An Incomplete List of Stuff I Wish I’d Written About in 2011

Let me get this out of my system:

In no particular order a list of stuff I wished I’d written about in 2011:

1. Renata Adler’s amazing novel-in-vignettes Speedboat.

2. Wittgenstein’s Mistress by David Markson. End of the world cultural riffage. No raffage.

3. The Stories of Breece D’J Pancake: soul-crashing sad. [Not a typo].

4. Season two of Boardwalk Empire: The Oedipal complex as a plot arc hasn’t been done so well since The Sopranos. Most HBO shows seem to be about capitalism and law (see also: Deadwood, The Wire, The Sopranos).

5. That first episode of Luck. I love David Milch. Michael Mann seems imminently capable of filming things (although I think Heat is overrated, even though it has Val Kilmer, and he’s radness in the form of a lion in the form of a sea lion). The opening episode was dry like vermouth. But I will watch, because of Deadwood.

6. Hung. My wife and I are the only two people in America who liked Hung. Then it got canceled.

7. Captain America: All of the shots + set design in this film seem to have been straight up stolen from the Star Wars films—except the shots that were stolen from the Indiana Jones films. It’s funny in a way because Lucas (and Spielberg) were stealing from old serial films that were contemporaneous with the age that Captain America is meant to be set in. (And, oh, yeah, the movie was contrived bullshit).

8. I wish I’d reviewed How to Keep Your Volkswagen Alive by Chris Boucher. It was new and fresh and strange and deserved a good review from this blog, but it was very difficult to write about. I tried. It’s simultaneously sad, funny, too-experimental, but also rich and rewarding. An excellent flawed début.

9. The Trip: Steve Coogan and Rob Brydon take a trip through Northern England, eating at Michelin starred inns, creeping on the wild misty moors, referencing plenty of Romantic lit, and riffing—and backbiting—a lot. Comedy + tragedy done right. Lovely.

10. The Adventures of Buckaroo BanzaiAcross the 8th Dimension: Okay, frankly, I was ashamed to admit that I hadn’t seen it until this summer. Batshit insane interstellar hi-jinks. Rasta aliens. Buckaroo and his men are in a band! The ending credits sequence is the second best I’ve ever seen (after Lynch’s closing credits for INLAND EMPIRE).

11. The last Harry Potter movie. It was good. I’m glad they’re over though.

12. Baudolino by Umberto Eco, which I listened to on mp3 while refinishing a room in my new house. The first half was great—silly, bawdy, funny—but it unraveled into a sloppy mess by the end.

13. The Hunger Games by whoever wrote The Hunger Games, I think her name is Suzanne Collins, but Christ I’m not gonna waste any time checking: I listened to this audiobook working on the same room project that I worked on while listening to Baudolino. Look, I get that these books are for kids, and that they’re probably a sight better than Twilight, but sheesh, exposition exposition exposition. There’s nothing wrong with letting readers fill in the gaps (especially when your book is ripping off The Running Man + a dozen other books). Also, there’s a character in this book who I think is named after pita bread.

14.  A Canticle for Leibowitz by Walter M. Miller. Another audiobook that I listened to working on the aforementioned project—only this book is pure excellence, a post-apocalyptic examination of faith and meaning set against Big Nothing. The first third recalled Blood Meridian to me, although McCarthy’s book must have been composed 25 years after Miller’s.

15. I finally watched Party Down after all of my friends kept telling me, “You gotta watch Party Down!” Have you seen Party Down? You gotta watch Party Down!

16. Various short stories by Melville and Hawthorne: I read a lot of short pieces from these guys, mostly obscure, often half-baked stories that were still better than 99.9% of the contemporary stuff American writers are doing.

17. Uncreative Writing by Kenneth Goldsmith. Goldsmith is a hero: Ubuweb is magic. But a lot of Uncreative Writing just felt like an excuse for Goldsmith to share his favorite riffs on avant gardism from the classroom. And I know he’s probably a great and inspiring teacher, and I’m sure his Uncreative Writing class was gangbusters and meaningful for his students. Maybe it’s because I teach at a community college; maybe I’m conservative—I’m a fan of Dada; I get Walter Benjamin, blah blah blah. I just think we should cite sources still. Originality may be a fiction, but synthesis isn’t. Research and documentation are meaningful. Still, an entertaining book.

18. Music. Although most writing about music sucks.

19. Probably several dozen other books, movies, TV shows, etc. But there’s always 2012 to become overwhelmed by!

Happy New Year!

21 thoughts on “An Incomplete List of Stuff I Wish I’d Written About in 2011”

  1. That is A LOT of stuff. You’d have to be at your desk 24/7 to do all that writing, so don’t be sorry about it. Just write on :)


  2. I felt the same way about HOW TO KEEP YOUR VOLKSWAGEN ALIVE. I didn’t finish it because the world building never stopped – I never had a moment to stabilize and appreciate the story. The rules kept changing. But there was also so much great stuff going on… If you go and check out other reviews, you may notice that it seems like they’ve reviewed only the first 20 pages. It feels like most people didn’t read the whole thing.

    LOL at the Hunger Games… It’s not nearly as bad as Twilight, but it’s got it’s issues for sure.


    1. Yeah, VOLKS never stabilizes. Actually, the advance reader copy I got was really interesting because it had these weird brackets with missing phrases, and I thought it was just part of Boucher’s game…until I checked against the final copy.


  3. I’m with you on ‘The Trip’. I didn’t get it when watching disparate serialised episodes on TV, but I watched the film on a flight to Australia and just loved it, despite having no particular liking for either protagonist outside of this film.


  4. I heard that Speedboat is going to be republished by Melville house in February 2012. Anyone know whether this is true or not?


      1. From an email from Nathan at MH:

        “Long story short, we were planning on re-printing Adler’s Speedboat and Pitch Dark, had covers ready and everything, but now for various contractual reasons that project is delayed indefinitely. Sad to say.”


  5. Okay, I’m a HUNG appreciator as well. It was surprisingly sweet. And it must be fairly popular here in the frozen tundra (Canada) as season 2 has a HUGE waiting list at the library. Interesting.


    1. The third season of Hung was kinda weird and the last episode was a bit dissatisfying — but I love the woman who plays his pimp. I hope she shows up in something else. An excellent comedic role.


    1. Yeah, I can’t seem to get past the second episode. I’ve tried. How many does it take to get into it? (It took me three tries with The Wire, but once I made it through the end of ep 3 I was hooked).


  6. It took me a couple tries to get into it; I just didn’t (in some way) “get it” at first (I read the first 40 or so pages of Blood Meridian 3 times before it clicked for me). I’ve noticed that this is a common thread in a great deal of art that I end up becoming obsessed with–I start off feeling nothing, and I later look back and can’t imagine what I was thinking. The wire took me 6 or so episodes for it to click for me, and it wasn’t until the season 1 finale that I realized the full picture of what I was witnessing (from a storytelling perspective). As far as Breaking Bad, each season is exponentially superior than the season before it, and everyone probably has a different moment of when they realize they’re hooked. Based on your taste in books and movies, I can’t imagine that you wouldn’t like this show; it has influences ranging from great westerns (e.g. Once Upon a Time in The West), to The Godfather, to some of the Coen brothers’ best films. If you (for some reason) don’t end up liking it, it would be quite interesting to hear why. The show changes quite a bit from the beginning. In the beginning, there is a great deal of comedy and lightheartedness, but each season gets progressively darker and morally complex. By the end of the fourth season, I can safely say that this is the darkest show ever put on television.


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