“The Dead” — James Joyce

“The Dead” by James Joyce

Lily, the caretaker’s daughter, was literally run off her feet. Hardly had she brought one gentleman into the little pantry behind the office on the ground floor and helped him off with his overcoat than the wheezy hall-door bell clanged again and she had to scamper along the bare hallway to let in another guest. It was well for her she had not to attend to the ladies also. But Miss Kate and Miss Julia had thought of that and had converted the bathroom upstairs into a ladies’ dressing-room. Miss Kate and Miss Julia were there, gossiping and laughing and fussing, walking after each other to the head of the stairs, peering down over the banisters and calling down to Lily to ask her who had come.

It was always a great affair, the Misses Morkan’s annual dance. Everybody who knew them came to it, members of the family, old friends of the family, the members of Julia’s choir, any of Kate’s pupils that were grown up enough and even some of Mary Jane’s pupils too. Never once had it fallen flat. For years and years it had gone off in splendid style as long as anyone could remember; ever since Kate and Julia, after the death of their brother Pat, had left the house in Stoney Batter and taken Mary Jane, their only niece, to live with them in the dark gaunt house on Usher’s Island, the upper part of which they had rented from Mr Fulham, the corn- factor on the ground floor. That was a good thirty years ago if it was a day. Mary Jane, who was then a little girl in short clothes, was now the main prop of the household for she had the organ in Haddington Road. She had been through the Academy and gave a pupils’ concert every year in the upper room of the Antient Concert Rooms. Many of her pupils belonged to better-class families on the Kingstown and Dalkey line. Old as they were, her aunts also did their share. Julia, though she was quite grey, was still the leading soprano in Adam and Eve’s, and Kate, being too feeble to go about much, gave music lessons to beginners on the old square piano in the back room. Lily, the caretaker’s daughter, did housemaid’s work for them. Though their life was modest they believed in eating well; the best of everything: diamond-bone sirloins, three-shilling tea and the best bottled stout. But Lily seldom made a mistake in the orders so that she got on well with her three mistresses. They were fussy, that was all. But the only thing they would not stand was back answers.

Of course they had good reason to be fussy on such a night. And then it was long after ten o’clock and yet there was no sign of Gabriel and his wife. Besides they were dreadfully afraid that Freddy Malins might turn up screwed. They would not wish for worlds that any of Mary Jane’s pupils should see him under the influence; and when he was like that it was sometimes very hard to manage him. Freddy Malins always came late but they wondered what could be keeping Gabriel: and that was what brought them every two minutes to the banisters to ask Lily had Gabriel or Freddy come. Continue reading ““The Dead” — James Joyce”

Something on David Markson’s Wittgenstein’s Mistress, Shamelessly Plagiarized and Rearranged from One-Star Amazon Reviews

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This is not a review.

This book was recommended to me.

An experimental, philosophical novel.

I really wanted to like this book.

I had read the reviews & after being unable for a few years to buy it secondhand, I bit the bullet & bought it new.

The beginning is intriguing.

The concept of the book is dead simple.

The idea is this: Kate is a painter; she is the last person on earth, maybe; she is alone in a house on the Long Island beach

Markson picks up Kate’s dialogue in media res and trusts the reader enough to piece together what the heck is going on: she is the last person left on earth and is making her way through it as best she can, telling us her story as she goes.

Short declarative sentences loop feverishly around her brain, repeating themselves, correcting themselves, contradicting themselves, and filling in missing information many pages later.

The narrator’s voice rings true.

It is frustrating, repetitive, and does not offer much in the way of style and language.

No chapter breaks, no real paragraphs even.

Read at random.

This book received 54 rejections before finding a publisher. This I can believe.

Her little apercus are all about observation and remembrance, the real and the false, blah, blah.

(Joyce, Baldwin, Pynchon, Cortazar).

The book was meandering, rambling & jumped all over the place.

Not that oddness is bad.

It never centers on anything.

It’s the type of book best discussed in groups, since it does bring up some interesting themes—the fragility of memory and sanity, the ineffectiveness of language, the impact of philosophy and literature.

There’s nothing for the reader to latch onto and follow, other than the voice.

What about the subtext?

Like Wittgenstein said, “Whereof we cannot speak, thereof we must be silent.”

I am mad. I am crazy. Yesterday I died but returned in time to write this.