The AV Club’s Noel Murray interviews Chilean director Alejandro Jodorowsky, he of Holy Mountain and apocalypse-Western El Topo fame. Jodorowsky famously almost adapted Frank Herbert’s Dune before David Lynch picked up that gauntlet. Here’s Jodorowsky on Lynch’s adaptation–
AVC: For a long time, you were involved with developing Dune into a feature film, before the project fell through. Did you ever see David Lynch’s Dune?
AJ: Yes, I’ve seen it. I was very scared when I saw it, because Dune was for me very important in my life. I was very sad I could not do it. When I saw that David Lynch would do it, I was very scared, because I admire him as a moviemaker, and I thought he would do well. But when I see the picture, I realize he never understood this picture. It’s not a David Lynch picture. It’s the producer who made that picture, no? Who made this horror. For David Lynch, it was a job. A commercial job. It never was that for me.
Jodorowsky’s version of Dune had entered pre-production, including early art from Jean Giraud (French comics artist Moebius). You can see some of Giraud’s character designs and storyboards here.
Jodorowsky famously wanted Salvador Dali to play the Emperor and Mick Jagger to play Feyd Rautha (a role that went to Sting in Lynch’s version).
[…] from our expectations. His imaginative disruptions made him a key partner for film directors like Alejandro Jodorowsky; he also worked on the art team behind Alien, among other films, like The Abyss, Willow, […]
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[…] expectativas. Seus rupturas imaginativas fez dele um parceiro fundamental para cineastas como Alejandro Jodorowsky , ele também trabalhou na equipe de arte por trás de Alien , entre outros filmes, como O […]
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[…] even weirder is that Alejandro Jodorowsky had been working on adapting Dune into a film, working with artists H.R. Geiger, Moebius. (Jodorowsky also planned to involve Orson Welles, Mick […]
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