading ““The Lightning-Rod Man” — Herman Melville” →

A Child Learning to Read — Paul Delaroche

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Bells from the Deep — Werner Herzog (Full Documentary)

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