Edible (Ambrose Bierce)

From Ambrose Bierce’s The Devil’s Dictionary. 

Originally published in 1906; the image is from The Peter Pauper Press’s 1958 illustrated edition, with art by Joseph Low.

 

Pity — William Blake

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Pity, c. 1795 by William Blake (1757–1827)

The Expulsion from Eden — John Roddam Spencer Stanhope

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The Expulsion from Eden, c. 1900 by John Roddam Spencer Stanhope (1829–1908)

Hospitalized for approaching perfection

Read “An Experiment in Misery,” a short story by Stephen Crane

“An Experiment in Misery”

by

Stephen Crane


It was late at night, and a fine rain was swirling softly down, causing the pavements to glisten with hue of steel and blue and yellow in the rays of the innumerable lights. A youth was trudging slowly, without enthusiasm, with his hands buried deep in his trouser’s pockets, towards the down-town places where beds can be hired for coppers. He was clothed in an aged and tattered suit, and his derby was a marvel of dust-covered crown and torn rim. He was going forth to eat as the wanderer may eat, and sleep as the homeless sleep. By the time he had reached City Hall Park he was so completely plastered with yells of “bum” and “hobo,” and with various unholy epithets that small boys had applied to him at intervals, that he was in a state of the most profound dejection. The sifting rain saturated the old velvet collar of his overcoat, and as the wet cloth pressed against his neck, he felt that there no longer could be pleasure in life. He looked about him searching for an outcast of highest degree that they too might share miseries, but the lights threw a quivering glare over rows and circles of deserted benches that glistened damply, showing patches of wet sod behind them. It seemed that their usual freights had fled on this night to better things. There were only squads of well-dressed Brooklyn people who swarmed towards the bridge.

The young man loitered about for a time and then went shuffling off down Park Row. In the sudden descent in style of the dress of the crowd he felt relief, and as if he were at last in his own country. He began to see tatters that matched his tatters. In Chatham Square there were aimless men strewn in front of saloons and lodging-houses, standing sadly, patiently, reminding one vaguely of the attitudes of chickens in a storm. He aligned himself with these men, and turned slowly to occupy himself with the flowing life of the great street.

Through the mists of the cold and storming night, the cable cars went in silent procession, great affairs shining with red and brass, moving with formidable power, calm and irresistible, dangerful and gloomy, breaking silence only by the loud fierce cry of the gong. Two rivers of people swarmed along the side walks, spattered with black mud, which made each shoe leave a scar-like impression. Overhead elevated trains with a shrill grinding of the wheels stopped at the station, which upon its leg-like pillars seemed to resemble some monstrous kind of crab squatting over the street. The quick fat puffings of the engines could be heard. Down an alley there were sombre curtains of purple and black, on which street lamps dully glittered like embroidered flowers. Continue reading “Read “An Experiment in Misery,” a short story by Stephen Crane”

Adam and Eve — Carlos Alonso

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Adan y Eva (Adam and Eve), 1965 by Carlos Alonso (b. 1929)

The Complete Stories of Leonora Carrington (Book acquired, 10 April 2017)

You probably know Leonora Carrington for her rich, wry surrealist paintings, sculptures, drawings, and sketches. She also wrote rich, wry surrealist tales, which the good people at Dorothy have collected in The Complete Stories of Leonora Carrington.

I kind of flipped out when I first saw the publication announcement for this collection. Her work has been out of print for ages. Years ago, I found a samizdat copy of The Oval Lady (1975) on the internet (and shared some of the stories on this blog), and consumed it in an hour or two. Witty and weird, Carrington’s stuff defies easy allegory or staid symbolism. Her stories are fun but dark, paragraph unfurling into paragraph in a strange dream-logic that recalls her visual skill as a painter.

The Complete Stories is so complete that it contains a pawful of unpublished stories, including “Mr. Gregory’s Fly,” which you can read on LitHub. I’ve dipped into the stories a few times, reading slowly—Carrington’s sentences are loaded with imagery, rich, but somehow light and not dense. Full review to come, but for now, here’s Dorothy’s blurb (and a few paintings):

Surrealist writer and painter Leonora Carrington (1917-2011) was a master of the macabre, of gorgeous tableaus, biting satire, roguish comedy, and brilliant, effortless flights of the imagination. Nowhere are these qualities more ingeniously brought together than in the works of short fiction she wrote throughout her life.

Published to coincide with the centennial of her birth, The Complete Stories of Leonora Carrington collects for the first time all of her stories, including several never before seen in print. With a startling range of styles, subjects, and even languages (several of the stories are translated from French or Spanish), The Complete Stories captures the genius and irrepressible spirit of an amazing artist’s life.

Concurrent with The Complete Stories, the NYRBooks will be publishing Carrington’s memoir Down Below and her children’s book The Milk of Dreams.

With rage and contempt

Capture

Kneeling Girl in Orange Dress — Egon Schiele

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Kniendes Mädchen in orangerotem Kleid (Kneeling Girl in Orane Dress), 1910 by Egon Schiele (1890-1918)

Encounter — Niklas Asker

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Encounter, 2017 by Niklas Asker (b. 1979)

Bacchus and Ariadne (Detail) — Titian

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Bacchus and Ariadne (detail),1522–23 by Titian (c. 1488-1576)

Easter and the Totem — Jackson Pollock

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Easter and the Totem, 1953 by Jackson Pollock (1912-56)

Sunday Comics

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Some panels and the cover of Swamp Thing #37, June 1985. Script by Alan Moore; art by Rick Veitch and John Totleben with coloring by Tatjana Wood. It’s in this issue that Swamp Thing realizes he has the power to resurrect himself. Happy Easter!

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Bacchus and Ariadne (Detail) — Titian

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Bacchus and Ariadne (detail),1522–23 by Titian (c. 1488-1576)

Rabbit on a Train — Michael Sowa

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Rabbit on a Train by Michael Sowa (b. 1945)

Untitled — Robin F. Williams

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Untitled, 2016 by Robin F. Williams (b. 1984)

Bacchus and Ariadne (Detail) — Titian

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Bacchus and Ariadne (detail),1522–23 by Titian (c. 1488-1576)