Okay: So I’ve been meaning to get to this one for awhile, but my review stack has just been too big.
Anyway, Michael J. Siedlinger’s My Pet Serial Killer is pretty weird stuff so far, but also compelling and very readable.
At Word Riot, Edward J. Rathke gave the book a favorable review, writing:
My Pet Serial Killer is a psychological thriller as pickup game as college days romance as media study as violent porn as metahorror as the most bizarre and cruelest master/slave relationship I can remember reading since John Fowles’ The Collector. Claire Wilkinson, a forensics graduate student, plays the pickup game but she searches for a very specific kind of lover: a serial killer. She finds her Gentleman Killer, tears him apart, and rebuilds him, hoping to mold the greatest serial killer ever, causing a media frenzy, and furthering her own academic career. Twisted without being overly violent, haunting without the ghosts, Claire is a narrator and protagonist that we race along with, burning through pages at a dizzying rate only to see what she does next.
The book also got a good write-up at HTML Giant, which declared “Seidlinger is the sickest of the fucks. Few can compare.”
“On Sleep” by Samuel Johnson (From The Idler, No. 39. Tuesday, March 20, 1753)
—[Greek: Oduseus phulloisi kalupsato to d ar Athaenae
Hypnon ep ommasi cheu, ina min pauseie tachista
Dusponeos kamatoio.]—HOM. E. 491
—Pallas pour’d sweet slumbers on his soul;
And balmy dreams, the gift of soft repose,
Calm’d all his pains, and banish’d all his woes. POPE.
If every day did not produce fresh instances of the ingratitude of mankind, we might, perhaps, be at a loss, why so liberal and impartial a benefactor as sleep, should meet with so few historians or panegyrists. Writers are so totally absorbed by the business of the day, as never to turn their attention to that power, whose officious hand so seasonably suspends the burthen of life; and without whose interposition man would not be able to endure the fatigue of labour, however rewarded, or the struggle with opposition, however successful.
Night, though she divides to many the longest part of life, and to almost all the most innocent and happy, is yet unthankfully neglected, except by those who pervert her gifts.
The astronomers, indeed, expect her with impatience, and felicitate themselves upon her arrival: Fontenelle has not failed to celebrate her praises; and to chide the sun for hiding from his view the worlds, which he imagines to appear in every constellation. Nor have the poets been always deficient in her praises: Milton has observed of the night, that it is “the pleasant time, the cool, the silent.”
These men may, indeed, well be expected to pay particular homage to night; since they are indebted to her, not only for cessation of pain, but increase of pleasure; not only for slumber, but for knowledge. But the greater part of her avowed votaries are the sons of luxury; who appropriate to festivity the hours designed for rest; who consider the reign of pleasure as commencing when day begins to withdraw her busy multitudes, and ceases to dissipate attention by intrusive and unwelcome variety; who begin to awake to joy when the rest of the world sinks into insensibility; and revel in the soft affluence of flattering and artificial lights, which “more shadowy set off the face of things.” Continue reading ““On Sleep” — Samuel Johnson”
[Ed. note: The following citations come from one-star Amazon reviews of Herman Melville’s novel Moby-Dick. To be very clear, I think Moby-Dick is fantastic—but I also enjoy seeing what people compelled to write negative reviews of the book on Amazon had to say. What follows are selections of one-star Amazon reviews; I’ve preserved the reviewers’ unique styles of punctuation and spelling. See also: on Joyce’s Ulysses and Markson’s Wittgenstein’s Mistress].
Yechh.
It made for a smashing movie.
If you want to read lots of meaningless whale trivia read the book.
Boy gets whale. Boy loses whale. Boy gets whale. Spawns yawns
I think if you made it into a short comic strip, you would have liked it.
I bought this book for a friend in jail. Alas, he was unable to read it because the font was too small.
Ray Bradbury, who wrote the screenplay for this novel, (a la Gregory Peck) couldn’t even finish the damn thing!
If you like a story with nonessential information and an author that is entirely to verbose, then this book is for you.
I am quite the fan of stories which involve man eating sea creatures, such as Jaws. Moby Dick is nothing compared to such classics, I fear.
Throughout the book, you may read one chapter with some action only to be followed by 5 or 6 chapters of tangents that are not necessary to understand the story.
Moby Dick, was a horrible waiste of time. Along with its wordy paragraphs, it also talked about uninteresting issues. It is also to long, and you don’t hear of them encountering the whale until the end of the book.
The only people who like this book are english teachers who derive a feeling of moral superiority from forcing others to read this incredibly bad novel.
First of all, classiflying it as fiction is a mistake. Probably a good 60% of the book is non-fiction – chapter after chapter dedicated to every imaginable detail of the biology of the whale and every imaginable nuance of whaling.
I love literatur just as much as the next guy but we must face it 100 years or so ago American literature was reall weak and lagging from the rest of the world, perhaps now they’re starting to catch up with writers like Ann Rice and them.
I have seen better writing in a Hallmark card! Boring! Give me a good ole copy of Elvis and Me! A true story that really tugs at your heart strings! I sleep with that one under my pillow! Keep Moby Dick away from my bed!
Those chapters about Ishmael sleeping with whatever his name was and Ishamel had such a good time with the other guy’s arm over him and leg over him that he didn’t know if he was straight or gay any more.
i personally didn’t enjoy the philosophical or deep side of the book, i have read much much better books in that regard.
There is no suspense, and I find the idea of people hunting whales offensive. Offensive with a capital O.
Honestly, Over 400 pages devoted to killing a whale because it ate your hand? Come on.
It is hard to read. like work. Doubt he could get published today.
What is the whales motivation? You dont know.
It is 540somepages of boring whaling details.
No wonder Melville flopped as a writter.
OMG, this is tedious and torture to read.
I HATE this book. Why? It’s BORING!
Moby Ick’s more like it.
“The Valley of Spiders” by H.G. Wells
Towards mid-day the three pursuers came abruptly round a bend in the torrent bed upon the sight of a very broad and spacious valley. The difficult and winding trench of pebbles along which they had tracked the fugitives for so long, expanded to a broad slope, and with a common impulse the three men left the trail, and rode to a little eminence set with olive-dun trees, and there halted, the two others, as became them, a little behind the man with the silver-studded bridle.
For a space they scanned the great expanse below them with eager eyes. It spread remoter and remoter, with only a few clusters of sere thorn bushes here and there, and the dim suggestions of some now waterless ravine, to break its desolation of yellow grass. Its purple distances melted at last into the bluish slopes of the further hills—hills it might be of a greener kind—and above them invisibly supported, and seeming indeed to hang in the blue, were the snowclad summits of mountains that grew larger and bolder to the north-westward as the sides of the valley drew together. And westward the valley opened until a distant darkness under the sky told where the forests began. But the three men looked neither east nor west, but only steadfastly across the valley.
The gaunt man with the scarred lip was the first to speak. “Nowhere,” he said, with a sigh of disappointment in his voice. “But after all, they had a full day’s start.”
“They don’t know we are after them,” said the little man on the white horse.
“SHE would know,” said the leader bitterly, as if speaking to himself.
“Even then they can’t go fast. They’ve got no beast but the mule, and all to-day the girl’s foot has been bleeding—-”
The man with the silver bridle flashed a quick intensity of rage on him. “Do you think I haven’t seen that?” he snarled.
“It helps, anyhow,” whispered the little man to himself.
The gaunt man with the scarred lip stared impassively. “They can’t be over the valley,” he said. “If we ride hard—”
He glanced at the white horse and paused.
“Curse all white horses!” said the man with the silver bridle, and turned to scan the beast his curse included.
The little man looked down between the melancholy ears of his steed.
“I did my best,” he said.
The two others stared again across the valley for a space. The gaunt man passed the back of his hand across the scarred lip. Continue reading ““The Valley of Spiders” — H.G. Wells”
You remember Harmony Korine, right? The scruffy auteur who gave us the nightmare white trash tornado-disaster cat-killing opus Gummo? The curb-dancing maniac who never got around to putting out that movie where he provoked strangers to beat him up? The guy who broke the Dogme 95 rules on Julien Donkey-Boy, a film featuring a pregnant Chloe Sevigny ice skating to Oval? The guy who stitched Trash Humpers together using VHS decks? The guy who wrote Kids? That guy?
So he has this new movie coming out called Spring Breakers. He wrote and directed the film. It stars James Franco, along with Disney alumni Vanessa Hudgens and Selena Gomez.
Here is the NSFW trailer for Spring Breakers:
I am baffled.
I do not know what to make of this.
Sure, there’s something of Kids in there, but the lurid, saturated cinematography by Benoît Debie (who has worked with Gaspar Noé in the past) has this nauseating MTV/Hype Williams feel to it that seems miles away from Larry Clark’s plain, unadorned style, or Korine’s own patchy VHS buzz.
The film also seems to be a fairly straightforward, character-oriented plot, likely with clear exposition, an arc—all that stuff that Korine was known to dismiss in the past. Now, I’m not saying that Korine should just keep making the same films again and again (not that he’s ever done that, to be clear)—I’m just surprised by the look and feel of Spring Breakers, and how it seems to be marketed.
My gut feeling, which might be entirely wrong, is that Spring Breakers is an expensive prank, a film shot entirely in ironic quotation marks that the viewer will never see because Korine will never call attention to them. (This potentially puts Spring Breakers in the same territory as masterpieces like Road House and RoboCop).
Lead actor James Franco, who is currently pursuing seven PhDs in irony studies and metawhatevers, would seem an ideal fit for such a prank. Additionally, Franco’s begrilled performance as Alien is clearly channeling wunderkind RiFF RaFF, (Mr. RaFF even has a song called “RAP GAME JAMES FRANCO” which contains the genius hook “Non-stop through desert / Salisbury steak sweater”). RiFF RaFF’s shtick is even more bewildering than Spring Breakers; it’s difficult to tell if he’s some kind of art genius doing the Andy Kaufman thing or just a white kid from Houston with a bizarre sense of humor. Or both. Or neither. Either way, there’s something endearingly intriguing about him, whether you’re watching him infiltrate an art show in Miami or claim that his underwear is “moccasins.”
But back to Spring Breakers—it looks awful—but so did the previews for Wild Things, so, you know. And, again, the marketing isn’t the film. Still, it’s hard to get excited about this one.
Biblioklept 